Lina Coen
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Lina Coen
Lina Coen (born Caroline Marie Cohen; September 21, 1878 – April 13, 1952) was a French-American musician of Dutch descent. She won acclaim as a pianist and vocal coach and was the first woman in the United States to conduct an opera. Life Coen was born as Caroline Marie Cohen in Paris on September 21, 1878, to Hippolijte Cohen, diamond merchant, and Mathilde Schoijer. Both her parents were nationals of the Netherlands. Coen married Dutch cellist Jacques van Lier in Berlin in 1899. They had one child, Felicia Anne van Lier, born in 1901. The couple divorced in 1907 but stayed in Berlin until the outbreak of World War I. In August 1914 Coen travelled with her ex-husband and her daughter to Eastbourne, England. Coen continued her voyage alone to settle in New York City in November 1914. In 1925, she obtained US citizenship under the name Lina Coen, renouncing her French and Dutch citizenship in the process. After her father's death, Coen returned to Paris in 1921 to take he ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Marie Rappold
Marie Rappold, née Winterrath (17 August 1872 – 12 May 1957) was a German-born American operatic soprano. She sang with the Metropolitan Opera from 1905 to 1920. Early life She was born in Barmen, Germany on 17 August 1872. She appeared on stage in London at the age of five before moving with her parents to Brooklyn, New York, where she later studied with Oscar Saenger and sang with the Amberg German Opera Company. In New York City she studied singing with Estelle Liebling. Opera and recording career On 22 November 1905, Rappold made her debut at the Metropolitan Opera as Sulamith in Karl Goldmark's '' Die Königin von Saba'' (''The Queen of Sheba'', 1875). She continued to appear at the Met until 1920, during which time, she gave a total of 198 performances in 23 roles and 22 operas. Her first husband, Dr. Julius Rappold, objected to her career, and she divorced him in 1907. In 1913, she married tenor Rudolf Berger (17 April 1874, Moravia – 27 February 1915, New York C ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Léon Rothier
Léon Rothier (December 26, 1874 – December 6, 1951) was a French operatic bass who enjoyed a long association with New York's Metropolitan Opera. Biography Rothier was born in 1874 in Reims, in the Champagne-Ardenne ''région'' of northern France. In this city he began his career as a violinist, but afterwards traveled to the Conservatoire de Paris to study voice. In 1899, he made his singing debut at the Opéra-Comique in Paris, in Charles Gounod's ''Philémon et Baucis''. One year later, he participated in the premiere of Gustave Charpentier's '' Louise''. Rothier left the Opéra-Comique in 1907, and after some short stints with a few smaller French opera companies, moved to the United States, beginning a 30-year association with the Metropolitan Opera in New York City. He created the role of Grandfather Tyl in '' L'oiseau bleu'' by Albert Wolff (1919). He was still fulfilling public singing engagements in New York City as late as 1949, at The Town Hall performance spa ...
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Olive Fremstad
Olive Fremstad (14 March 1871 – 21 April 1951) was the stage name of Anna Olivia Rundquist, a celebrated Swedish-American opera diva who sang in both the mezzo-soprano and soprano ranges.Rosenthal and Warrack (1979) p. 180 Background Born in Stockholm, she received her early education and musical training in Christiania, Norway. When she was 12 years of age her parents moved to America, settling in Minneapolis, Minnesota. Even before leaving Christiania, her progress on the piano had been such that she had appeared as an infant prodigy. She was adopted by an American couple living in Minnesota, taking on their surname of Fremstad. She began her vocal training in New York City with Frederick Bristol in 1890 after singing in church choirs, then studied in Berlin with Lilli Lehmann before making her operatic debut as a mezzo-soprano as Azucena in Verdi's ''Il trovatore'' at the Cologne Opera in 1895. She remained there for at least three years, before going on to Vienna, Mu ...
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Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ...
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Répétiteur
A (from the French verb meaning 'to repeat, to go over, to learn, to rehearse') is an accompanist, tutor or coach of ballet dancers or opera singers. A feminine form, , also appears but is comparatively rare. Opera In opera, a is the person responsible for coaching singers and playing the piano for music and production rehearsals.Oxford English Dictionary
Oxford University Press, accessed 27 July 2010
When coaching solo singers or choir members, the ' will take on a number of the roles of a : advising singers on how to improve their pitch and pronunciation, and correcting note or phrasing errors. are skilled musicians who hav ...
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Collaborative Piano
Collaborative piano is a discipline of music that combines piano performance, accompaniment, and music pedagogy (and often, vocal coaching). Genres Instrumental literature One responsibility of the collaborative pianist is to perform the piano part of the instrumental sonata literature. These are duo chamber works, and the role of the pianist in this genre is that of equal partner with the instrumentalist. This includes a large number of works such as but not limited to the following important works from the string repertoire: * Wolfgang A. Mozart, Sonatas for Piano and Violin * Ludwig van Beethoven, 10 Sonatas for Piano and Violin, 5 Sonatas for Cello and Piano * Franz Schubert, 3 Sonatinas for Violin and Piano, et al. * Robert Schumann, 3 Sonatas for Violin and Piano * Cesar Franck, Sonata for Violin and Piano * Johannes Brahms, 3 Sonatas for Violin and Piano, 2 Sonatas for Cello and Piano, 2 Sonatas for Clarinet (or Viola) and Piano * Edvard Grieg, 3 Sonatas for Violin and ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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Variations On A Rococo Theme
The ''Variations on a Rococo Theme'',; in russian: Вариации на тему рококо. Op. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. However, the ''Theme'' is not Rococo in origin, but actually an original theme in the Rococo style. Tchaikovsky wrote this piece for and with the help of Wilhelm Fitzenhagen, a German cellist and fellow-professor at the Moscow Conservatory. Fitzenhagen gave the premiere in Moscow on November 30, 1877, with Nikolai Rubinstein conducting. This was perhaps the only hearing of the ''Variations'' as Tchaikovsky wrote the piece, until 1941, when it was played in Moscow without Fitzenhagen's by-then-standard emendations. Orchestration The piece is scored for a reduced orchestra consisting of pairs of each of the four basic woo ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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