Liberty (Duran Duran Album)
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Liberty (Duran Duran Album)
''Liberty'' is the sixth studio album by English new wave band Duran Duran, released on 20 August 1990 by Parlophone. The album reached number eight on the UK Albums Chart, and spawned the singles " Violence of Summer (Love's Taking Over)" and "Serious". Background Duran Duran had emerged as one of the most successful bands of the 1980s, helping to both spearhead the so-called 'Second British Invasion' of the American charts and making increasingly striking music videos to promote their singles via MTV. By the end of the 1980s, however, the band had lost both Roger and Andy Taylor, who had quit shortly after their 1985 Live Aid performance. Subsequent studio albums released including '' Notorious'' and '' Big Thing'' were not well received either critically or commercially, selling in far fewer quantities than their predecessors. Whilst the 1989 Decade compilation managed to chart in the Top 10 around the world, it was seen as a temporary stop-gap and an opportunity for the b ...
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Duran Duran
Duran Duran () are an English Rock music, rock band formed in Birmingham in 1978 by singer and bassist Stephen Duffy, keyboardist Nick Rhodes and guitarist/bassist John Taylor (bass guitarist), John Taylor. With the addition of drummer Roger Taylor (Duran Duran drummer), Roger Taylor the following year the band went through numerous personnel changes before May 1980, when they settled on their most famous line-up by adding guitarist Andy Taylor (guitarist), Andy Taylor and lead vocalist Simon Le Bon. When Duran Duran emerged they were generally considered part of the New Romantic scene. Innovators of the music video, Duran Duran were catapulted into the mainstream with the introduction of the 24-hour music channel MTV. The group was a leading band in the MTV-driven Second British Invasion of the US in the 1980s. Photographer Denis O'Regan, who captured the band during their 1984 tour, commented "Duran Duran in America was like Beatlemania." The band's first major hit was "Gi ...
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Select (magazine)
''Select'' was a United Kingdom music magazine of the 1990s. It was known for covering indie rock, but featured a wide array of music. Launched in July 1990, its first cover star was Prince. After EMAP Metro bought ''Select'', they revamped its image, and it became known for its coverage of Britpop, a term coined in the magazine by Stuart Maconie. Its 1993 "Yanks Go Home" edition, featuring The Auteurs, Denim, Saint Etienne, Pulp and Suede's Brett Anderson on the cover in front of a Union Flag, was an important impetus in defining the movement's opposition to American genres such as grunge. Later, John Harris stepped down as editor, and was replaced by former ''Mixmag'' editor Alexis Petridis. Under Petridis, the magazine's image moved back towards its coverage on an eclectic array of music, aiming to reach what Petridis described as "a wide range of music fans". The magazine folded in late 2000, amid competition on the internet. Tagline * Pop Babylon! (circa 1994) * Mus ...
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Goldmine (magazine)
''Goldmine'', established in September 1974 by Brian Bukantis out of Fraser, Michigan, is an American magazine that focuses on the collectors' market for records, tapes, CDs, and music-related memorabilia. Each issue features news articles, interviews, discographies, histories, current reviews on recording stars of the past and present. Discographies are included, listing all known releases. Coverage includes rock, blues, soul, Americana, folk, new wave, punk and heavy metal. At one point its chief competitor was ''DISCoveries'' (with more of an emphasis on 1950s oldies), which later was purchased by the same owner before folding into it as a single publication. ''Goldmine'' was published bimonthly until 1977, when it became a monthly publication. It recently returned to a bimonthly frequency at the beginning of 2022. Its headquarters is in New York, NY. Editor: Patrick Prince (2010-2012, 2015-Current). Its writers have included Dave Thompson, Harvey Kubernik, Jeff Tamarkin, Ken ...
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Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ...
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Chris Potter (producer)
Chris Potter is a British record producer and mixer, most known for his work as long-term collaborator and producer of The Verve and Richard Ashcroft. Potter started his career at Maison Rouge Studios in London, where he worked his way up through the ranks to chief engineer. After several successful years there, he left to further his career as a freelance producer and mixer. He has worked with many artists of note including The Rolling Stones and U2 and won a Brit Award for 'Best Producer' in 1998 for his work on The Verve's ''Urban Hymns''. After enjoying worldwide success with his productions and mixes on ''Urban Hymns'', he continued to work with Richard Ashcroft on his solo albums. He produced and mixed Ashcroft's debut album '' Alone with Everybody'', the follow-up ''Human Conditions'', the third album ''Keys to the World'', and his fifth album '' These People''. Other credits include The Rolling Stones (three albums including '' Steel Wheels''), mixing U2, producing I am K ...
