|
List Of Compositions By Giovanni Pierluigi Da Palestrina
This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre. The volume (given in parentheses for motets) refers to the volume of the Breitkopf & Härtel complete edition in which the work can be found. Six of the volumes of masses and some of his motets and other works were published in these editions during Palestrina's lifetime. Others were collected later, from papal choirbooks and other sources. The dates of most pieces are unknown, unless they were known to have been composed in connection with some celebration. Of those works published during Palestrina's lifetime, many were composed considerably earlier than their date of publication, and of the others a large number remained unpublished until the 19th century. The 32 volumes of Palestrina's collected works were published by Breitkopf & Härtel between 1862 and 1907. The volumes of the masses maintain the order of works in the previously published volumes (with the Collected Works Vol. 10 correspon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicut Cervus (Palestrina)
''Sicut cervus'' is a motet for four voices by Giovanni Pierluigi da Palestrina. It sets the beginning of Psalm 42, Psalmus XLI in the Latin version of the ''Psalterium Romanum'' rather than the Vulgate Bible. The incipit is "Sicut cervus desiderat ad fontes" (As the deer desires the fountains) followed by a second part (''secunda pars'') "Sitivit anima mea" (My soul thirsts). It was published in 1604 in ''Motecta festorum, Liber 2'', and has become one of Palestrina's most popular motets, regarded as a model of Renaissance polyphony, expressing spiritual yearning. History The motet is a setting of Psalm 42:1-3. The Psalm was a prescribed tract for the blessing of the water (font) on Holy Saturday, recalling the water of baptism as well as the "living water of the eucharist". The text, speaking of the longing for God, retained its association with funeral music, having been widely used as the Tract before the Tridentine Roman Missal of 1570 standardized the tract ''Absolve, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veni Creator Spiritus
"Veni Creator Spiritus" (Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, and archbishop. When the original Latin text is used, it is normally sung in Gregorian Chant. It has been translated and paraphrased into several languages, and adapted into many musical forms, often as a hymn for Pentecost or for other occasions that focus on the Holy Spirit. Liturgical use As an invocation of the Holy Spirit, Veni Creator Spiritus is sung in the Catholic Church during liturgical celebrations on the feast of Pentecost (at both Terce and Vespers). It is also sung at occasions such as the entrance of Cardinals to the Sistine Chapel when they elect a new pope, as well as at the consecration of bishops, the ordination of priests, the sacrament of Confirmation, the dedication of churches, the celebration of synods or councils, the coronation of monarchs, the Red Mass marking the start of the judicial ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexachord
In music, a hexachord (also hexachordon) is a six-note series, as exhibited in a scale (hexatonic or hexad) or tone row. The term was adopted in this sense during the Middle Ages and adapted in the 20th century in Milton Babbitt's serial theory. The word is taken from the gr, ἑξάχορδος, compounded from ἕξ (''hex'', six) and χορδή (''chordē'', string f the lyre whence "note"), and was also the term used in music theory up to the 18th century for the interval of a sixth ("hexachord major" being the major sixth and "hexachord minor" the minor sixth). Middle Ages The hexachord as a mnemonic device was first described by Guido of Arezzo, in his ''Epistola de ignoto cantu''. In each hexachord, all adjacent pitches are a whole tone apart, except for the middle two, which are separated by a semitone. These six pitches are named ''ut'', ''re'', ''mi'', ''fa'', ''sol'', and ''la'', with the semitone between ''mi'' and ''fa''. These six names are derived from the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tu Es Petrus (Palestrina)
''Missa Tu es Petrus'' is a parody mass for six voices (SSATBB) by Giovanni Pierluigi da Palestrina first printed in the ''Missarum, Liber 15'' (1887) of Franz Xaver Haberl's edition. The eponymous model ''Tu es Petrus'' ("Thou art Peter") is one of three motets by Palestrina, all on the same text, intended “for the Feast of St. Paul and St. Peter” (29 June); the other two are for 5 and 7 voices. In fact there are three ''Missae Tu es Petrus'', the less well-known being a six-voice paraphrase mass on the gregorian antiphon posthumously published in ''Missarum, Liber 12'' (1601), and a polychoral mass for 18vv of doubtful authenticity that like the other parody mass adapts the music of the same 1572 motet to the texts of the Ordinary of the Mass. History Palestrina frequently employed parody technique, reworking