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Lifelines (Arild Andersen Album)
''Lifelines'' (released 1981 in Germany) is the fourth album by Norwegian jazz bassist and composer Arild Andersen, recorded July 1980 at Talent Studio, Oslo, and released on the ECM label (ECM 1188). Andersen chose to depart from his usual quartet for ''Lifelines'', forming a new one to take advantage of long held musical relationships with Kenny Wheeler and Paul Motian. Though the quartet toured Norway prior to the album sessions, its existence was short-lived. Andersen would nevertheless go on to perform with each of the quartet's members in different musical configurations and projects. Track listing :''All compositions by Arild Andersen except as indicated'' # "Cameron" (6:23) # "Prelude" - composed by Steve Dobrogosz (5:53) # "Landloper" (0:48) # "Predawn" (6:02) # "Dear Kenny" (6:20) # "A Song I Used To Play" (2:42) # "Lifelines" (6:28) # "Anew" - composed by Radka Toneff (8:30) :*Recorded at Talent Studios in Oslo, Norway in July 1980 Personnel *Arild Andersen - doubl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arild Andersen
Arild Andersen (born 27 October 1945) is a Norwegian jazz musician bassist, known as the most famous Norwegian bass player in the international jazz scene. Career Andersen was born at Strømmen, Norway. He started his musical career as jazz guitarist in the Riverside Swing Group in Lillestrøm (1961–63), started playing double bass in 1964, and soon became part of the core jazz bands in Oslo. He was a member of Roy Hellvin Trio, was in the backing band at Kongsberg Jazz Festival in 1967 and 1968, was elected Best Bassist by Jazznytt in 1967, and started as bass player in the Jan Garbarek Quartet (1967–1973), including Terje Rypdal and Jon Christensen. After completing his technical education in 1968, he became a professional musician and collaborated with Karin Krog, George Russell, and Don Cherry (Berlin 1968), and with visiting American musicians Phil Woods, Dexter Gordon, Bill Frisell, Hampton Hawes, Johnny Griffin, Sonny Rollins, Sheila Jordan, and Chick Corea. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arild Andersen Albums
Arild () is a locality situated in Höganäs Municipality, Skåne County, Sweden with 522 inhabitants in 2010. It is located in the bay of Skälderviken in north-western Scania, approximately 30 km north of Helsingborg in Sweden. Arild belongs to Brunnby parish with its seat in Brunnby. The parish is represented in Arild by Arilds Chapel. The village was mostly concentrated around the chapel and the shoreline but has come to extend uphill towards Kullaberg, creating height differences between the various parts of the village. The coastline surrounding the village and the majority of the northern shore of the Kullen peninsula is mountainous. History The ''Arild Legend'' tells the story of a woman named Inger, a widow who single-handedly bore the responsibility of her two young sons, Arild and Tore. Inger decided to marry one of her many suitors, a particularly persistent one, master David, whose intentions, unfortunately, turned out to be less than noble. Master David ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ECM Records Albums
ECM may refer to: Economics and commerce * Engineering change management * Equity capital markets * Error correction model, an econometric model * European Common Market Mathematics * Elliptic curve method * European Congress of Mathematics Science and medicine * Ectomycorrhiza * Electron cloud model * Engineered Cellular Magmatics * Erythema chronicum migrans * Extracellular matrix Sport * European Championships Management Technology * Electrochemical machining * Electronic contract manufacturing * Electronic countermeasure * Electronically commutated motor * Energy conservation measure * Engine control module * Enterprise content management * Error correction mode Other uses * Editio Critica Maior, a critical edition of the Greek New Testament * ECM Records, a record label * ECM Real Estate Investments, a defunct real estate developer based in Luxembourg * Edinburgh City Mission, a Christian organization in Scotland * Elektrani na Severna Makedonija (), a pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Erik Kongshaug
Jan Erik Kongshaug (4 July 1944 – 5 November 2019) was a Norwegian sound engineer, jazz guitarist, and composer. Career Kongshaug was born in Trondheim, the son of guitarist John Kongshaug. Store Norske Leksikon (in Norwegian) During his childhood and adolescence, he began to play the accordion (1950), guitar (1958) and bass (1964). Kongshaug gained his examen artium in 1963, and trained in electronics at the Trondheim Technical School in 1967. Then he worked for the Arne Bendiksen Studio (1967–1974) and Talent Studio (1974–79) in Oslo, and undertook some jobs in New York. In 1984, he founded his own recording studio, Rainbow Studio in Oslo and evolved into being one of the grand masters of Sound engineering. The Inner World Audio Magazin Altogether, he produced over 4,000 records, and was particularly known for some 700 recordings for ECM Records made from 1970 onwards. Kongshaug played with Åse Kleveland winning the ''Norsk Melodi Grand Prix'' in 1966, and was third i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radka Toneff
Ellen Radka Toneff (25 June 1952 – 21 October 1982) was a Norwegian jazz singer, daughter of the Bulgarian folk singer, pilot and radio technician Toni Toneff, she was born in Oslo and grew up in Lambertseter and Kolbotn. She is still considered one of Norway's greatest jazz singers. Career Toneff holds a very special position in the Norwegian jazz history. With her moderate, but intense expression and her discerning musicianship, she made a deep impression on many people. Her highly personal and original qualities, where she combined influences from her father's musical heritage in Bulgaria with a range of influences from, among others, jazz and rock, led her to become a beacon for singers both in Norway and internationally. She studied music at Oslo Musikkonservatorium (1971–75), combined with playing in the jazz rock band "Unis". She also had her own Radka Toneff Quintet (1975–80), with changing lineup. including musicians like Arild Andersen, Jon Balke, Jon Eberson a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Dobrogosz
Steve Dobrogosz (born 26 January 1956 in Bellefonte, Pennsylvania) is an American composer, songwriter and pianist. Dobrogosz is the son of Walter Dobrogosz and Donna Bartone and grew up in Raleigh, North Carolina and attended Jesse O. Sanderson High School. He studied at the Berklee College of Music in Boston, Massachusetts, and afterwards moved to Stockholm, Sweden in 1978, where he began recording and performing. Dobrogosz continues to reside in Stockholm. Dobrogosz's over 1500 compositions span several genres, including jazz, pop, and classical. He has written a number of popular choral compositions, including ''Mass'' (1992) which has been performed in over 40 countries. He has collaborated with singers such as Radka Toneff, Jeanette Lindström, Berit Andersson and more recently with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