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Olympic Studios
Olympic Studios was a renowned British independent commercial recording studio based in Barnes, London. It is best known for its recordings of many artists throughout the late 1960s to the first decade of the 21st century, including Jimi Hendrix, the Beatles, the Rolling Stones, David Bowie, Led Zeppelin, Ella Fitzgerald, Queen, Ray Charles, the Who, B.B King, Traffic, Prince, the Eagles, Eric Clapton, Madonna, Adele and Björk. It is often regarded as being as significant as Abbey Road Studios, and remains an important cultural landmark. The studio's sound mixing desks became famous when the technology and design they pioneered was manufactured commercially. Although much of Olympic has returned to its original purpose as a cinema, it also still maintains a small recording facility, designed with the help of original members of the studio's staff, who are now also involved in the construction of a much larger studio, performance and teaching space, to run alongside Olympic' ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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Sterling Campbell
Sterling Campbell (born May 3, 1964) is an American drummer and songwriter who has worked with numerous high-profile acts, including The B-52s, Duran Duran, Soul Asylum, Cyndi Lauper, Nena, Grayson Hugh, Spandau Ballet, Gustavo Cerati and David Bowie.Alexandra Gill, (January 24, 2004), "Bowie's Drummer Hip to Falun Gong," ''The Globe and Mail''. Early life Campbell was born and raised in New York City, in an African-American family with five older brothers, all of whom enjoyed music from funk and Motown, to rock and beyond, where he began learning to play the drums at age twelve. When he was fourteen years old, then-drummer in David Bowie's backing band, Dennis Davis, moved into the apartment building where Campbell's family resided. Davis invited him to come with him to see a Bowie concert, galvanizing the student to apply himself further on the drum kit. He attended high school at The High School of Music & Art (a part of the Fiorello H. LaGuardia High School of Music & Art ...
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Warren Cuccurullo
Warren Bruce Cuccurullo (born December 8, 1956) is an American musician, singer-songwriter, restaurant owner and former body builder who first worked with Frank Zappa during the 1970s. He was also a founding member of Missing Persons in the 1980s. In 1986, Cuccurullo joined Duran Duran, becoming a long-term member of the band until 2001. In 2022, he was inducted into the Rock and Roll Hall of Fame as a member of Duran Duran.
Retrieved May 4, 2022.


Personal life

Warren Bruce Cuccurullo is the son of Jerry and Ellen Cuccurullo, the oldest child of four. He has two brothers, Jerry and Robert and a sister, Stephanie. His Italian-American heritage has its roots in in Campania, Italy, and he also has so ...
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Big Thing (Duran Duran Album)
''Big Thing'' is the fifth studio album by English new wave band Duran Duran. It was released on 18 October 1988 by EMI Records. The album reached number 15 on the UK Albums Chart and number 24 on the US ''Billboard'' 200. A CD reissue (with one bonus track) was released in 1994. The album was reissued as a three-disc box set on 27 September 2010. Background In 1988, the musical climate was changing, veering to a more dance-based groove. Duran Duran were known primarily as an early 1980s new wave and synth-pop act, and the band was sitting at a career crossroads; ''Big Thing'' was their stab at maintaining mainstream popularity. Turning to more synth- and bass-heavy grooves than their previous efforts, ''Big Thing'' was seen by many as the band's "house music" album. Tracks like the first single "I Don't Want Your Love", the title track, and the album's second single "All She Wants Is" cemented the band's more aggressive dance angle. To get the new music played without pr ...
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Notorious (Duran Duran Album)
''Notorious'' is the fourth studio album by English new wave band Duran Duran, released on 21 November 1986 by EMI Records. The album peaked at number 16 on the UK Albums Chart and at number 12 on the US ''Billboard'' 200. Produced by the band with Nile Rodgers, the album showcased a new 'funk-pop' musical direction for the band, emphasizing bass and brass, as exemplified by the singles " Notorious" and " Skin Trade". In 2010, EMI released a raft of material surrounding the ''Notorious'' reissue consisting of a two-disc set, a deluxe three-disc set, a digital only EP and a digital only live album. The box set also includes remixes, live tracks and the ''Working for the Skin Trade'' live video (for the first time on DVD). Background After their extensive 1984 world tour Duran Duran took a break and eventually split into two different side projects, Arcadia and the Power Station. When they reconvened in 1986 to record a new studio album with Nile Rodgers the band faced sever ...
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Live Aid
Live Aid was a multi-venue benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London, attended by about 72,000 people, and John F. Kennedy Stadium in Philadelphia, attended by 89,484 people. On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time; an estimated audience of 1.9 billion, in 150 nations, watched the live broadcast, nearly 40 percent of the world population. The impact of Live Aid ...
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