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List Of Intangible Cultural Properties Of Japan (Okinawa)
This list is of the Intangible Cultural Properties of Japan in the Prefectures of Japan, Prefecture of Okinawa Prefecture, Okinawa. National Cultural Properties As of 1 January 2015, eleven Important Intangible Cultural Properties of Japan, Important Intangible Cultural Properties have been Cultural Properties of Japan, designated, being of national Values (heritage), significance. Performing Arts Craft Techniques Prefectural Cultural Properties As of 1 May 2014, fourteen properties have been Cultural Properties of Japan, designated at a prefectural level. Performing Arts Craft Techniques Karate - Kobujutsu Municipal Cultural Properties As of 1 May 2014, seven properties have been Cultural Properties of Japan, designated at a municipal level. Performing Arts Craft Techniques Oral Literature Former Cultural Properties Performing Arts Craft Techniques Intangible Cultural Properties that need measures such as making records As of 1 May 2014, there was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intangible Cultural Properties Of Japan
An , as defined by the Japanese government's Law for the Protection of Cultural Properties (1950), is a part of the Cultural Properties of high historical or artistic value such as drama, music, and craft techniques. The term refers exclusively to human skills possessed by individuals or groups which are indispensable to produce Cultural Properties. Items of particular importance can be designated as . Recognition is also given to the owners of an item to encourage its transmission. There are three types of recognition: individual recognition, collective recognition, and group recognition. Special grants of two million yen a year are given to individual holders (the so-called Living National Treasures) to help protect their properties. The government also contributes part of the expenses incurred either by the holder of an Intangible Cultural Property during training of his successor, or by a recognized group for public performances. To promote the understanding, and therefore th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kijōka-bashōfu
is the Japanese handicrafts, Japanese craft of making cloth from the or Musa basjoo, Japanese fibre banana as practiced in Kijōka in Ogimi, Okinawa. Like linen, hemp, ramie and other long vegetable fibres, it does not stick to the skin in hot weather; as such it is suitable for the climate of Okinawa. is recognized as one of the Important Intangible Cultural Properties of Japan. History formed part of the Tribute#Chinese practice of tributes as trade regulation and authority, tribute to Ming Dynasty, Ming dynasty China, while 3,000 rolls were listed as due after the Satsuma Domain, Satsuma invasion of Okinawa in 1609. As well as the payment of Bolt (fabric), bolts of plain, striped and as tribute to the Ryukyu Kingdom kings, the cloth was used in daily wear by commoners. Production increased in the Meiji period with the introduction of the loom. After the Battle of Okinawa, production declined dramatically. Formerly made across the Ryūkyū islands, production is now loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min'yō
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). Some songs exhibit the same sort of "call and response" chant often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Japanese Music
Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies as a category separate from other traditional forms of music, such as (court music) or (Buddhist chanting), but most ethnomusicologists view , in a broad sense, as the form from which the others were derived. Outside of ethnomusicology, however, usually refers to Japanese music from around the 17th to the mid-19th century. Within this framework, there are three types of traditional music in Japan: theatrical, court music, and instrumental. Theatrical Japan has several theatrical forms of drama in which music plays a significant role. The main forms are kabuki and Noh. Noh or music is a type of theatrical music used in Noh theatre. Noh music is played by an instrumental ensemble called . The instruments used are the stick drum, a large hourglass-shaped drum called the , a smaller hourglass-shaped drum called the , and a bamboo flute called the . The ensemble is p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okinawan Music
is the music associated with the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture, which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands. It has its roots in the larger musical traditions of the Southern Islands. Genres A dichotomy widely accepted by Okinawan people is the separation of musical traditions into ''koten'' (classical) and ''min'yō'' (folk). Okinawa was once ruled by the highly centralized kingdom of Ryūkyū. The samurai class in the capital of Shuri developed its high culture while they frequently suppressed folk culture in rural areas. Musicologist Susumu Kumada added another category, "popular music", to describe songs that emerged after the kingdom was abolished in 1879. Classical music was the court music of Ryūkyū. was the traditional chamber music of the royal palace at Shuri Castle. It was performed by the bureaucrats as official duties. The texture is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumejima-tsumugi
is the Japanese craft of silk cloth practised in Kumejima, Okinawa Prefecture. is the oldest type of in Japan, out of the approximately two hundred forms of , and is the oldest fabric. It is recognised as one of the Important Intangible Cultural Properties of Japan. History Silk production has been practiced in Kumejima since the 15th century, after a local, having studied sericulture in Ming Dynasty China, transmitted the techniques. Mulberry plants, the primary foodstuff of silkworms, is said to grow particularly well on the island. By the 17th century, formed part of the tribute paid to the Ryūkyū Kings, and it was transported to Edo via the Satsuma Domain. Production Silk floss is extracted from silkworm cocoons and spun by hand into yarn. It is then dyed with the technique, using indigenous plant dyes and a mud mordant to give it its characteristic black-brown colouring; the plants used are the guru, techika, or Japanese persimmon, and , or cotton tree hibi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musa Basjoo
''Musa basjoo'', known variously as Japanese banana, Japanese fibre banana or hardy banana, is a species of flowering plant belonging to the banana family Musaceae. It was previously thought to have originated in the Ryukyu islands of southern Japan, from where it was first described in cultivation,Huxley, A., ed. (1992). ''New RHS Dictionary of Gardening'' 3: 268. Macmillan . but is now known to have originated in subtropical southern China, where it is also widely cultivated, with wild populations found in Sichuan province. Description ''Musa basjoo'' is a herbaceous perennial with trunk-like pseudostems growing to around , with a crown of mid-green leaves growing up to long and wide when mature. The species produces male and female flowers on the same inflorescence which may extend for over . The banana fruit formed are yellow-green, around long and broad; they are inedible, with sparse white pulp and many black seeds. Uses Cultivation ''Musa basjoo'' has been cultivate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bingata Dyeing
( ryu, 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture. typically features a busy pattern of repeating nature motifs such as fish, flowers and fauna in a number of bright colours. is worn during traditional Ryukyuan festivals and traditional arts performances. dates from the Ryūkyū Kingdom period (14th century), when the island of Okinawa experienced an influx of foreign goods and manufacturing techniques. It is believed to have developed as a synthesis of Indian, Chinese, and Javanese dyeing processes. Terminology The term was noted in the early 20th century Okinawan usage by Dr. Yoshitaro Kamakura, a Japanese scholar, to refer to painting with dyes. was then defined by Kamakura after he had studied the ancient records as connoting cochineal red with cinnabar, which was imported from Fujian, China. Cinnabar red is the most important colour in the production of . Kamakura then concluded that the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bingata
( ryu, 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture. typically features a busy pattern of repeating nature motifs such as fish, flowers and fauna in a number of bright colours. is worn during traditional Ryukyuan festivals and traditional arts performances. dates from the Ryūkyū Kingdom period (14th century), when the island of Okinawa experienced an influx of foreign goods and manufacturing techniques. It is believed to have developed as a synthesis of Indian, Chinese, and Javanese dyeing processes. Terminology The term was noted in the early 20th century Okinawan usage by Dr. Yoshitaro Kamakura, a Japanese scholar, to refer to painting with dyes. was then defined by Kamakura after he had studied the ancient records as connoting cochineal red with cinnabar, which was imported from Fujian, China. Cinnabar red is the most important colour in the production of . Kamakura then concluded that the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
