|
Lifesong (song)
"Lifesong" is a song recorded by Christian rock band Casting Crowns. Written by Mark Hall and produced by Mark A. Miller, it was released as the lead single from the band's 2005 album of the same name. According to Mark Hall, the lead vocalist of Casting Crowns, "Lifesong" came out of what he found himself saying to students in his church's youth ministry. Compared to the work of rock band U2, the song lyrically points believers towards honoring God in all they do. "Lifesong" received mostly positive reviews upon its release, with some critics praising the song's musical arrangement. The song was nominated for two awards at the 37th GMA Dove Awards and has been performed by Casting Crowns in concert. It was a hit on Christian radio, topping the '' Billboard'' Hot Christian Songs and Hot Christian AC charts as well as the '' Radio & Records'' Christian AC and Soft AC/Inspirational charts. It also peaked inside the top 10 on the ''Radio & Records'' Christian CHR chart. It ranke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casting Crowns
Casting Crowns is a contemporary Christian and Christian rock band started in 1999 by youth pastor Mark Hall, who serves as the band's lead vocalist, as part of a youth group at First Baptist Church in Downtown Daytona Beach, Florida. They later moved to Stockbridge, Georgia, and more members joined. Some members of the band currently work as ministers for Eagle's Landing First Baptist Church in McDonough, Georgia. The band has won a Grammy and a Dove Award. History Early years and initial success Christian rock group Casting Crowns began as a student worship band in Daytona Beach, Florida, in 1999. Led by singer, songwriter, and youth pastor Mark Hall, the group initially included guitarists Juan DeVevo and Hector Cervantes, violinist Melodee DeVevo, and drummer Rob Cervantes (a.k.a. Chavez). The group relocated to Georgia, in 2001, adding Chris Huffman on bass, Megan Garrett on keyboards and accordion, and drummer Andy Williams. This augmented version of Casting Crowns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E (musical Note)
E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège. It has enharmonic equivalents of F♭ F-flat) which is by definition a diatonic semitone above Eand D (D-double sharp), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales in the key of E. * E major: E F G A B C D E * E natural minor: E F G A B C D E * E harmonic minor: E F G A B C D E * E melodic minor ascending: E F G A B C D E * E melodic minor descending: E D C B A G F E E major modes (diatonic scales). * E Ionian: E F G A B C D E * E Dorian: E F G A B C D E * E Phrygian: E F G A B C D E * E Lydian: E F G A B C D E * E Mixolydian: E F G A B C D E * E Aeolian: E F G A B C D E * E Locrian: E F G A B C D E E melodic (Jazz) minor modes * E ascending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A (musical Note)
A or La is the sixth note and the tenth semitone of the fixed-do solfège. Its enharmonic equivalents are B (B double flat) which is a diatonic semitone above A and G (G double sharp) which is a diatonic semitone below A. "A" is generally used as a standard for tuning. When the orchestra tunes, the oboe plays an "A" and the rest of the instruments tune to match that pitch. Every string instrument in the orchestra has an A string, from which each player can tune the rest of their instrument. "A" is also used in combination with a number (e.g. A-440) to label the pitch standard. The number designates the frequency in hertz. A lower number equals a lower pitch. The International Standards Organization (ISO) has standardized the pitch at A-440. However, tuning has varied over time, geographical region, or instrument maker. In 17th-century Europe, tunings ranged from about A-374 to A-403, approximately two to three semitones below A-440. Historical examples exist of instruments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tempo")
