Let's Dance (Benny Goodman Song)
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Let's Dance (Benny Goodman Song)
"Let's Dance" is a jazz standard, an instrumental, used by Benny Goodman as his opening theme for over 50 years. Background "Let's Dance" was adapted from the piece '' Invitation to the Dance'' by Carl Maria von Weber, and given the name of the radio program Benny Goodman performed on from 1934-1935, '' Let's Dance''. Goodman used "Let's Dance" as an opening for almost all of his performances, eventually becoming his official theme song. The song was composed by Gregory Stone and Joseph Bonime, with lyrics written by Fanny May Baldridge. Goodman never recorded the theme with the lyrics, although The Modernaires recorded it in a tribute to him in 1954. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... References 1935 songs 1930s ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ...
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Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstrong ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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Invitation To The Dance (Weber)
''Invitation to the Dance'' (''Aufforderung zum Tanz''), Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz. It is sometimes called ''Invitation to the Waltz'', but this is a mistranslation of the original. Background Weber dedicated ''Invitation to the Dance'' to his wife Caroline (they had been married only a few months). He labelled the work "rondeau brillante", and he wrote it while also writing his opera ''Der Freischütz''. It was the first concert waltz to be written: that is, the first work in waltz form meant for listening rather than for dancing. John Warrack calls it "the first and still perhaps the most brilliant and poetic example of the Romantic concert waltz, creating within its little programmatic framework a tone poem that is also an apotheosis of the waltz in a manner that was to remain fruitful at least until Ravel's choreographic poem, '' La valse''…". It ...
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Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ...
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Let's Dance (radio)
''Let's Dance'' was a Saturday night radio music program broadcast by NBC in the mid-1930s. Sponsored by the National Biscuit Company (initially to promote their new Ritz Crackers), it aired for three full hours, starting at 10:30pm on the East Coast. This late-night timeslot gave the program a much larger audience on the West Coast when heard earlier in the evening. ''Let's Dance'' was a five-hour broadcast from New York, yet calculated so that all time zones heard three hours of music. The East Coast and Central Time zones got only the first three hours. Mountain Time zone listeners tuned into the second, third and fourth hours. Hours three, four and five were heard on the West Coast. The series premiered December 1, 1934, showcasing three different regular bands. The mellow music of Kel Murray (a pseudonym for Murray Kellner) and the Latin rhythms of Xavier Cugat made Benny Goodman's group stand out as "downright thrilling," according to George Simon. It was a turning point for ...
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The Modernaires
The Modernaires was an American vocal group, best known for performing in the 1940s alongside Glenn Miller. Career The Modernaires began in 1934 as "Don Juan, Two and Three," a trio of schoolmates from Lafayette High School in Buffalo, New York. The members were Hal Dickinson, Chuck Goldstein, and Bill Conway. (Jay Warner, in his book ''American Singing Groups: A History from 1940s to Today'', wrote, "They called themselves Three Weary Willies". He added that the trio performed as Don Juan and Two and Three when they "headed for New York in the mid-'30s".) After singing on radio station WGR in Buffalo, New York, for "the enormous sum of $10 a month", the trio went to New York City and gained an engagement of 26 weeks on CBS network radio. The group's first engagement was at Buffalo's suburban Glen Falls Casino, with the Ted Fio Rito Orchestra. Fio Rito also used them on electrical transcription recordings. They then joined the Ozzie Nelson Band, and became known as "The Thr ...
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List Of 1930s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were already well known standards by the 1940s, while others were popularized later. Where appropriate, the years when the most influential recordings of a song were made are indicated in the list. Broadway theatre contributed some of the most popular standards of the 1930s, including George and Ira Gershwin's " Summertime" (1935), Richard Rodgers and Lorenz Hart's "My Funny Valentine" (1937) and Jerome Kern and Oscar Hammerstein II's "All the Things You Are" (1939). These songs still rank among the most recorded standards. Johnny Green's " Body and Soul" was used in a Broadway show and became a hit after Coleman Hawkins's 1939 recording. It is the most recorded jazz ...
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1935 Songs
Events January * January 7 – Italian premier Benito Mussolini and French Foreign Minister Pierre Laval conclude an agreement, in which each power agrees not to oppose the other's colonial claims. * January 12 – Amelia Earhart becomes the first person to successfully complete a solo flight from Hawaii to California, a distance of 2,408 miles. * January 13 – A plebiscite in the Territory of the Saar Basin shows that 90.3% of those voting wish to join Germany. * January 24 – The first canned beer is sold in Richmond, Virginia, United States, by Gottfried Krueger Brewing Company. February * February 6 – Parker Brothers begins selling the board game Monopoly in the United States. * February 13 – Richard Hauptmann is convicted and sentenced to death for the kidnapping and murder of Charles Lindbergh Jr. in the United States. * February 15 – The discovery and clinical development of Prontosil, the first broadly effective antibiotic, is published in ...
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1930s Jazz Standards
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ...
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