Let The Four Winds Blow (Fats Domino Song)
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Let The Four Winds Blow (Fats Domino Song)
This is a list of recordings by American rhythm and blues and rock 'n' roll performer and songwriter Fats Domino. Studio recordings Over 350 studio recordings by Fats Domino have been released in total. Some of them were the same recordings, but released under different titles, while some other recordings had the same title, but were in fact completely different songs. Certain songs have been recorded at different sessions, often in significantly different style, and are identified as different versions. Recording sessions Fats Domino: vocals and piano, unless instrumentals (piano only), marked by ''(instr.)'' after title and otherwise stated. Imperial Fats Domino was signed to the Imperial Records label in 1949 and left it in early 1963, when the label was sold to Liberty Records. However, dozens of his recordings for Imperial have been overdubbed with female vocal chorus from May to July 1963 and next released by Liberty. Complete Imperial recordings have been released i ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ...
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My Blue Heaven (song)
"My Blue Heaven" is a popular song written by Walter Donaldson with lyrics by George A. Whiting. The song was used in the Ziegfeld Follies of 1927. It has become part of various fake book collections. In 1928, "My Blue Heaven" became a huge hit on Victor 20964-A for crooner Gene Austin, accompanied by the Victor Orchestra as directed by Nat Shilkret. It charted for 26 weeks, stayed at number one for 13, and sold over five million copies worldwide. Victor 20964-A was recorded on September 14, 1927 and was inducted into the Grammy Hall of Fame in 1978. The recording was reissued as Victor 24573 and has been reissued on several commercially available CDs.Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005, pp 75, 237, 257, 265 and 272. Background The music for "My Blue Heaven" was written in 1924: "Donaldson wrote it one afternoon at the Friars Club in New York while wai ...
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Allen Toussaint
Allen Richard Toussaint (; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures".Richard Williams"Allen Toussaint obituary" ''The Guardian'', November 11, 2015. Retrieved November 15, 2015. Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings, among the best known of which are " Right Place, Wrong Time", by his longtime friend Dr. John, and "Lady Marmalade" by Labelle. Biography Early life and career The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His ...
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Paul Gayten
Paul Leon Gayten (January 29, 1920 – March 26, 1991) was an American R&B pianist, songwriter, producer, and record company executive. Career Gayten was born in Kentwood, Louisiana, the nephew of blues pianist Little Brother Montgomery. In his teens, he played piano in local bands while also setting up his group, Paul Gayten's Sizzling Six, which featured future bebop saxophonist Teddy Edwards. During the war, he led a band at the Army base in Biloxi, Mississippi. He then moved to New Orleans and, with a new trio, established a residency at the Club Robin Hood. In 1947 the trio recorded two of the first New Orleans hits of the R&B era, "True (You Don't Love Me)", and "Since I Fell for You", the latter featuring singer Annie Laurie. Both made the top ten in the US '' Billboard'' R&B chart. Gayten also backed singer Chubby Newsom on her hit single "Hip Shakin' Mama". In 1949, Gayten expanded his combo into a nine-piece orchestra and moved to Regal Records. There, Gayten wr ...
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Ann Cole
Ann Cole (born Cynthia Coleman; January 24 or 29, 1934 – November 1986) was an American R&B and gospel singer who has been described as "a genuinely great soul singer who had the misfortune to be too far ahead of her time". She had several minor hits in the late 1950s and early 1960s, but is now most noted as the original performer of "Got My Mojo Working", later popularised by Muddy Waters. Life and career She was born in Newark, New Jersey; her father Wallace and her uncles were members of a spiritual vocal group, the Coleman Brothers. In 1949, she formed her own singing group, the Colemanaires, with Joe Walker, Sam Walker, and Wesley Johnson. They toured throughout the US, with Cynthia as lead singer, and released several gospel records in 1953–54 on the Timely and Apollo labels. She released her first secular recordings on the Timely label in 1954, using the pseudonym "Ann Cole", and performed as a singer and pianist in bars around New York City and New Jersey. There, ...
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Plas Johnson
Plas John Johnson Jr. (born July 21, 1931) is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s "The Pink Panther Theme". He also performs on alto and baritone sax as well as various flutes and clarinets. Biography Born in Donaldsonville, Louisiana, United States, he sang with his family's group until his saxophonist father bought him a soprano saxophone. Largely self-taught, he soon began playing alto saxophone, alto and later tenor saxophone. He and his pianist brother Ray first recorded as the Johnson Brothers in New Orleans in the late 1940s, and Plas first toured with R&B singer Charles Brown (musician), Charles Brown in 1951. After army service, he and his brother moved to Los Angeles in 1954,
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Howard Roberts
Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician. Early years Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 - a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “...has his own style of playing and there's nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in "The Independent Newsletter" by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player.Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall ...
