Lift Every Voice (Andrew Hill Album)
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Lift Every Voice (Andrew Hill Album)
''Lift Every Voice'' is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970.Andrew Hill discography
accessed September 30, 2010
The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.


Reception

The Allmusic review by Richard S. Ginell awarded the album 4 stars calling it a "remarkably advanced fusion of voices and jazz quintet". ...
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Andrew Hill (jazz Musician)
Andrew Hill (June 30, 1931Mandel, Howard (April 20, 2007) "Andrew Hill: 1931–2007''All About Jazz''. Retrieved April 20, 2007. During his lifetime, Hill's year of birth was always given as 1937. – April 20, 2007) was an American jazz pianist and composer. Jazz critic John Fordham described Hill as a "uniquely gifted composer, pianist and educator" although "his status remained largely inside knowledge in the jazz world for most of his career." Hill recorded for Blue Note Records for nearly a decade, producing a dozen albums. Biography Early life Andrew Hill was born in Chicago, Illinois, to William and Hattie Hill. He had a brother, Robert, who was a singer and classical violin player.Feather, Leonard. Original liner notes to ''Judgment!'' Hill took up the piano at the age of thirteen, and was encouraged by Earl Hines. As a child, he attended the University of Chicago Experimental School. Spellman, A. B. Original liner notes to '' Black Fire.'' He was referred by jazz ...
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Carlos Garnett
Carlos Garnett (born December 1, 1938) is a Panamanian-American jazz saxophonist. Biography Garnett was born on December 1, 1938, in Red Tank, Panama Canal Zone. He was interested in jazz after hearing the music of Louis Jordan and James Moody in short films. He taught himself to play saxophone as a teenager and played with soldiers from the nearby United States Army base. In 1957 he started playing in calypso and Latin music groups. After moving to New York in 1962, he played in a rock 'n' roll group led by Leo Price. Around this time he also started learning music theory, being self-taught and having always played by ear. Jazz trumpeter Freddie Hubbard hired him in 1968 and introduced him to many New York musicians. Garnett's first recording was Hubbard's 1969 album ''A Soul Experiment'', which contained two original compositions by him. In the late 1960s and early 1970 Garnett also played with Art Blakey's Jazz Messengers, Charles Mingus and Miles Davis. He led his own g ...
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Blue Note Records Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. In the eigh ...
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Ben Riley
Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie "Lockjaw" Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet. Biography Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City. "Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie "Lockjaw" Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant." He then spent 1964 to 1967 in Thelonious Monk's quartet. After Monk, he played with Alice Coltrane (intermittently between 1968 and 1975), Ron Carter (1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim. Riley died of lu ...
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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register str ...
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Bennie Maupin
Bennie Maupin (born August 29, 1940) is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet. Maupin was born in Detroit, Michigan, United States. He is known for his participation in Herbie Hancock's Mwandishi sextet and Headhunters band, and for performing on Miles Davis's seminal fusion record, ''Bitches Brew''. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He is noted for having a harmonically-advanced, "out" improvisation style, while having a different sense of melodic direction than other "out" jazz musicians such as Eric Dolphy. Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums). Discography As leader/co-leader * '' The Jewel in the Lotus'' ( ECM, 1974) * ''Almanac'' (Improvising Artists, 1977) with Mike Nock, Cecil McBee, Eddie Marshall – recorded in 1967 * '' Slow Traffic to the Right'' (Mercury, 1977) * ''Moonscape ...
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song "The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after ''The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the a ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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