Lianhua Film Company
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Lianhua Film Company
The United Photoplay Service Company () was one of the three dominant production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of the Hong Kong-based Shaw Brothers Studio. Names The original name of the company was Lianhua Productions. It is also known by a large number of translated names, notably China Film Company, United China Film Company and United Photoplay Service. The full name of the limited company later on was called "Lianhua Film Production and Processing Company, Ltd." History Lianhua was formally registered in March 1930 in Hong Kong by Luo Mingyou (Law Ming-yau) and his partner, director Li Minwei (Lai Man-Wai). In order to resist the invasion of American films that dominated the box office in Shanghai and other cities, Luo realized he would have to produce films that were equally attractive artistically and equally rigorous in the business of production and distribu ...
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United Photoplay Service
The United Photoplay Service Company () was one of the three dominant production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of the Hong Kong-based Shaw Brothers Studio. Names The original name of the company was Lianhua Productions. It is also known by a large number of translated names, notably China Film Company, United China Film Company and United Photoplay Service. The full name of the limited company later on was called "Lianhua Film Production and Processing Company, Ltd." History Lianhua was formally registered in March 1930 in Hong Kong by Luo Mingyou (Law Ming-yau) and his partner, director Li Minwei (Lai Man-Wai). In order to resist the invasion of American films that dominated the box office in Shanghai and other cities, Luo realized he would have to produce films that were equally attractive artistically and equally rigorous in the business of production and distribu ...
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China Sun Motion Picture Company
Minxin Film Company (), also known as China Sun Motion Picture Company Ltd. (1923–1930) was one of the earliest movie studios in the history of Chinese cinema and Hong Kong cinema. History Established in 1922 in Hong Kong by director and actor Lai Man-wai, the so-called "Father of Hong Kong Cinema," with his brother Lai Pak-Hoi. China Sun moved to Shanghai in 1926 after economic turmoil in Hong Kong made production there near impossible. By the end of the 1920s, however, the company was in dire financial straits, as it struggled to compete with the much larger Mingxing Film Company as well as other studios, such as the Shaw brothers' Tianyi Film Company. It was ultimately saved by Lai's old friend Luo Mingyou, who suggested a pooling of resources to create a new company - the famous Lianhua Studios. Thus, in 1930, China Sun Motion Picture Company was absorbed into the newly formed Lianhua. By 1936, however, Lai split off from the now declining Lianhua in control of Lianhua's ...
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Sun Yu (director)
Sun Yu (March 21, 1900 – July 11, 1990) was a major leftist film director active in the 1930s in Shanghai. One of the core directors of the Lianhua Film Company, Sun Yu made a name for himself with a series of socially conscious dramas in the early to mid-1930s. After the Japanese invasion of China in 1937, Sun Yu made his way to the interior, where he continued to make films glorifying the war effort against the Japanese. His career took a turn for the worse after the Communist victory in 1949. In ''The Life of Wu Xun'', Sun Yu's big-budget biographical picture of the titular Qing Dynasty educator, Sun attracted the wrath of Mao Zedong, who personally criticized the film in an essay. Though Sun never fully recovered from the episode, he has regained his reputation as one of the foremost filmmakers of the golden age of Chinese cinema. Besides his work in cinematography, Sun Yu is known as a poet and translator, with two translations of Li Po's poems appearing in ''Poetry'' mag ...
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Wild Rose (1932 Film)
__NOTOC__ Wild rose is the common name of certain flowering shrubs: *Any wild members of the Genus ''Rosa'' (see List of ''Rosa'' species), or, more especially: ** '' Rosa acicularis'', "wild rose", a rose species which occurs in Asia, Europe, and North America ** ''Rosa arkansana'', "wild prairie rose", a rose species native to a large area of central North America ** '' Rosa canina'', "wild rose" or "dog rose", a climbing rose species native to Europe, northwest Africa and western Asia ** ''Rosa virginiana'', "Virginia rose", a rose species native to North America **''Rosa woodsii'', "wild rose" of the sagebrush steppe in the Great Basin of North America *Genus ''Diplolaena'': **''Diplolaena grandiflora'', an Australian flowering shrub Wild Rose or Wildrose may also refer to: Places ;Canada * Wild Rose, Edmonton, neighbourhood in Edmonton, Alberta * Wild Rose (electoral district) * Wild Rose, Saskatchewan ;Wildrose, North Dakota * Wild Rose, Wisconsin, village * Wild Rose, Richla ...
