Lindisfarne (song)
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Lindisfarne (song)
"Lindisfarne / Unluck" is a double A-side single by English dubstep producer and singer-songwriter James Blake, released as the third single from his self-titled debut album. The single was released as a digital download on the iTunes Store on 16 June 2011 and on 10" vinyl A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near ... the following day. Song information Lindisfarne "Lindisfarne" shows elements of folktronica, trip hop, and soul music. It has extensive use of auto-tune, vocoders and multi-layered vocals over acoustic guitar playing. On the album, the song is split up into 2 parts; "Lindisfarne I" and "Lindisfarne II". On the single, the two are combined into one shortened track, "Lindisfarne (Edit)" Unluck "Unluck" is an electronic song that brings out elements of ...
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James Blake (musician)
James Blake Litherland (born 26 September 1988) is an English musician, singer, songwriter, and record producer. He first received recognition for a series of 2010 EPs including ''CMYK'' and '' Klavierwerke'', and he released his self-titled debut album in 2011 to critical praise. His second album ''Overgrown'' was released in 2013, bringing him to international attention, and later was awarded the Mercury Prize. In 2016, he released his third album '' The Colour in Anything'' and his fourth album '' Assume Form'' in 2019, both receiving positive reviews and the latter becoming his highest-peaking album in the US ''Billboard'' 200, at number 21. During his career, he has collaborated with artists including Mount Kimbie and Bon Iver and has contributed production work to artists such as Kendrick Lamar, Beyoncé, Vince Staples, Frank Ocean, Rosalía and Travis Scott. He has won a Mercury Prize from two nominations, a Grammy Award from six nominations, including for Best New Ar ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Electronica Songs
Electronica is both a broad group of electronic music, electronic-based music styles intended for listening rather than strictly for dance, dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and Intelligent dance music, intelligent ...
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2011 Singles
Eleven or 11 may refer to: *11 (number), the natural number following 10 and preceding 12 * one of the years 11 BC, AD 11, 1911, 2011, or any year ending in 11 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music *Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label * Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Ream ...
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James Blake (musician) Songs
James or Jim Blake may refer to: Entertainment * James W. Blake (1862–1935), American lyricist * James Blake (pianist) (1922–1979), British-American jazz musician * James Carlos Blake (born 1947), American writer, winner of ''Los Angeles Times'' Book Prize for fiction, 1997 * James Blake (musician) (born 1988), British singer-songwriter ** ''James Blake'' (album), self-titled debut album * Eubie Blake (James Hubert Blake, 1887–1983), American musician * Jim Blake, character in the film '' Across the Plains'' (1928) Politics * James H. Blake (1768–1819), American politician, mayor of Washington, D.C. * Jim Blake (Australian politician) (1921–2010), member of the Queensland Legislative Assembly * James B. Blake (1827–1870), American politician, mayor of Worcester, Massachusetts Other uses * James "Spanish" Blake (died 1635), Irish Nine Years' War figure * James Henry Blake (1808–1874), Boston Police Marshal in 1840 * James Vila Blake (1842–1925), American Unitarian ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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VEVO
Vevo ( , an abbreviation for "Video Evolution", stylized as VEVO until 2013) is an American multinational video hosting service, best known for providing music videos to YouTube. The service is also available as an app on selected smart TVs, digital video recorders, digital media players and streaming television services. The service once offered a consumer mobile and tablet app, however this was shut down in May 2018 to allow the service to focus on its other platforms. The service was concluded after negotiations on June 16, 2009, as a joint venture among three major record companies: Universal Music Group (UMG), Sony Music Entertainment (SME) and shortly before its launch by EMI. In August 2016, Warner Music Group (WMG), the world's third-largest record company, agreed to license premium videos from its artists to Vevo. Initially, the service hosted only music videos from Universal Music Group and Sony Music Entertainment, syndicated on YouTube and its app, and the adverti ...
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Post-dubstep
Post-dubstep is an umbrella term applied to a range of musical styles that have been influenced by the sparse, syncopated rhythms and heavy sub-bass of the UK dubstep scene. The breadth of styles associated with the term post-dubstep precluded it from being a specific musical genre in the early 2010s. Such music often references earlier dubstep productions as well as UK garage, 2-step and other forms of underground electronic dance music. Artists producing music that has been described as post-dubstep have also incorporated elements of ambient music and early 2000s R&B. The latter in particular is heavily sampled by two artists described as post-dubstep, Mount Kimbie and James Blake. The tempo of music typically characterised as post-dubstep is approximately 130 beats per minute. The production duo Mount Kimbie is often associated with the origination of the term post-dubstep. Mount Kimbie's ''Maybes EP'', James Blake's remix of Untold's "Stop What You're Doing" and Joy Orbis ...
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Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ...
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Auto-tune
Auto-Tune (or autotune) is an audio processor introduced in 1996 by American company Antares Audio Technologies. Auto-Tune uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances. Auto-Tune was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch. The 1998 Cher song " Believe" popularized the technique of using Auto-Tune to distort vocals. In 2018, the music critic Simon Reynolds observed that Auto-Tune had "revolutionized popular music", calling its use for effects "the fad that just wouldn't fade. Its use is now more entrenched than ever." In its role distorting vocals, Auto-Tune operates on different principles from the vocoder or talk box and produces different results. Description Auto-Tune is available as a plug-in for digital audio workstations used in a studio setting and as a stand-alone, rack-mounted unit for ...
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