List Of Cultural Properties Of Japan - Paintings (Fukuoka)
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List Of Cultural Properties Of Japan - Paintings (Fukuoka)
This list is of the Cultural Properties of Japan designated in the category of for the Prefecture of Fukuoka. National Cultural Properties As of 1 July 2019, twenty-two Important Cultural Properties have been designated (including one *National Treasure), being of national significance. Prefectural Cultural Properties As of 1 May 2019, twenty-two properties have been designated at a prefectural level. Municipal Cultural Properties As of 1 May 2015, fifty-one properties have been designated at a municipal level. See also * Cultural Properties of Japan * List of National Treasures of Japan (paintings) * Japanese painting * List of Historic Sites of Japan (Fukuoka) This list is of the Monuments of Japan, Historic Sites of Japan located within the Prefectures of Japan, Prefecture of Fukuoka Prefecture, Fukuoka. National Historic Sites As of 1 December 2020, ninety-seven Sites have been Cultural Properties o ... References External links *Cultural Properties in F ...
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Cultural Properties Of Japan
A is administered by the Government of Japan, Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology), and includes Tangible Cultural Properties of Japan, tangible properties (structures and works of art or craft); Intangible Cultural Properties of Japan, intangible properties (performing arts and craft techniques); Mingei, folk properties both tangible and intangible; Monuments of Japan, monuments historic, scenic and natural; Cultural Landscapes of Japan, cultural landscapes; and Groups of Traditional Buildings, groups of traditional buildings. Cultural Properties of Japan#Buried Cultural Properties, Buried properties and Conservation Techniques for Cultural Properties, conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people. Not all Cultural Properties of Japan were created in Japan; some are from China, Korea or other countri ...
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A Gift Of The Sea By Aoki Shigeru
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Later Jin (Five Dynasties)
Jin, known as the Later Jìn (, 936–947) or the Shi Jin (石晉) in historiography, was an imperial dynasty of China and the third of the Five Dynasties during the Five Dynasties and Ten Kingdoms period. It was founded by Shi Jingtang (Emperor Gaozu) with aid from the Liao dynasty, which assumed suzerainty over the Later Jin. After Later Jin's second ruler, Shi Chonggui (Emperor Chu), fell out with the Liao dynasty, the Liao invaded in 946 and in 947, annihilated the Later Jin and annexed its former territories. Founding the Later Jin The first sinicized Shatuo state, Later Tang, was founded in 923 by Li Cunxu, son of the Shatuo chieftain Li Keyong. It extended Shatuo domains from their base in Shanxi to most of North China, and into Sichuan. After Li Cunxu’s death, his adopted son, Li Siyuan became emperor. However, the Shatuo relationship with the Khitans, which was vital to their rise to power, had soured. Shi Jingtang, the son-in-law of Li Cunxu, rebelled against ...
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Zhou Maoshu Appreciating Lotuses
Zhou may refer to: Chinese history * King Zhou of Shang () (1105 BC–1046 BC), the last king of the Shang dynasty * Predynastic Zhou (), 11th-century BC precursor to the Zhou dynasty * Zhou dynasty () (1046 BC–256 BC), a dynasty of China ** Western Zhou () (1046 BC–771 BC) ** Eastern Zhou () (770 BC–256 BC) * Western Zhou (state) () (440 BC–256 BC) * Eastern Zhou (state) () (367 BC–249 BC) * Northern Zhou () (557–581), one of the Northern dynasties during the Northern and Southern dynasties period * Wu Zhou () (690–705), an imperial dynasty established by Wu Zetian * Later Zhou () (951–960), the last of the Five dynasties during the Five Dynasties and Ten Kingdoms period * Zhou (Zhang Shicheng's kingdom) () (1354–1367), a state founded by Zhang Shicheng during the Red Turban Rebellion * Zhou (Qing period state) () (1678–1681), a state founded by Wu Sangui during the Qing dynasty Other uses *Zhou (surname) (), Chinese surname *Zhou (country subdivision) (), a pol ...
