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Libera Me, WAB 21
' (Deliver me), WAB 21, is the first of two settings of the absoute '' Libera me'', composed by Anton Bruckner in . History Bruckner composed the motet during his stay in Kronstorf. The work was presumably performed at that time.U. Harten, pp. 253-254 The original manuscript is lost, but there are two good copies, one made by Max Auer (Kronstorf, 1903). The motet was first published in band I, pp. 243–248 of the Göllerich/Auer biography.C. van Zwol, pp. 700 It is put in Band XXI/3 of the '. Music The work is scored in F major for mixed choir and organ. In this youth work, two parts of the responsory are not included: the second "''Quando caeli movendi sunt et terra''" and the second "''Dum veneris iudicare saeculum per ignem''". Discography There are a few recordings of this first setting of ''Libera me'': * Joseph Pancik, Prager Kammerchor, ''Anton Bruckner: Motetten / Choral-Messe '' – CD: Orfeo C 327 951 A, 1993 - transcription ''a cappella'' with repeat o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werkverzeichnis Anton Bruckners
Anton Bruckner is best known for his symphonic works; there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (one overture, one march and three 'small orchestral pieces'), and sketched another symphony. Bruckner also composed a considerable amount of choral music. There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one ''Te Deum'' hymn and one ''Magnificat'' hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two '' Libera me'', one litany and two other motets), of which a few are in two or three versions, and two '' aequali'' for three trombones. In addition, Bruckner made sketches for two other masses and another requiem. Bruckner also composed 44 ''Weltliche Chorwerke'' (secular choral works), seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets By Anton Bruckner
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latvian Radio Choir
The Latvian Radio Choir (Latvijas Radio koris) is the professional chamber choir of Latvian Radio which was founded in 1940 by the Latvian conductor Teodors Kalnins. Following the musical direction by Edgars Račevskis (1963–1986) and Juris Kļaviņš (1987 – 1992). The choir has had two conductors ever since 1992 - musical director and principal conductor. The choir is currently of 24 singers under the leadership of Sigvards Kļava and Kaspars Putniņš. Selected discography *Paradisus vocis, 2018. Composer Andrejs Selickis conducted by Sigvards Kļava. *Sacred Love, 2014. Composers Yuri Falik, Arturs Maskats, Georgy Sviridov conducted by Sigvards Kļava. *Mythes étoilés, 2014. Composers Lasse Thorersen, György Ligeti, Mārtiņš Viļums, John Cage, Anders Hillborg, Toivo Tulev conducted by Sigvards Kļava, Kaspars Putniņš. *Adam's Lament (ECM), 2012. Composed by Arvo Pärt conducted by Tõnu Kaljuste. Winner of Grammy Award The Grammy Awards (stylized as GRAMMY), o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan-Olof Stenlund
Dan-Olof Bertil Stenlund (born 25 October 1937 in Skellefteå) is a Swedish university professor and choir conductor. Life and work Dan-Olof Stenlund, was born in 1937 in Skellefteå, the son of the cantor Bertil Stenlund and his wife Esther Vikström. He studied at the Royal Swedish Academy of Music in Stockholm, piano, organ, cello and vocals and graduated as a church musician, accompanist and music educator, followed by studies in conducting with Eric Ericson, Leonard Bernstein and Sergiu Celibidache. Stenlund took the position of professor of choral conducting at the Royal Danish Academy of Music in Copenhagen at the age of 36 years. He is also a teacher of choral conducting at the Music Academy in Malmö, and a member of the Royal Academy of Music. From 1961 to 1974 he was active as a church musician at Engelbrekt Church in Stockholm. As an internationally sought-after conductor and choirmaster taught Dan-Olof Stenlund at the State Academy of Music in Malmö and directs th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague Chamber Choir
The Prague Chamber Choir (''Pražský komorní sbor'') is a Czech choir founded in Prague in 1990 by singers of the Prague Philharmonic Choir. It has performed concerts in Australia, Brazil, Israel, Japan, Lebanon and many European countries (e.g. Wexford Festival Opera, Rossini Opera Festival The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to r ...). External links * Czech choirs Chamber choirs Musical groups established in 1990 1990 establishments in Czechoslovakia {{czechRepublic-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsory
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absoute
Absolution of the dead is a prayer for or a declaration of absolution of a dead person's sins that takes place at the person's religious funeral. Such prayers are found in the funeral rites of the Catholic Church, Anglicanism, and the Eastern Orthodox Church. Liturgists analysing the Roman Rite funeral texts have applied the term "absolution" (not "absolution of the dead") to the series of chants and prayers that follow Requiem Mass and precede the solemn removal of the body from the church for burial. They have not applied the same term (which does not appear in the official Latin-language liturgical books of the Catholic Church) to the chants and prayers preceding the Mass, in spite of the presence among them of the prayer: "Absolve, we beseech thee, O Lord, the soul of thy servant from every bond of sin, that he may live again among thy saints and elect in the glory of the resurrection." In the early 20th century, the French term ''absoute'' was sometimes used instead of "absol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantilly, Oise
Chantilly ( , ) is a commune in the Oise department in the Valley of the Nonette in the Hauts-de-France region of Northern France. Surrounded by Chantilly Forest, the town of 10,863 inhabitants (2017) falls within the metropolitan area of Paris. It lies 38.4 km (23.9 miles) north-northeast of the centre of Paris and together with six neighbouring communes forms an urban area of 37,254 inhabitants (2018). Intimately tied to the House of Montmorency in the 15th to 17th centuries, the Château de Chantilly was home to the Princes of Condé, cousins of the Kings of France, from the 17th to the 19th centuries. It now houses the Musée Condé. Chantilly is also known for its horse racing track, Chantilly Racecourse, where prestigious races are held for the Prix du Jockey Club and Prix de Diane. Chantilly and the surrounding communities are home to the largest racehorse-training community in France. Chantilly is also home to the Living Museum of the Horse, with stables built b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
