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Lisle Ellis
Lisle Ellis, (born November 17, 1951) is a Canadian jazz bassist and composer who is known for his improvisational style and use of electronics. Biography Ellis was born in Campbell River, British Columbia. Ellis began playing electric bass in his teens and worked professionally from an early age in numerous environments including studios, radio & TV shows, and strip clubs. He was born Lyle Steve Lansall, but used his initials L. S. as his stage name Ellis; he also used the name L. S. Lansall-Ellis professionally. Ellis studied at the Vancouver Academy of Music with Walter Robertson and attended Douglas College in Vancouver. He later studied at the Creative Music Studio in New York City from 1975-1979. Ellis lived in Toronto, Ontario, Canada from 1982 until 1983 and then Montreal, Quebec, Canada from 1983 until 1992. In 1986 Ellis was the first recipient of Canada's Fred Stone Award, given annually to a musician for integrity and innovation. In the early 1980s in Vancouver, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Living Theatre
The Living Theatre is an American theatre company founded in 1947 and based in New York City. It is the oldest experimental theatre group in the United States. For most of its history it was led by its founders, actress Judith Malina and painter/poet Julian Beck. After Beck's death in 1985, company member Hanon Reznikov became co-director with Malina; the two were married in 1988. After Malina's death in 2015, her responsibilities were taken over by her son Garrick Maxwell Beck. The Living Theatre and its founders were the subject of the 1983 documentary ''Signals Through the Flames''. History In the 1950s, the group was among the first in the U.S. to produce the work of influential European playwrights such as Bertolt Brecht (''In The Jungle of Cities'' in New York, 1960) and Jean Cocteau, as well as modernist poets such as T. S. Eliot and Gertrude Stein. One of their first major productions was Pablo Picasso's '' Desire Caught By the Tail''; other early productions were ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Canadian Encyclopedia
''The Canadian Encyclopedia'' (TCE; french: L'Encyclopédie canadienne) is the national encyclopedia of Canada, published online by the Toronto-based historical organization Historica Canada, with the support of Canadian Heritage. Available for free online in both English and French, ''The Canadian Encyclopedia'' includes more than 19,500 articles in both languages on numerous subjects including history, popular culture, events, people, places, politics, arts, First Nations, sports and science. The website also provides access to the ''Encyclopedia of Music in Canada'', the ''Canadian Encyclopedia Junior Edition'', ''Maclean's'' magazine articles, and ''Timelines of Canadian History''. , over 700,000 volumes of the print version of ''TCE'' have been sold and over 6 million people visit ''TCE'''s website yearly. History Background While attempts had been made to compile encyclopedic material on aspects of Canada, ''Canada: An Encyclopaedia of the Country'' (1898–1900) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of ''elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrète' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Down Beat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the "downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New World Records
New World Records is a record label that was established in 1975 through a Rockefeller Foundation grant to celebrate America's bicentennial (1976) by producing a 100-LP anthology, with American music from many genres. accessed 'November 14, 2021 In addition to this project, after 1978 New World produced new jazz by , , , Steve Kuhn, |
Hathut Records
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR. The label's first releases were by Joe McPhee. Its roster includes Ray Anderson, Anthony Braxton, Lisle Ellis, Georg Graewe, Gerry Hemingway, Franz Koglmann, Steve Lacy, Joelle Leandre, Myra Melford, Paul Plimley, Max Roach, Horace Tapscott, Cecil Taylor, Mike Westbrook, John Zorn, Vienna Art Orchestra, David Murray, Luzia von Wyl, Archie Shepp, Jimmy Lyons, Tony Coe, Michel Portal, and Sun Ra, The label progressed through a range of series featuring distinct packaging styles, from the initial runs of initial 12 inch LP's with alphabetical and numerical catalog numbers with sleeve drawings and paintings by Klaus Baumgärtner, to elaborately packaged boxes with inserts and postcards, and then black and wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIW Records
DIW Records is a Japanese record label specializing in avant-garde jazz. It is a subsidiary of Disk Union. Kazunori Sugiyama was an executive producer for the label before starting Tzadik Records with John Zorn. DIW's name stands for "Discs in the World" and is from a music magazine sold at Disk Union stores that announced the latest releases from American and European labels. Wilber Morris recorded the first album for DIW in 1983 in New York City. The catalogue includes music by the Art Ensemble of Chicago, Lester Bowie, James Carter, Steve Grossman, Harold Mabern, David Murray, James Blood Ulmer James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "ragg ..., David S. Ware, Rodney Whitaker, and John Zorn. Discography References {{DEFAULTSORT:Diw Records Japanese record labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Douglas (trumpeter)
Dave Douglas (born March 24, 1963) is an American jazz trumpeter, composer, and educator. His career includes more than fifty recordings as a leader and more than 500 published compositions. His ensembles include the Dave Douglas Quintet; Sound Prints, a quintet co-led with saxophonist Joe Lovano; Uplift, a sextet with bassist Bill Laswell; Present Joys with pianist Uri Caine and Andrew Cyrille; High Risk, an electronic ensemble with Shigeto, Jonathan Aaron, and Ian Chang; and Engage, a sextet with Jeff Parker, Tomeka Reid, Anna Webber, Nick Dunston, and Kate Gentile. He has won a Doris Duke Performing Artist Award, a Guggenheim Fellowship, an Aaron Copland award, and received Grammy Award nominations. As a composer, Douglas has received commissions from the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, The Library of Congress, Stanford University and Monash Art Ensemble, which premiered his chamber orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe McPhee
Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day. Life and career McPhee was born in Miami, Florida, on November 3, 1939. He began playing trumpet when he was eight, before learning other instruments. He played in various high school and then military bands before starting his recording career. His first recording came in 1967, when he appeared on the Clifford Thornton album entitled ''Freedom and Unity''. McPhee taught himself saxophone at the age of 32 after experiencing the music of John Coltrane, Albert Ayler, and Ornette Coleman. During the late 1960s and early 1970s, McPhee lectured on jazz music at Vassar College. In 1975, Werner Uehlinger started the Swiss label Hathut Records with the specific int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Cyrille
Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety." Life and career Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones. His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording ses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brötzmann
Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He has not abandoned his art training. Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. '' For Adolphe Sax'', Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 ''Machine Gun'', an octet recording, was released. The album was self-produced under his BRO record label imprint and sold at concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
