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Licht
275px, Karlheinz Stockhausens grave with the score to LICHT . ''Licht'' (Light), subtitled "Die sieben Tage der Woche" (The Seven Days of the Week), is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week." ''Licht'' consists of 29 hours of music. Origin The ''Licht'' opera project, originally titled ''Hikari'' (光 , Japanese for "light"), originated with a piece for dancers and Gagaku orchestra commissioned by the National Theatre in Tokyo. Titled ''Der Jahreslauf'' (The Course of the Years), this piece became the first act of ''Dienstag''. Another important Japanese influence is from Noh theater, which the composer cites in connection with his conception of stage action. The cycle also draws on elements from the Judeo-Christian and Vedic traditions. The title of ''Licht'' owes something to Sri Aurobindo's theory of "Agni" (the Hindu and V ...
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Sonntag Aus Licht
(Sunday from Light) is an opera by Karlheinz Stockhausen in five scenes and a farewell, to a libretto written and compiled by the composer. It is the last-composed of seven operas that comprise the cycle ''Licht'' (Light). Its stage premiere in 2011 was posthumous, more than three years after the composer's death. Within the ''Licht'' cycle, Sunday is the day of the mystical union of Eve and Michael, from which the new life of Monday proceeds. "In this way there is neither end nor beginning to the week. It is an eternal spiral". History The various scenes of the opera were commissioned by different organizations and were premiered separately in concert form. ''Lichter—Wasser'' (Lights—Waters) was composed in 1998–99 on commission of the Südwestrundfunk for the Donaueschinger Musiktage, and was premiered on 16 October 1999 in the Baar Gymnasium in Donaueschingen. The second scene, ''Engel-Prozessionen'' (Angel Processions), was commissioned by the Groot Omroepkoor (Nether ...
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Mittwoch Aus Licht
(English: Wednesday from Light) is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle (Light: The Seven Days of the Week), and the last to be staged. It was written between 1995 and 1997, and first staged in 2012. History The four component scenes were separately commissioned and premiered: * ''Welt-Parlament'' (World Parliament) was commissioned by the South German Radio Stuttgart and was composed from 29 December 1994 to 5 March 1995. It received its premiere on 3 February 1996, at the Hegelsaal of the Liederhalle in Stuttgart, sung by the Choir of the South German Radio, conducted by , with sound projection by Karlheinz Stockhausen. * ''Orchester-Finalisten'' (Orchestra Finalists) was commissioned by Jan van Vlijmen, director of the Holland Festival, and was premiered on 14 June 1996, at the Carré Theatre, Amsterdam, by the Asko Ensemble. * ''Helikopter-Streichquartett'' (Helicopter Strin ...
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Donnerstag Aus Licht
275px, Karlheinz Stockhausens grave with the score to LICHT . (''Thursday from Light'') is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle ''Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was written between 1977 and 1980, with a libretto by the composer. Its second act, ''Michaels Reise um die Erde'' (''Michael's Journey Around the Earth''), has been performed and recorded individually. History was given its staged premiere on 15 March 1981 by the La Scala Opera in the Teatro alla Scala in Milan, but without the third act, which had to be omitted due to a strike by the opera chorus of La Scala. They had demanded soloists' bonuses because of one brief passage in act 3, and had been turned down by the management. Further performances without the third act followed on 18, 21, 24, and 27 March. An agreement was finally reached and the complete opera was finally per ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works f ...
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Dienstag Aus Licht
(Tuesday from Light) is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle '' Licht: Die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer. History is an opera for 17 solo performers (three singers, 10 instrumentalists, 4 dancer-mimes), actors, mimes, choir, orchestra, and electronic music. Tuesday is the red day of conflict between Michael and Lucifer. As was the case for most of the operas in the ''Licht'' cycle, component sections of were commissioned and composed separately, and given seriatim premieres. The first component of this opera was in fact the first part of the entire ''Licht'' cycle to be composed: ''Jahreslauf'' (Course of the Years), which became the first act of ''Dienstag'', was originally written in 1977 as an independent piece for gagaku ensemble. Stockhausen finished it ...
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Samstag Aus Licht
(Saturday from Light) is an opera by Karlheinz Stockhausen in a greeting and four scenes, and was the second of seven to be composed for the opera cycle ''Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was written between 1981 and 1983, to a libretto written by the composer and incorporating a text by Saint Francis of Assisi, and was first staged in Milan in 1984. History is an opera for 13 solo performers (1 voice, 10 instrumentalists, and 2 dancers) plus a symphonic band (or symphony orchestra), ballet or mimes, and male choir with organ. It was composed between 1981 and 1983. Saturday is Lucifer's day. Saturday's exoteric colour is black. The first scene, ''Lucifer's Dream'', was composed between May and September 1981 as a commission for the 10ème Rencontres Internationales de Musique Contemporaines Metz 1981. The score is dedicated, on the occasion of her twentieth birthday, to the composer's daughter Majella who, together with the bass Matthia ...