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Kyushu National Museum
The opened on October 16, 2005 in Dazaifu near Fukuoka—the first new national museum in Japan in over 100 years, and the first to elevate the focus on history over art.Japan National Tourist Organization Museum "focuses on history."/ref> The distinct modern impression created by the architectural facade is mirrored in the Museum's use of technological innovations which are put to good in making the museum's collections accessible to the public. For example, the museum's extremely high resolution video system, with the latest image processing and color management software, serves both in documenting the objects in the museum's collection and also in expanding access beyond the limits of a large, but finite exhibition space. The striking wood and glass building in the hills, it hosts important collections of Japanese artifacts, particularly ceramics, related to the history of Kyūshū. It hosts temporary exhibitions on the third floor, while the permanent collections are on the ...
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National Institutes For Cultural Heritage
Independent Administrative Institution (IAI) National Museum ("National Museum") was the official name of the corporate entity created by the Japanese government in 2001 by merging three formerly independent national museums—the Tokyo National Museum, the Kyoto National Museum, and the Nara National Museum. The assimilated organizational structure was brought about as a part of the national government's administrative reform program; and the clear goal was to provide higher quality and better educational services to the public. In 2005, a fourth institution was added—the Kyushu National Museum. These reforms are designed to bring ''keiretsu''-like synergy and enhanced administrative efficiencies in the work of achieving the range of inter-related preservation, conservation, and education goals of each unique institution. In 2007, the perceived successes of the IAI National Museum experiment led to a further consolidation. The Independent Administrative Institution National Insti ...
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Dazaifu, Fukuoka
is a city located in Fukuoka Prefecture, Japan, part of the greater Fukuoka metropolitan area.Nussbaum, Louis-Frédéric. (2005). "Dazaifu" in . Nearby cities include Ōnojō and Chikushino. Although mostly mountainous, it does have arable land used for paddy fields and market gardening. As of October 2018, the city has an estimated population of 72,231 with 29,355 households and a population density of 2,440 persons per km². The total area is 29.58 km². The city was officially founded on April 1, 1982, although it has been important historically for more than a thousand years. It was an administrative capital of Fukuoka at around 663 CE. History Dazaifu was the imperial office governing Kyūshū (corresponding to Tagajō in Tōhoku) after it was moved from present-day Fukuoka City in 663. According to the Taiho Code of 701, an attempt by the Yamato state to exert further control over its territories, Dazaifu was given two principal administrative functions: to supervi ...
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Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ...
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Kanō Masanobu
was a Japanese painter. He was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas. Life and work Masanobu's father had been a samurai and amateur artist named Kanō Kagenobu. Masanobu would start the line of professional artists of the Kanō family. As an artist, Masanobu, like many in his day, was influenced by the priest-painter Tenshō Shūbun, and some sources indicate that he may have received the bulk of his artistic education under Shūbun. Masanobu worked in the ''suiboku'' ink and wash style, derived from Chinese painting, but brought a Japanese touch to the style with more defined forms. Very few of his works survive with ''Zhou Maoshu Appreciating Lotuses'' being an exception. Kanō Masanobu would serve the Ashikaga shogunate as an official painter (御用絵師, ''goyō eshi''), succeeding ...
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Zhou Dunyi
Zhou Dunyi (; 1017–1073) was a Chinese cosmologist, philosopher, and writer during the Song dynasty. He conceptualized the Neo-Confucian cosmology of the day, explaining the relationship between human conduct and universal forces. In this way, he emphasizes that humans can master their '' qi'' ("spirit") in order to accord with nature. He was a major influence to Zhu Xi, who was the architect of Neo-Confucianism. Zhou Dunyi was mainly concerned with Taiji (supreme polarity) and Wuji (limitless potential), the yin and yang, and the wu xing (the five phases). He is also venerated and credited in Taoism as the first philosopher to popularize the concept of the taijitu or "yin-yang symbol". Life Born in 1017 in Yingdao County, Daozhou prefecture, in present-day Yongzhou, southern Hunan, Zhou was originally named Zhou Dunshi. Raised by a scholar-official family, he changed his name in 1063 to avoid a character in the personal name of the new Emperor Yingzong. His father die ...
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Landscape Of The Four Seasons (Winter) By Sesshu
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the dynamic b ...
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