List Of Artworks At The Indianapolis Museum Of Art
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List Of Artworks At The Indianapolis Museum Of Art
This is a list of some of the most significant artworks at the Indianapolis Museum of Art (IMA). The museum's collection has always been very strong in 19th-century European and American paintings, particularly Neo-Impressionism, and textiles. Generous donations helped the IMA develop impressive holdings in modernist, African, and Asian art. Recently, the IMA has begun to focus on developing its collections of contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ... and design. References {{Lists of paintings Culture of Indianapolis artworks at the Indianapolis Museum of Art ...
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Indianapolis Museum Of Art
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" to better reflect the breadth of offerings and venues. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields. The Indianapolis Museum of Art is the ninth oldest and eighth largest encyclopedic art ...
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Masonite
Masonite is a type of hardboard, a kind of engineered wood, which is made of steam-cooked and pressure-molded wood fibers in a process patented by William H. Mason. It is also called Quartrboard, Isorel, hernit, karlit, torex, treetex, and pressboard. History A product resembling masonite (hardboard) was first made in England in 1898 by hot-pressing waste paper.Akers, 1966, p. x Masonite was patented in 1924 in Laurel, Mississippi, by William H. Mason, who was a friend and protégé of Thomas Edison. Mass production started in 1929. In the 1930s and 1940s, Masonite was used for applications including doors, roofing, walls, desktops, and canoes. It was sometimes used for house siding. Similar "tempered hardboard" is now a generic product made by many forest product companies. The Masonite Corporation entered the door business as a supplier of facings in 1972, and was purchased in 2001 by Premdor Corporation, a door maker, from its former parent International Paper. It no longe ...
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William Merritt Chase
William Merritt Chase (November 1, 1849October 25, 1916) was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons School of Design. Early life and training William Merritt Chase was born on November 1, 1849, in Williamsburg (now Nineveh, Indiana, Nineveh), Indiana, to the family of Sarah Swain and David H. Chase, a local businessman. Chase's father moved the family to Indianapolis, Indiana, Indianapolis in 1861, and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists Barton S. Hays and Jacob Cox. At the age of 19 he decided to become a sailor and travelled with his friend to Annapolis where he was commissioned to a merchant ship. After a brief three-month stint in the Navy, Chase understood that it wasn't for him and his teachers urged him to travel to New York City, New York to ...
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Dorothy (Chase)
''Dorothy'' is an oil painting by American artist William Merritt Chase. Created in 1902, it is currently part of the permanent collection in the Indianapolis Museum of Art. Description The image's subject is Chase's 11-year-old daughter, Dorothy, wearing a white dress with full-length sleeves, a straw hat with a green bow, a black belt, black tights, and black shoes. She is standing against a brown background without any detail, so the viewer's eye is focused only on her. Dorothy stares straight out at the viewer, engaging them. With a 6' canvas, ''Dorothy'' is reminiscent of full-length Baroque paintings of emperors, giving the young girl a grandiose image. Historical information Chase's favorite image to paint was his family, including his wife and his daughters, which are also his most well received. ''Dorothy'' is a painting in a series of full-length portraits Chase created of his family between 1886 and 1902. Chase was the founder of the Chase School, which eventually be ...
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Chase William Merritt Dorothy, 1902
Chase or CHASE may refer to: Businesses * Chase Bank, a national bank based in New York City, New York * Chase Aircraft (1943–1954), a defunct American aircraft manufacturing company * Chase Coaches, a defunct bus operator in England * Chase Corporation (1970s–1989), a defunct New Zealand property development company * Chase Motor Truck Company (1907–1919), a defunct truck manufacturer based in Syracuse, New York * Chase, a brand of bicycle made by Cannondale Bicycle Corporation Fictional characters *Chase, in ''PAW Patrol'' * Dell "Chase" Brandstone, fictional boundary warden of ''The Sword of Truth'' epic fantasy novels *Jennifer "Pilot" Chase, in the TV series ''Captain Power and the Soldiers of the Future'' Film * ''Chase'' (2010 film), an Indian film * ''Chased'' (film), a 2011 British short film * ''Chase'' (2019 film), an American film * ''Chase'' (2022 film), an Indian film Literature * ''Chase'' (comics), a DC comic book * ''Chase'' (novel), a novel by Dea ...
