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Linguistic Film Theory
Linguistic film theory''The Dualist'Vols. 1–6 Department of Philosophy, Stanford University, 1994, p. 56. is a form of film theory that studies the aesthetics of films by investigating the concepts and practices that comprise the experience and interpretation of movies. Overview Linguistic film theory was proposed by Stanley Cavell and it is based on the philosophical tradition begun by late Ludwig Wittgenstein. The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the absurd and the limits of thought. Cavell's framework is seen as a distinctive way of approaching film and philosophy since question of style - the finding of words adequate to our aesthetic experience - is central to the understanding of the meaning of films. One of his ideas involved the position that "if one thinks o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic Interpretation
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. Aims of interpretation Readers may approach reading a text from different starting points. A student assigned to interpret a poem for class comes at reading differently from someone on the beach reading a novel for escapist pleasure. "Interpretation" implies the conscious task of making sense out of a piece of writing that may not be clear at first glance or that may reward deeper reading even if it at first appears perfectly clear. The beach reader will probably not need to interpret what she or he reads, but the student will. Professor Louise Rosenblatt, a specialist in the study of the reading process, distinguished between two reading ''stances'' that occupy opposite ends o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Cavell
Stanley Louis Cavell (; September 1, 1926 – June 19, 2018) was an American philosopher. He was the Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University. He worked in the fields of ethics, aesthetics, and ordinary language philosophy. As an interpreter, he produced influential works on Wittgenstein, Austin, Emerson, Thoreau, and Heidegger. His work is characterized by its conversational tone and frequent literary references. Life Cavell was born as Stanley Louis Goldstein to a Jewish family in Atlanta, Georgia. His mother, a locally renowned pianist, trained him in music from his earliest days. During the Depression, Cavell's parents moved several times between Atlanta and Sacramento, California. As an adolescent, Cavell played lead alto saxophone as the youngest member of a black jazz band in Sacramento. Around this time he changed his name, anglicizing the family's original Polish name, Kavelieruskii (sometimes spelled "Kavelieriski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Ludwig Wittgenstein
Ludwig Josef Johann Wittgenstein ( ; ; 26 April 1889 – 29 April 1951) was an Austrians, Austrian-British people, British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. He is considered by some to be the greatest philosopher of the 20th century. From 1929 to 1947, Wittgenstein taught at the University of Cambridge. In spite of his position, during his entire life only one book of #Legacy, his philosophy was published, the 75-page ''Logisch-Philosophische Abhandlung'' (''Logical-Philosophical Treatise'', 1921), which appeared, together with an English translation, in 1922 under the Latin title ''Tractatus Logico-Philosophicus''. His only other published works were an article, "Some Remarks on Logical Form" (1929); a book review; and a children's dictionary. #Works, His voluminous manuscripts were edited and published posthumously. The first and best-known of this posthumous series is the 1953 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absurdity
An absurdity is a state or condition of being extremely unreasonable, meaningless or unsound in reason so as to be irrational or not taken seriously. "Absurd" is an adjective used to describe an absurdity, e.g., "Tyler and the boys laughed at the absurd situation." It derives from the Latin ''absurdum'' meaning "out of tune", hence irrational. The Latin ''surdus'' means "deaf", implying stupidity. Absurdity is contrasted with being realistic or reasonable In general usage, absurdity may be synonymous with fanciful, foolish, bizarre, wild or nonsense. In specialized usage, absurdity is related to extremes in bad reasoning or pointlessness in reasoning; ridiculousness is related to extremes of incongruous juxtaposition, laughter, and ridicule; and nonsense is related to a lack of meaningfulness. Absurdism is a concept in philosophy related to the notion of absurdity. History Absurdity has been used throughout history regarding foolishness and extremely poor reasoning to form b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophy
Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some sources claim the term was coined by Pythagoras ( BCE), although this theory is disputed by some. Philosophical methods include questioning, critical discussion, rational argument, and systematic presentation. in . Historically, ''philosophy'' encompassed all bodies of knowledge and a practitioner was known as a ''philosopher''."The English word "philosophy" is first attested to , meaning "knowledge, body of knowledge." "natural philosophy," which began as a discipline in ancient India and Ancient Greece, encompasses astronomy, medicine, and physics. For example, Newton's 1687 ''Mathematical Principles of Natural Philosophy'' later became classified as a book of physics. In the 19th century, the growth of modern research universiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Form Of Life (philosophy)
