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LinnDrum Midistudio
The LinnDrum Midistudio (also known as the Midistudio) was going to be an electronic musical instrument produced by Linn Electronics as the successor to the ill-fated Linn 9000, which was an integrated digital sampling drum machine and MIDI sequencer. The Midistudio is essentially a rack-mount version of the Linn 9000 with some improvements. It was revealed at the 1986 Winter NAMM Show in January for a list price of $5,990. However, it never went into production because Linn Electronics went out of business in February 1986. Apparently, one prototype is in existence and was placed up for auction in 2008. For Sale: Roger Linn's original prototype MPC from 1986Auction on VEMIA listing the Linn MidiStudio - Auction details... Published on : 12/04/2008 - Here's the one and only prototype of Roger Linn's Midistudio... History The LinnDrum Midistudio and the LinnSequencer used the same flawed operating system used in the ill-fated Linn 9000, released in 1984. Chronic software bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linn Electronics
Roger Curtis Linn is an American designer of electronic musical instruments and equipment. He is the designer of the LM-1, the first drum machine to use samples, and the MPC sampler, which had a major influence on the development of hip hop. Roger Linn is also a member of the Dead Presidents Society, a group of innovators in the field of electronic music. Linn Electronics In 1979, Roger Linn and Alex Moffett founded ''Linn Moffett Electronics'' (soon to be renamed ''Linn Electronics'') to develop Linn's design for a drum machine that uses digital samples. It would be called ''LM-1'' for Linn/Moffett/1. Moffett left the company in 1982. Linn used his new drum machine and performed with Leon Russell on his album Life and Love in 1979. LM-1 In 1980, Roger Linn released the world's first drum machine to use digital samples, the LM-1 Drum Computer. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musical Instruments
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic (analog or digital) equipment intended for everyday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samplers (musical Instrument)
Sampler may refer to: * Sampler (signal), a digital signal processing device that converts a continuous signal to a discrete signal * Sampler (needlework), a handstitched piece of embroidery used to demonstrate skill in needlework * Sampler (surname) * A quilt where each block is constructed using a different pattern * Sampler, or hydrocarbon well logging, or mud logger * In sampling (medicine), the instrument used Music * Sampler (musical instrument), a device used to create digital recordings called samples * ''Sampler'' (Cardiacs album), 1995 * ''Sampler'' (Cat Empire EP) * ''Sampler'' (Plumb EP) * Sampler album, a type of compilation album ** ''In Store Jam'', a promotional compilation by Jamiroquai See also * Sample (other) * Sampling (other) Sampling may refer to: *Sampling (signal processing), converting a continuous signal into a discrete signal * Sampling (graphics), converting continuous colors into discrete color components * Sampling (music), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Production Center
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Production Controller
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Family Resemblance
Family resemblance (german: Familienähnlichkeit, link=no) is a philosophical idea made popular by Ludwig Wittgenstein, with the best known exposition given in his posthumously published book ''Philosophical Investigations'' (1953). It argues that things which could be thought to be connected by one essential common feature may in fact be connected by a series of overlapping similarities, where no one feature is common to all of the things. Games, which Wittgenstein used as an example to explain the notion, have become the paradigmatic example of a group that is related by family resemblances. It has been suggested that Wittgenstein picked up the idea and the term from Friedrich Nietzsche, who had been using it, as did many nineteenth century philologists, when discussing language families. The first occurrence of the term ''family resemblance'' is found in Arthur Schopenhauer (1788–1860; ''The World As Will and Representation §§17, 27, 28'') who attributed the term to the sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC60
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LinnSequencer
The LinnSequencer is a rack-mount 32-track hardware MIDI sequencer manufactured by Linn Electronics and released in 1985 at a list price of US $1,250. An optional Remote Control was available. Like the LinnDrum Midistudio, the LinnSequencer used the same flawed operating system used in the ill-fated Linn 9000, released in 1984. As a result, both machines earned a reputation for being notoriously unreliable. In addition, the optional LinnSequencer SMPTE feature could not be deployed due to flawed circuit design. The last LinnSequencer operating system released by Linn Electronics was version 5.17. When Linn went out of business in 1986, Forat Electronics purchased Linn's remaining assets and completely revamped the Linn 9000 and LinnSequencer operating system. They fixed all the bugs and added some new features to the LinnSequencer. The Forat LinnSequencer was released in 1987 by Forat Electronics at a list price of $1,000 (including all fixes and upgrades). The Forat LinnSequencer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
