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Lilla Vilunda Runestones
The Lilla Vilunda runestones are three Viking Age memorial runestones that were erected by members of the same family and which are located at Lilla Vilunda (also known as Stallgatan) in Upplands Väsby, Stockholm County, Sweden, and in the historic province of Uppland. U 293 Runic inscription U 293 is the Rundata catalog number for an inscription on a gneiss stone that is 1.8 meters in height. This stone was identified during the runestone surveys conducted in Sweden during the 17th century by Johannes Bureus and Johannes Rhezelius. The inscription consists of runic text carved on a serpent that encloses a Christian cross. The inscription is classified as being carved in runestone style Pr3 or Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. For st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Age
The Viking Age () was the period during the Middle Ages when Norsemen known as Vikings undertook large-scale raiding, colonizing, conquest, and trading throughout Europe and reached North America. It followed the Migration Period and the Germanic Iron Age. The Viking Age applies not only to their homeland of Scandinavia but also to any place significantly settled by Scandinavians during the period. The Scandinavians of the Viking Age are often referred to as ''Vikings'' as well as ''Norsemen'', although few of them were Vikings in sense of being engaged in piracy. Voyaging by sea from their homelands in Denmark, Norway, and Sweden, the Norse people settled in the British Isles, Ireland, the Faroe Islands, Iceland, Greenland, Normandy, and the Baltic coast and along the Dnieper and Volga trade routes in eastern Europe, where they were also known as Varangians. They also briefly settled in Newfoundland, becoming the first Europeans to reach North America. The Norse-Gaels, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visäte
Visäte (Old Norse: ''Víseti'', ''Véseti'') was a runemaster who was active during the last half of the eleventh century in southern Uppland, Sweden. Work Most early medieval Scandinavians were probably literate in runes, and most people probably carved messages on pieces of bone and wood.Vilka kunde rista runor?' on the Swedish National Heritage Board website, retrieved 3 March 2015. However, it was difficult to make runestones, and in order to master it one also needed to be a stonemason. During the 11th century, when most runestones were raised, there were a few professional runemasters. The runemaster Visäte is known for his inscriptions which are classified as being carved in runestone styles Pr3 and Pr4, which is also known as the Urnes style. Inscriptions in runestone style Pr3 and Pr4 are characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestones In Uppland
A runestone is typically a raised stone with a runic inscription, but the term can also be applied to inscriptions on boulders and on bedrock. The tradition began in the 4th century and lasted into the 12th century, but most of the runestones date from the late Viking Age. Most runestones are located in Scandinavia, but there are also scattered runestones in locations that were visited by Norsemen during the Viking Age. Runestones are often memorials to dead men. Runestones were usually brightly coloured when erected, though this is no longer evident as the colour has worn off. The vast majority of runestones are found in Sweden. History The tradition of raising stones that had runic inscriptions first appeared in the 4th and 5th century, in Norway and Sweden, and these early runestones were usually placed next to graves. The earliest Danish runestones appeared in the 8th and 9th centuries, and there are about 50 runestones from the Migration Period in Scandinavia. Most runeston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stockholm County Museum
Stockholm County Museum ( sv, Stockholms läns museum) is the regional museum of Stockholm County, Sweden. The museum's head office is currently located at Flemingsberg in Huddinge Municipality. Previously, the museum was located at Sickla. The museum serves the inhabitants in the county, especially those living in districts without a local museum. It documents both pre-historical and historical structures in the county and promotes people to visit historical locations by arranging "cultural paths" binding these sites together. To invite people to learn about the history of the county, the museum has put a large amount of texts and historical images on-line.Stockholm County Museum, English summary It also offers information on how to preserve old buildings and promotes the use of traditional materials when restoring historical structures.Stockholm County Museum - ''Byggwebben'' The museum attempts to put focus on the modern history of Stockholm, including its suburbs The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Dybeck
Richard Dybeck (1 September 1811 – 28 July 1877) was a Swedish jurist, antiquarian, and lyricist. He is mainly remembered as the author of the lyrics to what is now the de facto Swedish national anthem, '' Du gamla, Du fria''. Biography Dybeck was born in the rectory of Odensvi parish, just outside the town of Köping in Västmanland, Sweden. He was the son of a clergyman, went to gymnasium in Västerås, and later matriculated at Uppsala University in 1831 with a law degree. He completed his civil service degree in law () in 1834 and entered the Svea Court of Appeal (). He held a number of positions in the court system during the following years, but eventually began to spend all his time on his antiquarian and historical research, not least in the field of runestones. Dybeck wrote many poems. He was also known to be keenly interested in Asian culture, as was seen by his collection of historic prints and lithographs which originated from places like Myanmar and China. Dybeck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ur (rune)
