List Of African-American Ballerinas
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List Of African-American Ballerinas
This is a list of notable African Americans, African-American ballerinas. __TOC__ Raven Wilkinson Raven Wilkinson was one of the first African-American ballerinas allowed to join a ballet company. During the 1950s, she danced with the Ballets Russes under the condition that she pose as a white woman by painting her face. After two years of increasing racial discrimination, including threats in the Southern United States, South, she left Ballets Russes and eventually landed a spot in the Dutch National Ballet. Janet Collins Janet Collins is the first African American to perform with the Metropolitan Opera ballet. She faced some of the same racial controversies as Raven Wilkinson with Ballets Russes before joining the Metropolitan Opera. Debra Austin Debra Austin (dancer), Debra Austin was the very first African-American ballerina to receive a principal dancer contract with a major American ballet company in 1982 with the Pennsylvania Ballet. There she danced the principal roles ...
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From The Ballet Coppelia Cropped
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Dance Theatre Of Harlem
Dance Theatre of Harlem (DTH) is an American professional ballet company and school based in Harlem, New York City. It was founded in 1969 under the directorship of Arthur Mitchell and later partnered with Karel Shook. Milton Rosenstock served as the company's music director from 1981 to 1992. The DTH is renowned for being both "the first Black classical ballet company", and "the first major ballet company to prioritize Black dancers". History Arthur Mitchell, the first African-American principal dancer in a major ballet company (New York City Ballet), was sent to Brazil by the United States government to start up the National Ballet of Brazil. While on his way to the airport, he was shocked to hear news of the assassination of Martin Luther King, Jr. In conjunction with the civil rights movement, King's death inspired Mitchell to forgo his plans in Brazil. Instead, he would found a classical ballet school for the children of Harlem, the poor and predominantly black New York nei ...
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National Ballet Of Washington, D
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Radio City Music Hall
Radio City Music Hall is an entertainment venue and Theater (structure), theater at 1260 Sixth Avenue (Manhattan), Avenue of the Americas, within Rockefeller Center, in the Midtown Manhattan neighborhood of New York City. Nicknamed "The Showplace of the Nation", it is the headquarters for the Rockettes. Radio City Music Hall was designed by Edward Durell Stone and Donald Deskey in the Art Deco style. Radio City Music Hall was built on a plot of land that was originally intended for a Metropolitan Opera House, although plans for the opera house were canceled in 1929. It opened on December 27, 1932, as part of the construction of Rockefeller Center. The 5,960-seat Music Hall was the larger of two venues built for Rockefeller Center's "Radio City" section, the other being Center Theatre (New York City), Center Theatre; the "Radio City" name later came to apply only to the Music Hall. It was largely successful until the 1970s, when declining patronage nearly drove the theater to bank ...
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Llanchie Stevenson
Aminah L. Ahmad (born Rosemary Llanchie Stevenson), formerly known professionally as Llanchie Stevenson, is an American ballet dancer who was the first African-American dancer at Radio City Music Hall Ballet Company, the first African-American female dancer at the National Ballet of Washington, and an original company member and former principal dancer with Dance Theatre of Harlem. She retired from dancing upon her conversion to Islam. Dance training Rosemary Llanchie Stevenson began her dance training at the Bernice Johnson Dance Studio. She enrolled at Fiorello H. LaGuardia High School of Music & Art and Performing Arts as a dance major with an emphasis on classical ballet but was dissuaded from continuing classical dance training due to her race, and was switched over to modern dance studies. Her father complained about the change, as Stevenson wanted to become a professional ballet dancer, and she was put back in her classical studies. Career After graduating from LaGuar ...
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Houston Ballet
Houston Ballet, operated by Houston Ballet Foundation, is a professional ballet company based in Houston, Texas. The company, consisting of 59 dancers, produces over 85 performances per year. History Tatiana Semenova (1955–1967) Houston developed its style for professional ballet beginning in the 1930s, with Ballet Russe de Monte Carlo. For eleven years, Ballet Russe de Monte Carlo spent a week during the Christmas season in Houston performing for Houston audiences. From this exposure grew a desire among patrons for a resident dance company. In the spring of 1955, Tatiana Semenova, a former dancer with Ballet Russe de Monte Carlo, was invited to start a ballet school in Houston. Semenova accepted, and a state charter was obtained to establish a Houston Foundation for Ballet on July 26, 1955. Under Semenova's direction, the Foundation trained young dancers in ballet technique and reached out to under-served students. It established a scholarship program with the Neighborhood ...
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Lauren Anderson (dancer)
Lauren Anderson (born February 19, 1965) is an American ballet dancer and a former principal dancer with the Houston Ballet. In 1990, she was one of the first African-American ballerinas to become a principal for a major dance company, an important milestone in American ballet. She appeared in many ballets such as ''Don Quixote'', ''Cleopatra'', and ''The Nutcracker''. She retired from the Houston Ballet in 2006 and retired from dance altogether in 2009. In 2016, Anderson had her pointe shoes from her final performance placed in the Smithsonian's National Museum of African American History and Culture. Early life and education Lauren was the only child of Lawrence Anderson, a school administrator, and Doris Parker-Morales, a classical piano teacher. She was born in Houston, Texas, on February 19, 1965. Anderson started dance lessons and lessons to learn the violin, but she chose to continue with dance instead of music due to the cost of lessons for both, and she felt that she c ...
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Clive Barnes
Clive Alexander Barnes (13 May 1927 – 19 November 2008) was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for ''The New York Times'', and, from 1978 until his death, ''The New York Post.'' Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City. Life and career Born in Lambeth, London, Barnes was educated at Emanuel School in Battersea and St Catherine's College, Oxford. He was the dance and drama critic at the ''New York Post'' from 1978 until 2008, and senior consulting editor at ''Dance Magazine'', where he wrote a monthly column called "Attitudes." He also contributed regularly to the British journal ''Dance Now;'' he edited and wrote for British newspapers such as ''The Times,'' ''The Daily Express'', and the weekly magazine ''Spectator''. Barnes authored and contributed to numerous books related to theater and the performing arts, particularl ...
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Du ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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John Clifford (choreographer)
John Clifford is an American producer, director, author, choreographer, and dancer. He was the founder and artistic director of the original Los Angeles Ballet (1974–85) and the chamber-sized touring ensemble, Ballet of Los Angeles (1988–91). Before that time, Clifford was a principal dancer and choreographer (8 ballets before age 26) with George Balanchine’s New York City Ballet (1966–74). Balanchine invited him back as a guest artist numerous times, and his last performances with the company were in 1980. Clifford was the artistic director of Robert Redford's Sundance Institute Video/Choreographer Program and produced “Pas De Deux,” a video distributed by Video Artists International (VAI). His new for-profit dance company Los Angeles Dance Theater produced for Warner Bros Theatre Ventures, Inc. a dance version of Casablanca; CASABLANCA: The Dance. The production premiered on April 5, 2005 at the Great Hall of the People in Beijing, China. Mr. Clifford is a senio ...
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