old material in newer works. The text of the model is in Latin and is based on : Analysis The mass consists of seven movements, standard for a choral mass: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cypriano De Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form.Owens, Grove Online Life Early years Little is known of Rore's early life. His probable birth years (1515/1516) are known from his age at death (49, recorded on his tombstone in the cathedral in Parma), and his probable birthplace was a small town in Flanders, Ronse (Renaix), right on the boundary between the French- and Dutch-speaking areas. Recent research has established that his parents were Celestinus Rore (died before 1564) and Barbara Van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Papae Marcelli
''Missa Papae Marcelli'', or ''Pope Marcellus Mass'', is a mass ''sine nomine'' by Giovanni Pierluigi da Palestrina. It is his best-known mass, and is regarded as an archetypal example of the complex polyphony championed by Palestrina. It was sung at the papal coronation Masses (the last being the coronation of Paul VI in 1963). Style The ''Missa Papae Marcelli'' consists, like most Renaissance masses, of a Kyrie, Gloria, Credo, Sanctus/Benedictus, and Agnus Dei, though the third part of the Agnus Dei is a separate movement (designated "Agnus II"). Taruskin, Richard. ''Music from the Earliest Notations to the Sixteenth Century''. The Oxford History of Western Music, Volume 1. New York: Oxford University Press, 2010. pp. 653–663 The mass is freely composed, not based upon a cantus firmus, paraphrase, or parody. Perhaps because of this, the mass is not as thematically consistent as Palestrina's masses based on models. It is primarily a six-voice mass, but voice combinations are va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas De Silva
Andreas de Silva ( fl. 1520) was a composer, probably of Portuguese origin, who is known mainly from inclusion of five motets in the Medici Codex.Winfried Kirsch, Die Motetten des Andreas de Silva (Tutzing: Schneider, 1977), Now attributed to de Silva is a madrigal ''Che sentisti Madonna'', misattributed to Verdelot in 1537. Recordings *5 motets on ''Le Divin Arcadelt: Candlemas in Renaissance Rome'' Arcadelt: Missa ‘Ave Regina caelorum’. Hodie beata virgo Maria. Pater noster. Palestrina: Senex Puerum Portabat. Diffusa est gratia. Silva, A: Ave Regina caelorum. Inviolata, integra et casta es Maria. Chant: Suscepimus, Deus (Introit). Suscepimus, Deus (Gradual). Nunc dimittis (Tract). Responsum accepit Simeon (Communio). Musica Contexta with The English Cornett and Sackbut Ensemble Chandos Classics Frederick Warne (13 October 1825 – 17 November 1901) was a British publisher, founder of Frederick Warne & Co. Early life and career Warne was born in Westminster in 1825, sixth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Magnum Mysterium
O magnum mysterium is a responsorial chant from the Matins of Christmas. Text The text is drawn from the Matins of Christmas in the Roman Breviary. ; Latin text: : O magnum mysterium, : et admirabile sacramentum, : ut animalia viderent Dominum natum, : iacentem in praesepio! : O beata virgo, cuius viscera : meruerunt portare : Dominum Iesum Christum. : Alleluia! ; English translation: : O great mystery, : and wonderful sacrament, : that animals should see the newborn Lord, : lying in a manger! : O blessed virgin, whose womb : was worthy to bear : the Lord Jesus Christ. : Alleluia! In the original responsorial chant, the first line of Ave Maria is also included: "Ave Maria, gratia plena, dominus tecum". History The image of the oxen and donkey next to the crib is found in Isaiah (Isa. 1.3) and is traditionally related to the nativity scene at the birth of Jesus in Luke 2. Luke (Lk 2.7) does not mention animals, but a manger. In the apocryphal Gospel of Pseudo-Matthew, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean L'Héritier
Jean L'Héritier (Lhéritier, Lirithier, Heritier and other spellings also exist) (c. 1480 – after 1551) was a French composer of the Renaissance. He was mainly famous as a composer of motets, and is representative of the generation of composers active in the early to middle 16th century who anticipated the style of Palestrina. Life Jean l'Héritier was a native of the diocese of Thérouanne, in the Pas-de-Calais, but little is known about his early years. According to a note by an Italian contemporary, L'Héritier was a pupil of Josquin des Prez, a relationship which most likely occurred while Josquin was at the French royal court in the years after 1500 (exact years for Josquin's stay there have not been established). In 1506 he went to Ferrara, his first trip to Italy. This was shortly after the death of the renowned Obrecht, who died in Ferrara's plague of 1505. Antoine Brumel, another older and more established French composer, went to Ferrara in late 1505 to take Obr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