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Bu Wancang
Bu Wancang (July 1, 1900 – December 30, 1973), also known by his English name Richard Poh, was a prolific Chinese film director and screenwriter active between the 1920s and the 1960s. He was born in Anhui. Career Originally a member of the Shanghai cinema scene, Bu worked for several studios before becoming a major director for the Mingxing Film Company. By 1931, Bu moved to Mingxing's rival, Lianhua, where he directed such films as '' Love and Duty'' (1931) and ''The Peach Girl'' (1931) (both with actress Ruan Lingyu). As the war with Japan intensified Bu made several films with subtle patriotic themes, most notably 1939's '' Mulan Joins the Army''. Once Japanese control over Shanghai was complete, however, Bu was eventually forced to make several propaganda films for the occupiers, notably ''Eternity Eternity, in common parlance, means infinite time that never ends or the quality, condition, or fact of being everlasting or eternal. Classical philosophy, however, ...
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Love And Duty (1931 Film)
''Love and Duty'' is a 1931 Chinese silent film, directed by Bu Wancang and starring Ruan Lingyu and Jin Yan. Long considered lost, it was accidentally rediscovered in Uruguay in the 1990s, and almost immediately hailed as one of the greatest Chinese silent films. Like many Chinese silent films, it features both Chinese and English intertitles. Ruan Lingyu portrays two different characters, and the split screen technology is used for scenes where both characters appear. Production history Based on a novel by Polish expatriate S. Rosen-hoa ("Ho Ro-se"), who had married a Chinese engineer, ''Love and Duty'' became one of the first films produced by the leftist Lianhua Film Company. The film was very popular for its day, in no small part due to the pairing of Ruan, who was already a darling of the Shanghai film industry, and Jin Yan, a Korean-born actor who was one of the major leading men in early Chinese cinema. Plot The film tells the story of Yang Naifan (Ruan Lingyu) who runs ...
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Crows And Sparrows
''Crows and Sparrows'' () is a 1949 Chinese film made by the left-leaning Kunlun Studios on the eve of the Communist victory, directed by Zheng Junli and scripted by Chen Baichen. Notable for its extremely critical view of corrupt Nationalist bureaucrats, the film was made as Chiang Kai-shek's Nanjing-based government was on the verge of collapse, and was not actually finished and released until after the Chinese Civil War had ended. The film takes place in Shanghai, and it revolves around a group of tenants struggling to prevent themselves from being thrown out onto the street due to a corrupt party official's attempts to sell their apartment building. The film was the winner of the 1957 Huabiao Film Awards for the “Outstanding Film” category, and starred Zhao Dan, Sun Daolin, Wu Yin and Shangguan Yunzhu in leading roles. __TOC__ Plot In the winter of 1948, the Kuomintang of China (KMT) is losing in the Huai Hai Campaign with Chinese Communist Party (CCP) during the Civil Wa ...
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The Spring River Flows East
''The Spring River Flows East'', also translated as ''The Tears of Yangtze'', is a 1947 epic Chinese film written and directed by Cai Chusheng and Zheng Junli and produced by the Kunlun Film Company. It is considered one of the most influential and extraordinary Chinese films ever made, and China's equivalent of ''Gone with the Wind''. With both films based on the story of war and chaos, they contain an epic style considered classics in the film history of both China and the United States. The Hong Kong Film Awards ranked it in its list of greatest Chinese-language films ever made at number 27. It ran continuously in theatres for three months and attracted 712,874 viewers during the period, setting a record in post World War II China. The film features two of the biggest stars of the time: Bai Yang and Shangguan Yunzhu. The film is over three hours long and consists of two parts, ''Eight War-Torn Years'' (八年離亂) and ''Before and after the Dawn'' (天亮前後), released in s ...
