List Of Songs Written By Cole Porter
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List Of Songs Written By Cole Porter
A partially complete list of songs by Cole Porter. *Songs written at Yale University: :“Antoinette Birby” :“Bingo Eli Yale” :“Bull Dog” *''Cora'' (1911 college musical) *''And the Villain Still Pursued Her'' (1912 college musical) :"We are the Chorus of the Show" :"Strolling" :"The Lovely Heroine" :"I'm the Villain" :"Twilight" :"Llewellyn" :"That Zip Cornwall Cooch" :"Charity" :"Queens of Terpsichore" :"Leaders of Society" :"Submarine" :"Barcelona Maid" :"Silver Moon" :"Dear Doctor" :"Anytime" :"Come to Bohemia" :"Dancing" :"Fare Thee Well" *''The Pot of Gold'' (1912 college musical) :"At the Rainbow" :"Bellboys" :"Longing for Dear Old Broadway" :"When I Used to Lead the Ballet" :"My Houseboat on the Thames" :"She Was a Fair Young Mermaid" :"What's This Awful Hullabaloo" :"What a Charming Afternoon" :"Since We've Met" :"Exercise" :"We are So Aesthetic" :"Scandal" :"I Wonder Where My Girl Is Now" :"My Salvation Army Queen" :"It's Awfully Hard When Mother's Not Along" ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ...
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Red, Hot And Blue
''Red, Hot and Blue'' is a stage musical with music and lyrics by Cole Porter and a book by Howard Lindsay and Russel Crouse. It premiered on Broadway in 1936 and introduced the popular song "It's De-Lovely," sung by Ethel Merman and Bob Hope. The musical has no connection to the 1949 film musical of the same name with songs by Frank Loesser. Today it may be most famous as one of the first instances of creative resolution of top billing on posters and marquees. Stars Jimmy Durante and Ethel Merman refused to accept second billing. The producers devised a compromise in which their names formed an X-shaped cross, drawing the observer’s eye in two directions. The third star, Bob Hope, settled for his name in bold under the cross. Synopsis Nails O'Reilly Duquesne is a newly wealthy young widow. Loud and brassy, Nails is a former manicurist. She organizes a benefit for her favorite cause, the rehabilitation of ex-convicts. Together with her sidekick (an "ex-con" himself), Policy P ...
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You'd Be So Easy To Love
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show ''Anything Goes''. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film ''Born to Dance'', where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of ''Anything Goes'' under the complete title "You’d Be So Easy to Love". Early hit versions were by Shep Fields, Frances Langford and Ray Noble. Other Notable recordings * Shep Fields - recorded with his Rippling Rhythm Orchestra (1936) *Billie Holiday - ''Quintessential Billie Holiday: Vol. II'' (1936) (recorded with Teddy Wilson and His Orchestra, October 21, 1936). *Josephine Baker - ''C'est si facile de vous aimer'' (1937) *Maxine Sullivan - recorded for Vocalion on October 22, 1937. *Lee Wiley - recorded April 15, 1 ...
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I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to The Way You Look Tonight. Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle orchestral arrangement, accompanied by ...
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Born To Dance
''Born to Dance'' is an American musical film starring Eleanor Powell and James Stewart, directed by Roy Del Ruth and released in 1936 by Metro-Goldwyn-Mayer. The score was composed by Cole Porter. Plot summary While on leave, sailor Ted Barker (played by James Stewart) meets Nora Paige (Eleanor Powell) at the Lonely Hearts Club, which is owned by Jenny Saks (Una Merkel), the wife of fellow sailor Gunny Saks (Sid Silvers). Ted instantly falls in love with Nora. Ted later meets Broadway star Lucy James (Virginia Bruce) aboard a submarine while she's on a publicity tour. Her Pekingese falls overboard, Ted rescues it, and Lucy falls in love with him. Though Ted has already scheduled a date with Nora, he is ordered by his captain, Dingby (Raymond Walburn), to meet Lucy in a nightclub. Nora, who lives with Jenny and her daughter, Sally (Juanita Quigley), aspires to become a Broadway dancer. However, her newfound career is in serious jeopardy when she inadvertently comes betwee ...
