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Lil Johnson (blues Singer)
Lil Johnson ( fl. 1920s–1930s, born 1900, date of death and places of birth and death unknown) was an American singer who recorded dirty blues and hokum songs in the 1920s and 1930s. Career Her origins and early life are not known. She first recorded in Chicago in 1929, accompanied by the pianists Montana Taylor and Charles Avery on five songs, including "Rock That Thing". She did not return to the recording studio until 1935, when her more risqué songs included " Get 'Em from the Peanut Man (Hot Nuts)", " Anybody Want to Buy My Cabbage?", and "Press My Button (Ring My Bell)" (''"Come on baby, let's have some fun / Just put your hot dog in my bun"''). She also recorded a version of "Keep A-Knockin'", which later became a hit for Little Richard. From her second session onwards, she formed a partnership with the ragtime-influenced pianist Black Bob, who provided ebullient support for her increasingly suggestive lyrics. In 1936 and 1937, she recorded over 40 songs, mostly for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirty Blues
Dirty blues encompasses forms of blues music that deal with socially taboo and obscene subjects, often referring to sexual acts and drug use. Due to the sometimes graphic subject matter, such music was often banned from radio and only available on a jukebox. The style was most popular in the years before World War II, although it had a revival in the early 1950s. Many songs used innuendo, slang terms, or double entendres, such as Lil Johnson's "Press My Button (Ring My Bell)" (''"Come on baby, let's have some fun / Just put your hot dog in my bun"''). However, some were very explicit. The most extreme examples were rarely recorded at all, a notable exception being Lucille Bogan's obscene version of " Shave 'Em Dry" (1935), which Elijah Wald has noted as "by far the most explicit blues song preserved at a commercial pre-war recording session". The more noteworthy musicians who utilised the style included Bo Carter, Bull Moose Jackson, Harlem Hamfats, Wynonie Harris, and Hank Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Bob (musician)
Black Bob ( fl. 1930s) was the pseudonym used by an American blues piano player, based in Chicago, who recorded widely in the 1930s accompanying other performers. His real name is unknown, but suggestions have included Bob Hudson, Bob Robinson, Bob Alexander, and Bob Schanault (or Chenault). Almost nothing is known of his life beyond his recordings. According to Chicago pianist Charlie West, he became known as Black Jack in Cincinnati, Ohio, before moving around 1927 to Chicago where he adopted the name Black Bob. Reportedly, Big Bill Broonzy thought that his real name was Robert Alexander, though Memphis Slim gave his name as Bob Hudson. It was once erroneously suggested that Black Bob was a pseudonym for Bob Call. Reviewing the evidence, researcher Bob Eagle raised the possibility that he may have been the Bob Schanault (possibly misspelled) who recorded with Memphis Minnie in 1936. Black Bob was the pianist on many Chicago blues recordings of the mid and late 1930s, notably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Blues Singers
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1900 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Document Records
Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award. Document Records is the only UK-based recipient of the award in 2018. History Document was established in 1986 by Johnny Parth, the former owner of Roots Records, in Austria to make previously unreleased blues and gospel records from before the 1942–44 musicians' strike available on a number of European labels. In 1990, Parth felt obliged to switch production from LP to CD. With this change, he consolidated the catalogue into complete reissues in chronological order, increasingly on the Document label as other label names were dropped. The new policy was to reissue as many as possible of the recordings listed in the book, ''Blues and Gospel Records: 1890–1943''. The scope was expanded to include bluegrass, spiritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shave 'Em Dry
"Shave 'Em Dry" is a dirty blues song, first recorded by Ma Rainey in August 1924 in Chicago. It was released on Paramount Records on September 6, 1924. Rainey was accompanied on the recording by two unknown guitarists (one of them was possibly Miles Pruitt). The record was advertised in ''The Chicago Defender'' on the same date as the record's release. As a turn of phrase, "Shave 'Em Dry" can be interpreted as referring to mean any aggressive action, alternatively (as here) as meaning sexual intercourse without any preliminary 'love-making'. Big Bill Broonzy stated "Shave 'em dry is what you call makin' it with a woman; you ain't doin' nothin', just makin' it." However, Ma Rainey in her version made no specific reference to its meaning or content. Rudi Blesh commented upon its importance as an archaic eight-bar blues which was "complete, harmonically and poetically". Rainey, previously a minstrel and tent-show singer, quite possibly knew of the broad outline of the number and "Shav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Collins (musician)
Leeds "Lee" Collins (October 17, 1901 – July 3, 1960) was an American jazz trumpeter. Early life Collins was born in New Orleans, Louisiana. As a teenager, he played in brass bands, including the Young Eagles, the Columbia Band, and the Tuxedo Brass Band. Career In the 1910s, Collins played in New Orleans alongside Louis Armstrong, Papa Celestin, and Zutty Singleton. Hemoved to Chicago, Illinois, in 1924, where he replaced Louis Armstrong in King Oliver's band. He also played with Jelly Roll Morton, but the two had disagreements and fell out when Collins claimed that Morton stole the song "Fish Tail Blues" from him. Collins returned to New Orleans, where he played on the recordings of the Jones & Collins Astoria Hot Eight in 1929. He then played in New York City with Luis Russell in 1930. He went back to Chicago, where he played with Dave Peyton (1930), the Chicago Ramblers (1932), Johnny Dodds and Baby Dodds, Zutty Singleton, Mezz Mezzrow, Lovie Austin, and Jimmy B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