The reconstructed Proto-Germanic name of the Elder Futhark ''u'' rune is *Ūruz meaning " wild ox"Page, R.I. (2005). ''Runes'', page 15. The British Museum Press or *Ūrą "water". It may have been derived from the Raetic alphabet character ''u'' as it is similar in both shape and sound value. The name of the corresponding letter in the Gothic alphabet is ''urus''. Name The Icelandic word for "rain" and the Old English for "aurochs" go back to two different Proto-Germanic words, ''*ūruz'' and ''*ūrą'' (although possibly from the same root). The Norwegian meaning "dross, slag" is more obscure, but may be an Iron Age technical term derived from the word for water (cf. the Kalevala, where iron is compared to milk). Because of this, it is difficult to reconstruct a Proto-Germanic name for the Elder Futhark rune. It may have been *ūruz "aurochs" (see also Bull worship), or *ūrą "water". The aurochs is preferred by authors of modern runic divination systems, but both seem po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansuz (rune)
Ansuz is the conventional name given to the ''a''-rune of the Elder Futhark, . The name is based on Proto-Germanic ''*ansuz'', denoting a deity belonging to the principal pantheon in Germanic paganism. The shape of the rune is likely from Neo-Etruscan ''a'' (), like Latin A ultimately from Phoenician aleph. Name In the Norwegian rune poem, ''óss'' is given a meaning of "estuary" while in the Anglo-Saxon one, takes the Latin meaning of "mouth". The Younger Futhark rune is transliterated as ''ą'' to distinguish it from the new ár rune (ᛅ), which continues the ''jēran'' rune after loss of prevocalic ''*j-'' in Proto-Norse ''*jár'' (Old Saxon ). Since the name of ''a'' is attested in the Gothic alphabet as or , the common Germanic name of the rune may thus either have been ''*ansuz'' "god", or ''*ahsam'' "ear (of wheat)". Development in Anglo-Saxon runes The Anglo-Saxon futhorc split the Elder Futhark ''a'' rune into three independent runes due to the development ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 614
The Torsätra runestone, cataloged by Rundata as runic inscription U 614, is a Viking Age memorial runestone originally located in Torsätra, which is around 8 kilometers northeast of Bro, Stockholm County, Sweden, which is in the historic province of Uppland. Description The Torsätra runestone was raised in memory of one of the Swedish king's tribute collectors who fell ill and died during a trip to Gotland. The granite stone is 1.45 meters in height and was originally located near runestone U 613 in Torsätra. The stone was moved from its original location in 2005 to allow construction on a military training area, and is currently in the Swedish Museum of National Antiquities in Stockholm. It is considered to be a good example of runestone style Pr3, which is also known as the Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 613
Uppland Runic Inscription 613, also known as the Torsätra runestone, is the Rundata catalog number for a Viking Age memorial runestone originally located in Torsätra, which is approximately 8 kilometers northeast of Bro, Stockholm County, Sweden, which is in the historic province of Uppland. Description U 613 was originally located near runestone U 614 beside a road at Torsätra, and was moved from its original location to the Swedish State Historical Museum in 1970. The inscription on this runestone, which is 1.6 meters in height, consists of runic text carved upon a serpent which surrounds a cross, with the final word of the text carved on the upper section of the cross. The inscription is considered to be carved in either runestone style Pr3 or Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U Fv 1972;172
U or u, is the twenty-first and sixth-to-last letter and fifth vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''u'' (pronounced ), plural ''ues''. History U derives from the Semitic waw, as does F, and later, Y, W, and V. Its oldest ancestor goes to Egyptian hieroglyphics, and is probably from a hieroglyph of a mace or fowl, representing the sound Voiced_labiodental_fricative.html" ;"title="nowiki/> vor the sound [Voiced labial–velar approximant">w">Voiced labiodental fricative">vor the sound [Voiced labial–velar approximant">w This was borrowed to Phoenician, where it represented the sound [w], and seldom the vowel [Close back rounded vowel, u]. In Greek language, Greek, two letters were adapted from the Phoenician waw. The letter was adapted, but split in two, with the Digamma, first one of the same name (Ϝ) being adapted to represent w"> ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U 294
U or u, is the twenty-first and sixth-to-last letter and fifth vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''u'' (pronounced ), plural ''ues''. History U derives from the Semitic waw, as does F, and later, Y, W, and V. Its oldest ancestor goes to Egyptian hieroglyphics, and is probably from a hieroglyph of a mace or fowl, representing the sound Voiced_labiodental_fricative.html" ;"title="nowiki/> vor the sound [Voiced labial–velar approximant">w">Voiced labiodental fricative">vor the sound [Voiced labial–velar approximant">w This was borrowed to Phoenician, where it represented the sound [w], and seldom the vowel [Close back rounded vowel, u]. In Greek language, Greek, two letters were adapted from the Phoenician waw. The letter was adapted, but split in two, with the Digamma, first one of the same name (Ϝ) being adapted to represent w"> ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