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Just One Of Those Things (song)
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical ''Jubilee''. Porter had written the score for ''Jubilee'' while on an extended sea cruise in the early part of 1935: however, in September 1935 while he was visiting a friend's farm in Ohio with ''Jubilees librettist Moss Hart, the latter mentioned that the play's second act required an additional song, and Porter had "Just One of Those Things" completed by the following morning (he had previously used the title for a song intended for but not featured in the 1930 musical ''The New Yorkers''—apart from the title the two songs are distinct). Porter's original lyric lacked an adjective for the line "a trip to the moon on '' gossamer'' wings": "gossamer" would be suggested by his friend, Ed Tauch. A recording by Richard Himber reached the charts of the day in 1935 and Peggy Lee's stylized arrangement of the song was a No. 14 hit in the Billboard charts in 1952. Other recordings The song has beco ...
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Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. Beguine is a dance and music form, similar to a slow rumba. Music Musicologist and composer Alec Wilder described it in his book ''American Popular Song: The Great Innovators 1900–1950'' as "a maverick, an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish without the printed music ... about the sixtieth measure I find myself muttering another title, ''End the Beguine.''" Artie Shaw version At first, the song gained little popularity, perhaps because of its length and unconventional form. Josephine Baker danced to it in her return to America in th ...
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Jubilee (musical)
''Jubilee'' is a musical comedy with a book by Moss Hart and music and lyrics by Cole Porter. It premiered on Broadway in 1935 to rapturous reviews. Inspired by the recent silver jubilee of King George V of Great Britain, the story is of the royal family of a fictional European country. Several of its songs, especially "Begin the Beguine" and " Just One of Those Things", became independently popular and have become part of the American Songbook. The musical opened on Broadway in October 1935, in the midst of the Great Depression. It had strong reviews and was considered "one of the great theatrical events of the 1930s." It ran for 169 performances. Although the original arrangements were lost after 1948, beginning in 1986 the musical was reconstructed. It has been produced by several companies in New York, London and elsewhere. History Cole Porter and Moss Hart took a four-and-a-half month " around the world" luxury cruise on the ''Franconia'', with their families, friends, ...
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You're The Top
"You're the Top" is a Cole Porter song from the 1934 musical ''Anything Goes''. It is about a man and a woman who take turns complimenting each other. The best-selling version was Paul Whiteman's Victor single, which made the top five. It was the most popular song from ''Anything Goes'' at the start with hundreds of parodies. The lyrics are particularly notable because they offer a snapshot as to what was highly prized in the mid-1930s and demonstrate Porter's rhyming ability. Some of the lyrics were re-written by P. G. Wodehouse for the British version of ''Anything Goes''. People and items referenced in the song ''The following is a list of the references used in the version recorded by Cole Porter on November 26, 1934:'' * Colosseum * Louvre Museum * Melody from a symphony by Strauss * Bendel bonnet * Shakespeare's sonnets * Mickey Mouse * The Nile * The Tower of Pisa * The smile on the Mona Lisa * Mahatma Gandhi * Napoleon Brandy * Purple light of a summer night in S ...
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I Get A Kick Out Of You
"I Get a Kick Out of You" is a song by Cole Porter, which was first sung in the 1934 Broadway musical ''Anything Goes'', and then in the 1936 film version. Originally sung by Ethel Merman, it has been covered by dozens of prominent performers, including Frank Sinatra, Dolly Parton, and Ella Fitzgerald. A cover by Mel Tormé won the 1996 Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s) for arranger Rob McConnell, while a duet version by Tony Bennett and Lady Gaga was nominated for three awards at the 2022 ceremony, including Record of the Year. Alterations to the song The lyrics were first altered shortly after being written. The last verse originally went as follows: After the 1932 Lindbergh kidnapping, Porter changed the second and third lines to: In the 1936 movie version, alternative lyrics in the second verse were provided to replace a reference to the drug cocaine, which was not allowed by Hollywood's Production Code of 1934. The original ver ...
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Anything Goes (Cole Porter Song)
"Anything Goes" is a song written by Cole Porter for his musical of the same name. (1934). Many of the lyrics include humorous references to figures of scandal and gossip from Depression-era high society. A recording by Paul Whiteman and his Orchestra (vocal by Ramona Davies) was very popular in 1934. People and items referenced in the song The song opens with a reference to the Massachusetts Bay Colony :"Times have changed, And we've often rewound the clockSince the Puritans got a shock, When they landed on Plymouth RockIf today, any shock they should try to stem, 'Stead of landing on Plymouth RockPlymouth Rock would land on them". The opening stanza is believed have influenced the orations of Malcolm X, who in 1964 said "Our forefathers were not the Pilgrims, we didn't land on Plymouth Rock, the rock was landed on us. The song mentions Mae West, Hollywood sex symbol, and Missus Ned McLean (Evalyn Walsh McLean), who had traveled to Soviet Union early after the Russian Rev ...
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