Line For Lyons
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Line For Lyons
''Line for Lyons'' is a live album by saxophonist Stan Getz and trumpeter Chet Baker which was recorded in Sweden in 1983 and released on the Swedish Sonet label. The name of the album is based on the eponymous song by Gerry Mulligan, a tribute to Jimmy Lyons. Chet Baker played the song multiple times when he was part of Mulligan's lineup and it made its way into his standard repertoire. Reception The Allmusic review said "Although Getz and Baker ended up not getting along very well personally, their cool-toned musical personalities fit together perfectly as can be heard on a brief duet version of "Line for Lyons". The remainder of the set finds them successfully revisiting six standards from the 1950s, making one wish it had not been 25 years since their last collaboration". Track listing # "Just Friends" (John Klenner, Sam M. Lewis) - 8:20 # " Stella by Starlight" (Victor Young, Ned Washington) - 5:25 # "Airegin" (Sonny Rollins) - 8:30 # "My Funny Valentine" (Richard Rodgers, L ...
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Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ...
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Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ...
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George Mraz
George Mraz (born Jiří Mráz; 9 September 1944 – 16 September 2021) was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others. During the 1970s, he was a member of the New York Jazz Quartet and The Thad Jones/Mel Lewis Orchestra, and in the 1980s a member of Quest. He also appeared with Joe Lovano, Hank Jones and Paul Motian on Lovano's records '' I'm All For You'' and '' Joyous Encounter''. Discography As leader/co-leader * 1977: ''Alone Together'' with Masaru Imada ( Three Blind Mice) * 1992: ''Catching Up'' * 1995: ''Jazz'' with Richie Beirach, Billy Hart, Larry Willis, Rich Perry * 1995: ''My Foolish Heart'' with Richie Beirach, Billy Hart * 1997: ''Bottom Lines'' with Cyrus Chestnut, Al Foster, Rich Perry * 1999 ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Jim McNeely
Jim McNeely (born May 18, 1949) is a jazz pianist, composer, arranger and faculty. Biography Jim McNeely was born in Chicago, Illinois. He earned a Bachelor of Music degree from the University of Illinois, and moved to New York City in 1975. In 1978, he joined the Thad Jones/Mel Lewis Big Band. He spent six years as a featured soloist with that band and its successor, Mel Lewis and the Jazz Orchestra (now the Vanguard Jazz Orchestra). In 1981, he began a four-year tenure as pianist/composer with the Stan Getz Quartet. From 1990 until 1995, he was the pianist in the Phil Woods Quintet. In 1996, he re-joined the Vanguard Jazz Orchestra as pianist. He is still associated with the Vanguard Orchestra as composer-in-residence. From 1998 to 2002, McNeely was chief conductor of the DR Big Band in Copenhagen, Denmark. , he was chief conductor of the HR (Hessischer Rundfunk) Big Band in Frankfurt, Germany. He is currently their Composer-in-Residence. He has appeared as guest with man ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Dear Old Stockholm
"Ack Värmeland, du sköna" or "Värmlandsvisan" is a Swedish popular song, best known in the English-speaking world as "Dear Old Stockholm". "Ack Värmeland, du sköna" The Swedish title may be roughly translated as "Oh Värmland, you beautiful" and the song praises the historical province (landskap) Värmland. The lyrics were written by the Värmlandian Anders Fryxell in his 1822 musical ' (The Värmlandian Girl), and then expanded by Fredrik August Dahlgren for his 1846 work '. The song is sung by the young Nicolai Gedda in the 1952 film '' Eldfågeln''. The song was recorded, in Swedish, by Israeli folk duo Esther & Abi Ofarim for their 1968 LP ''Up To Date''. Text Anders Fryxell's version from ''Vermlands-Flickan'' (1822) Ack, Värmeland, du sköna, du härliga land! Du krona för Svea rikes länder! Ja, om jag komme mitt i det förlovade land, till Värmland jag ändå återvänder. Ja, där vill jag leva, ja, där vill jag dö. Om en gång ifrån Värmland jag tager ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Milestones (instrumental Composition)
"Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of " So What" from the 1959 album '' Kind of Blue''. The song's modes consist of G Dorian for 16 bars, A Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats. Originally titled "Miles" on the initial album pressings, people soon began referring to the piece as "Milestones" rather than "Miles". On later editions of the album the title was changed. The musicians who performed on "Milestones" are: *Miles Davis – trumpet * Cannonball Adderley – alto saxophone *John Coltrane – tenor saxophone *Red Garland – piano *Paul Chambers – double bass *Philly Joe Jones – drums Only Adderley, Davis, and Coltrane solo. 1947 song "Milestones" is also the titl ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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