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This article presents the discography of the American jazz saxophonist and bandleader John Coltrane (1926–1967). Introduction Coltrane participated in his first recording sessions while enlisted in the Navy from August 6, 1945, to August 11, 1946. He performed eight numbers in a pickup band that included trumpeter Dexter Culbertson. These were private recordings not made for official release. However, one track from the session, " Hot House", eventually appeared on the 1992 compilation '' The Last Giant: The John Coltrane Anthology.'' There are conflicting sources as to whether he made his first professional recording session with Dinah Washington: Jazzdisco.org lists the session as September 27, 1949 in New York City, but Lewis Porter's ''John Coltrane: His Life and Music'' states that he was on tour with the Dizzy Gillespie Big Band during that time. Most sources confirm that he recorded with Billy Valentine on November 7 in Los Angeles for Mercury Records. In subsequent ye ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ...
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Don Cherry (trumpeter)
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Cherry had a long association with free jazz saxophonist Ornette Coleman, which began in the late 1950s. He also performed alongside musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler. In the 1970s, Cherry became a pioneer in world fusion music, drawing on traditional African, Middle Eastern, and Hindustani music. He was a member of the ECM group Codona, along with percussionist Naná Vasconcelos and sitar and tabla player Collin Walcott. AllMusic called him "one of the most influential jazz musicians of the late 20th century." Early life Cherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent and an African-American father. His mother and grandmother played piano and his father played trumpet. His father owned Oklahoma City's Cherry Blossom Club, which hosted performances by Charlie Christian an ...
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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ...
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The Avant-Garde (album)
''The Avant-Garde'' is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960. Background Ornette Coleman attended the Lenox School of Jazz in 1959 with Don Cherry. His education was sponsored by Atlantic Records. Coleman had a revolutionary sound that deviated from conventional jazz (apparent by the lack of harmonies). Despite his deviations, Coleman retained the basic key and common time of traditional jazz. In 1953, he met drummer Ed Blackwell, who is featured on the album. John Coltrane studied with Coleman, and they frequently played together but never made an album together. ''The Avant-Garde'' is a result of their mutual respect and friendship. Coltrane, ...
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Bags & Trane
''Bags & Trane'' is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the two, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's first issue. However, like Prestige Records, as Coltrane's profile grew after he had stopped recording for the label, Atlantic released them with Coltrane's name more prominently displayed. Reception The contemporaneous '' DownBeat'' reviewer blamed the rhythm section for Jackson and Coltrane not gelling, and concluded: "the general impression is one of a session that could have been better, though it is still above ...
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Atlantic Records
Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes. In 2004, Atlantic and its sister label Elektra were merged into the Atlantic Records Group. Craig Kallman is the chairman of Atlantic. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age 83. History Founding and early history In 1944, brothers Nesuhi and Ahmet Erte ...
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The Complete Prestige Recordings (John Coltrane Album)
The Prestige Recordings is a box set by jazz musician John Coltrane. Reception In review for AllMusic Lindsay Planer wrote: "The 16 CDs in this compendium represent nearly everything that John Coltrane recorded for the Prestige label during a 32-month period between May 7, 1956, and December 26, 1958... Accompanying the music is a 32-page liner notes booklet. Inside are a historical essay from Doug Ramsey, a session-by-session breakdown by Carl Woideck..., and several different cross-references of the contents. Overall, the audio quality is excellent throughout, especially considering that the original tapes were transferred during the infancy of digital audio technology." The authors of ''The Penguin Guide to Jazz'' commented: "The boxed set offers the most comprehensive and, for most listeners, exhaustive documentation of Trane's time with the label... It reveals the saxophonist still in larval stage and not yet the compellingly beautiful imago of the Atlantic years." Track list ...
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Blue Train (album)
''Blue Train'' is a studio album by John Coltrane which was released in January 1958 by Blue Note Records. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is the only Blue Note recording by Coltrane as session leader. It has been certified a gold record by the RIAA. Background The album was recorded in the midst of Coltrane's residency at the Five Spot as a member of the Thelonious Monk quartet. The personnel include Coltrane's Miles Davis bandmates, Paul Chambers on bass and Philly Joe Jones on drums, both of whom had worked before with pianist Kenny Drew. Both trumpeter Lee Morgan and trombonist Curtis Fuller were up-and-coming jazz musicians, and both were members of Art Blakey's Jazz Messengers in due course. Unlike his previous label, Blue Note paid the musicians to rehearse the music for a couple of days before the recording session. All of the compositions were written by Coltrane, with the exception of the standard "I'm Old Fashioned". Though at this poin ...
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Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ...
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Coltrane (1957 Album)
''Coltrane'' is an album by jazz musician John Coltrane which was released in October 1957 by Prestige Records. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of ''The First Trane!''. Background As a result of his exposure as a member of the Miles Davis Quintet, Prestige Records owner and producer Bob Weinstock offered Coltrane a recording contract. Dated April 9, 1957, it stipulated three albums per year at $300 per album. Coltrane had previously recorded as a sideman, and had co-led a session with Paul Quinichette (released in 1959 as '' Cattin' with Coltrane and Quinichette''), but never as sole bandleader. Coltrane had been fired by Davis in April 1957 for drug abuse, and had returned to Philadelphia to end his habit. He returned to New York City for mid-May sessions with Prestige, this one taking place the day after Memorial Day. By t ...
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Jam Sessions
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage t ...
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