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Kunlun Film Company
The Kunlun Mountains ( zh, s=昆仑山, t=崑崙山, p=Kūnlún Shān, ; ug, كۇئېنلۇن تاغ تىزمىسى / قۇرۇم تاغ تىزمىسى ) constitute one of the longest mountain chains in Asia, extending for more than . In the broadest sense, the chain forms the northern edge of the Tibetan Plateau south of the Tarim Basin. The exact definition of Kunlun Mountains varies over time. Older sources used Kunlun to mean the mountain belt that runs across the center of China, that is, Altyn Tagh along with the Qilian and Qin Mountains. Recent sources have the Kunlun range forming most of the south side of the Tarim Basin and then continuing east, south of the Altyn Tagh. Sima Qian ('' Records of the Grand Historian'', scroll 123) says that Emperor Wu of Han sent men to find the source of the Yellow River and gave the name Kunlun to the mountains at its source. The name seems to have originated as a semi-mythical location in the classical Chinese text '' Classic ...
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Cai Chusheng
Cai Chusheng (January 12, 1906 – July 15, 1968) was a Cinema of China, Chinese film director of the pre-Communist era, and was the first Chinese director to win an international film award at the Moscow International Film Festival. Best known for his progressive output in the 1930s, Cai Chusheng was later severely persecuted and died during the Cultural Revolution. His ashes are kept at the Babaoshan Revolutionary Cemetery in Beijing. Biography Early career Cai was born in Shanghai to Cantonese people, Cantonese parents, but raised in Chaoyang District, Shantou, Chaoyang, Guangdong. He only had four years of formal education, and was home-schooled after he had spoken up for his class about the misbehavior of a teacher. While home-schooled, he studied Confucianism and practiced calligraphy and painting.Pickowicz, p. 371 Cai Chusheng initially worked in low-level positions in several small studios during the 1920s, before eventually joining Mingxing Film Company as a director ...
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Xinhua Film Company
The Xinhua or New China Film Company (), was one of the film studios to capitalize on the popularity of the leftist film movement in 1930s Shanghai, that had begun with the Mingxing and Lianhua studios. It is not related to the modern-day Xinhua News Agency. The production company lasted from 1934 until 1942, when it was absorbed into a Japanese-controlled conglomerate, Zhonglian. Business history Xinhua was founded and controlled by Shankun Zhang(张善琨), who had previously worked in the Peking opera scene. By 1934, Zhang had made enough money to create his own movie studio named "Xinhua" or "New China."Fu, p. 5 Zhang proved to be an excellent promoter, and within three years, Xinhua had transformed from a minor newcomer to a major industry player. After the Battle of Shanghai in 1937, Xinhua remained the only major production company still active in what became known as the "Solitary Island (zh)" period of Chinese film (in that the foreign concessions of Shanghai were an "i ...
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Second Sino-Japanese War
The Second Sino-Japanese War (1937–1945) or War of Resistance (Chinese term) was a military conflict that was primarily waged between the Republic of China and the Empire of Japan. The war made up the Chinese theater of the wider Pacific Theater of the Second World War. The beginning of the war is conventionally dated to the Marco Polo Bridge Incident on 7 July 1937, when a dispute between Japanese and Chinese troops in Peking escalated into a full-scale invasion. Some Chinese historians believe that the Japanese invasion of Manchuria on 18 September 1931 marks the start of the war. This full-scale war between the Chinese and the Empire of Japan is often regarded as the beginning of World War II in Asia. China fought Japan with aid from Nazi Germany, the Soviet Union, United Kingdom and the United States. After the Japanese attacks on Malaya and Pearl Harbor in 1941, the war merged with other conflicts which are generally categorized under those conflicts of World War II a ...
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