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Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ...
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House In Provence
''House in Provence'' (French title: ''Maison devant la Sainte-Victoire près de Gardanne'') is an oil painting by French artist Paul Cézanne. Created between 1886 and 1890, it is part of the permanent collection in the Indianapolis Museum of Art. Description With muted tones and soft colors, Cézanne painted a home, accented by the gray-blue mountains in the background, the soft greens of the rolling hills, and the brown tones of the fields. Cézanne's dynamic style is best observed closely in this painting; the brushstrokes intersect in dynamic way, creating a patchwork. The brushstrokes create lively movement within the hard lines that he creates to border the house and the mountain. Historical information ''House in Provence'' comes out of Cézanne's 'mature style', where he lived in Provence with his family, where Cézanne lived as a youth. This landscape is set on the South side of Montagne Sainte-Victoire, which was a favorite subject of the artist. Cézanne did not sha ...
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Maison Devant La Sainte-Victoire Près De Gardanne, Par Paul Cézanne, Indianapolis Museum Of Art
Maison (French for "house") may refer to: People * Edna Maison (1892–1946), American silent-film actress * Jérémy Maison (born 1993), French cyclist * Leonard Maison, New York state senator 1834–1837 * Nicolas Joseph Maison (1771–1840), Marshal of France and Minister of War * René Maison (1895–1962), Belgian operatic tenor * Rudolf Maison (1854–1904), German sculptor * Maison-Feyne, a commune in the Creuse department, Nouvelle-Aquitaine * Maison-Maugis, a former commune in the Orne department, Normandy * Maison-Ponthieu * Maison-Roland, a commune in the Somme department, Hauts-de-France * Maison-Rouge, a commune in the Seine-et-Marne department, Île-de-France Music Songs * "Maison", by Dreamcatcher from '' Apocalypse: Save Us'' See also * Valérie Grand'Maison (born 1988), Canadian Paralympic swimmer * Zoé De Grand Maison (born 1995), Canadian actress * Maisons (other) * Mason (other) Mason may refer to: Occupations * Mason, brick mason, or ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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Jean-Baptiste Carpeaux
Jean-Baptiste Carpeaux (11 May 1827 – 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III. Life Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition. Carpeaux debuted at the Salon in 1853 exhibiting ''La Soumission d'Abd-el-Kader al'Empereur'', a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléon's official trip through the north of France. After initially not making any co ...
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The Negress
''The Negress'' is a bronze sculpture by French artist Jean-Baptiste Carpeaux. It is now in the permanent collection at the Indianapolis Museum of Art.''The Negress'' was purchased by the Indianapolis Museum of Art in 1980. ''The Negress'' relates to Carpeaux's last monumental sculpture project, ''Fontaine de l'Observatoire'', in Paris's Luxembourg Garden. To interpret this theme, Carpeaux elected to use four life-size female figures supporting a globe and representing different races as continents. The Indianapolis bronze is a preparatory work for Africa, presented as a bust rather than a full-length figure. A terracotta copy of ''The Negress'' is located in the Metropolitan Museum of Art. Description ''The Negress'' portrays a woman who is the personification of the continent of Africa. Carpeaux wanted to use her to emphasize the horrors of slavery, creating the piece three years after the Civil War of the United States had ended and twenty years after slavery was banned i ...
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Negress By Jean-Baptiste Carpeaux
In the English language, ''negro'' is a term historically used to denote persons considered to be of Black African heritage. The word ''negro'' means the color black in both Spanish and in Portuguese, where English took it from. The term can be construed as offensive, inoffensive, or completely neutral, largely depending on the region or country where it is used, as well as the context in which it is applied. It has various equivalents in other languages of Europe. In English Around 1442, the Portuguese first arrived in Southern Africa while trying to find a sea route to India. The term ', literally meaning "black", was used by the Spanish and Portuguese as a simple description to refer to the Bantu peoples that they encountered. ''Negro'' denotes "black" in Spanish and Portuguese, derived from the Latin word ''niger'', meaning ''black'', which itself is probably from a Proto-Indo-European root ''*nekw-'', "to be dark", akin to ''*nokw-'', "night". ''Negro'' was also used of th ...
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