Form of life (german: Lebensform) is a term used sparingly by Ludwig Wittgenstein in posthumously published works ''Philosophical Investigations'', ''On Certainty'' and in parts of his ''Nachlass''. Wittgenstein in his ''Tractatus Logico-Philosophicus'' ''(TLP)'' was concerned with the structure of language, responding to Gottlob Frege, Frege and Bertrand Russell, Russell. Later, Wittgenstein found the need to revise the view held in TLP as he did not resolve issues concerning elementary propositions. Leading up to a revised view in his PI, still concerned with language, but now focusing on how it is ''used'' and not insisting that it has an inherent structure or set of rules. Deriving from this that language comes about as a result of human activity. Italian philosopher Giorgio Agamben takes Wittgenstein's concepts and applies them to the history of Western monasticism in order to rethink the consequences of these concepts for doing (contemporary) politics. In ''The Highest Povert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film-Philosophy
''Film-Philosophy'' is a peer-reviewed open-access academic journal covering the engagement between film studies and philosophy. The editor-in-chief is David Sorfa. See also * Linguistic film theory Linguistic film theory''The Dualist'Vols. 1–6 Department of Philosophy, Stanford University, 1994, p. 56. is a form of film theory that studies the aesthetics of films by investigating the concepts and practices that comprise the experience and ... References External links * Aesthetics journals English-language journals Online-only journals Open access journals Publications established in 1997 Open Humanities Press academic journals Edinburgh University Press academic journals {{aesthetics-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Poetics
In film studies, historical poetics is a scholarly approach to studying film, which David Bordwell outlined in his book ''Making Meaning'' (1989).Ira Stig Bhaskar (2004), "Historical Poetics, Narrative, and Interpretation" in ''A Companion to Film Theory'' (eds. Toby Miller & Robert Stan). Malden, MA: Blackwell Publishing, p. 387. Bhaskar's article is a critical account of historical poetics. Poetics studies the ''text itself'' rather than its production, reception or cultural significance and it can therefore be seen as a logical first step - though expressly not the last step - in terms of understanding how a narrative text (i.e. a television series or a film) works.Michael Z. Newman (2006) "From Beats to Arcs: Toward a Poetics of Television Narrative." ''The Velvet Light Trap'' Number 58, Fall 2006, p. 26. Overview Bordwell argues that theory-driven, interpretative approaches should be eschewed and argued that historical poetics was a better approach to studying film. Bordwell arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoformalism (film Theory)
David Jay Bordwell (; born July 23, 1947) is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including ''Narration in the Fiction Film'' (1985), ''Ozu and the Poetics of Cinema'' (1988), ''Making Meaning'' (1989), and ''On the History of Film Style'' (1997). With his wife Kristin Thompson, Bordwell wrote the textbooks ''Film Art'' (1979) and ''Film History'' (1994). ''Film Art'', currently being published in its 12th edition, is still used as a seminal text in introductory film courses. With aesthetic philosopher Noël Carroll, Bordwell edited the anthology ''Post-Theory: Reconstructing Film Studies'' (1996), a polemic on the state of contemporary film theory. His largest work to date remains ''The Classical Hollywood Cinema: Film Style and Mode of Production to 1960'' (1985), written in collaboration with Thompson and Janet Staiger. Several of his more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Mulhall
Stephen Mulhall (; born 1962) is a British philosopher and Fellow of New College, Oxford. His main research areas are Ludwig Wittgenstein and post-Kantian philosophy. Education and career Stephen Mulhall received a BA in Philosophy, Politics, and Economics at Balliol College, Oxford in 1983. He then pursued an MA in Philosophy from The University of Toronto in 1984, during which time he spent several weeks studying under Sir Isaiah Berlin at Harvard. Between 1984 and 1988, he attended Balliol College Balliol College () is one of the constituent colleges of the University of Oxford in England. One of Oxford's oldest colleges, it was founded around 1263 by John I de Balliol, a landowner from Barnard Castle in County Durham, who provided the ... and All Souls College, Oxford for his DPhil in Philosophy. From 1986 to 1991 he was a Prize Fellow at All Souls College and in 1991 he became a Reader of Philosophy at the University of Essex. From 1998 to the present he has been a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