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Ramey Idriss
Ramey Idriss (September 11, 1911 – February 5, 1971), born Ramez Idriss, was an American songwriter, author, composer and musician, educated at Los Angeles Community College. Career Idriss was a musician in dance orchestras on radio and recordings and in films, and also wrote television scripts and special material for the Ritz Brothers, Eddie Cantor, Jimmy Durante and Marion Hutton. Joining ASCAP in 1947, his most popular song composition was the Oscar-nominated "The Woody Woodpecker Song", as featured in the film ''Wet Blanket Policy'' in 1948. Other compositions included "Worry Worry Worry", "The Old Chaperone", "Take a Letter Miss Smith", "I'll Wait", "Leave It to Joan" and "Something Old Something New." George Tibbles who co-wrote "The Woody Woodpecker Song" with him, remained friends for the next 23 years until Idriss' death. Tibbles was a TV producer and eventual head writer of the television series, ''My Three Sons ''My Three Sons'' is an American television ...
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Jimmie Haskell
Jimmie Haskell (born Sheridan Pearlman, November 7, 1926 – February 4, 2016) was an American composer and arranger for motion pictures and a wide variety of popular artists, including Elvis Presley, Neil Diamond, Crosby, Stills & Nash, Steely Dan, Billy Joel, and the Everly Brothers. His career spanned over six decades. Biography Haskell was born in Brooklyn, New York. He entered the music business in the 1950s doing arrangements for Imperial Records. His first professional arrangement was a chart of "Nature Boy", sold to Lionel Hampton. He became the arranger of choice for Ricky Nelson, arranging and producing around 75 records for the artist, including such hits as " There's Nothing I Can Say" and "Hello Mary Lou". In 1960, he accompanied Elvis Presley on accordion on the "G.I. Blues" soundtrack. Almost four decades later he provided arrangements on Sheryl Crow's album ''The Globe Sessions''. In 1960, Haskell entered the motion picture soundtrack industry as an uncredited or ...
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As Time Goes By (song)
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 Warner Bros. film ''Casablanca'', performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film (only surpassed by " Over the Rainbow" by Judy Garland). The song has since become the signature tune of Warner Bros. and used as such in the production logos at the beginning of many Warner Bros. films since January 16, 1998 with ''Fallen'' as part of the 75th-anniversary opening montage before the feature presentation trailers for the movie theatre chains and the main on-screen logo since February 12, 1999 with ''Message in a Bottle'', as well as the closing logos to most Warner Bros. Television Studios shows since fall 2003 with ''Two and a Half Men'', and preexisting shows also switching over from a previous theme that had been used since 1994. The song was covered by Jimmy Durante, L ...
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Waldren Joseph
Waldren "Frog" Joseph (September 12, 1918 – September 19, 2004) was an American jazz trombone player from New Orleans, Louisiana. Career Joseph played in a variety of styles over his career but was best known as a performer of traditional New Orleans jazz, a style carried by Preservation Hall ensembles. His first job as a teenager was playing piano, double bass, and trombone on an excursion boat on Lake Pontchartrain, and he went on to tour with a range of musicians including Joe Robichaux, Sidney Desvigne, and Lee Allen. Joseph also recorded with R&B artists such as Big Joe Turner, Earl King, Smiley Lewis, and Dave Bartholomew. In the traditional vein, he recorded and toured with New Orleans bandleaders like Paul Barbarin, Louis Cottrell, Jr., and Papa French. Late in his life he was a member of the Original Camelia Band led by trumpeter Clive Wilson Euclid Aklana Wilson (born 13 November 1961) is an English former professional footballer who played in mid ...
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My Happiness (1948 Song)
"My Happiness" is a pop music standard which was initially made famous in the mid-twentieth century. An unpublished version of the melody with different lyrics was written by Borney Bergantine in 1933 in music, 1933. The most famous version of the song, with lyrics by Betty Peterson Blasco, was published for the first time in 1948 in music, 1948. The first known recording of this version was in December 1947 by the Marlin Sisters but the song first became a hit in May 1948 as recorded by Jon and Sondra Steele (Damon Records, Damon 11133) (number three) with rival versions by the Pied Pipers (Capitol Records, Capitol 1628/15094)1 and an A cappella version by Ella Fitzgerald (Decca Records, Decca 24446) entering the charts that June reaching respectively numbers four and eight with the Marlin Sisters version (Columbia Records, Columbia 38217) finally charting with a number 24 peak that July. A version by John Laurenz (Mercury Records, Mercury catalog number 5144, with the flip sid ...
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