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Montag Aus Licht
(Monday from Light) is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the third of seven to be composed for the opera cycle ''Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). The libretto was written by the composer. is an opera for 21 solo performers (14 voices, 6 instrumentalists, and 1 actor) plus mimes, a mixed choir, children's choir, and "modern orchestra". It was composed between 1984 and 1988. Monday is Eve's day. Its exoteric colour is bright green; its esoteric colours are opal and silver. History was given its staged premiere by the Teatro alla Scala in Milan on 7 May 1988. Subsequent performances were on 8, 10, 11, 12, and 13 May. The stage direction was by Michael Bogdanov, sets by Chris Dyer, costumes by Mark Thompson. Karlheinz Stockhausen was the sound projectionist. Roles Synopsis Within the ''Licht'' cycle, the opera ''Monday'' focuses on the character of Eve, on the feminine side of existence, on ...
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Freitag Aus Licht
(Friday from Light), the main body of which is also titled ''Freitag-Versuchung'' (Friday Temptation), is the fifth to be composed of the seven operas that comprise ''Licht'' (Light), by Karlheinz Stockhausen. It was the last of the operas to receive a staged production with the composer's involvement. History was commissioned by Udo Zimmermann of the Oper Leipzig, which gave the staged premiere on 12 September 1996. Three subsequent performances were given on September 13, 14, and 15. The musical direction and sound projection was done by the composer. The staging was done by Uwe Wand. Stage, costume, object and lighting designs were from Johannes Conen. Johannes Bönig did the choreography. In addition to the soloists, the choir of the Leipzig Opera, the children's choirs of the Oper Leipzig and Mitteldeutscher Rundfunk, and the children's orchestra of the Johann Sebastian Bach music school of Leipzig performed in the original production. The production was filmed for a docume ...
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Formula Composition
Formula composition is a serially derived technique encountered principally in the music of Karlheinz Stockhausen, involving the projection, expansion, and '' Ausmultiplikation'' of either a single melody-formula, or a two- or three-voice contrapuntal construction (sometimes stated at the outset). In contrast to serial music, where the structuring features are more or less abstract and remain largely inaccessible to the listener's ear, in formula composition the musical specifications of pitch, dynamics, duration, timbre, and tempo are always directly evident in the sound, through the use of a concisely articulated melodic tone succession, the formula, which defines the large-scale form as well as all the internal musical details of the composition. Stockhausen's music Though foreshadowed in Stockhausen's once-withdrawn '' Formel'' ("Formula") of 1951, the technique made its first appearance in ''Mantra'' in 1970, and became the central focus of Stockhausen's music up to 2003. S ...
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Birmingham Opera Company
Birmingham Opera Company is a professional opera company based in Birmingham, England, that specialises in innovative and avant-garde productions of the operatic repertoire, often in unusual venues. History The company was founded by leading international opera director Graham Vick and conductor Simon Halsey as City of Birmingham Touring Opera in 1987, acquiring its current name in 2001. CBTO's public debut came in September 1987 with the production of ''Falstaff'' at the Cocks Moors Woods Leisure Centre in Brandwood. In 1989 City of Birmingham Touring Opera commissioned and performed Ravi Shankar's work of musical theatre ''Ghanashyam (A Broken Branch)'', which won the company's first Prudential Award for Arts; the 1990 production of Richard Wagner's ''Ring Saga'', adapted for performance over two nights and with a reduced orchestra of eighteen musicians, won the second. Birmingham Opera Company has also won the Royal Philharmonic Society Award for Music for its 2001 produc ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ...
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Basset Horn
The basset horn (sometimes hyphenated as basset-horn) is a member of the clarinet family of musical instruments. Construction and tone Like the clarinet, the instrument is a wind instrument with a single reed and a cylindrical bore. However, the basset horn is larger and has a bend or a kink between the mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G). Finally, the basset horn has additional keys for an extended range down to written C, which sounds F at the bottom of the bass staff. In comparison, the alto clarinet typically extends down to written E♭, which sounds G♭, one semitone higher than the basset horn. The timbre of the basset horn is similar to the alto clarinet's, but darker. Basset horns in A, G, E, E, and D were also made; the first of these is clos ...
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