Let's All Go To Mary's House
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Let's All Go To Mary's House
''Let's All Go to Mary's House'' is a 1925 popular song written by Con Conrad & Leo Wood which was recorded in the UK by the Savoy Orpheans and by Jay Whidden and His New Midnight Follies Orchestra. It's a jazz dance song which exhibits the standard style of that time, and includes a reference to the Charleston which was less than a year old at this song's publication. The arrangements of the recordings mentioned uses the syncopation and popular orchestration typical of the time. It often appears on compilations of 1920s-era music as any internet search will reveal. A cover version was released on the 2007 album '' Pour l'Amour des Chiens'' by the Bonzo Dog Doo-Dah Band. See also *Jazz *1925 in music This is a list of notable events in music that took place in the year 1925. Specific locations * 1925 in British music * 1925 in Norwegian music Specific genres * 1925 in country music *1925 in jazz Events * January 1 – First day of radio ... 1925 songs Jazz son ...
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Con Conrad
Con Conrad (born Conrad K. Dober, June 18, 1891 – September 28, 1938) was an American songwriter and producer. Biography Conrad was born in Manhattan, New York, and published his first song, "Down in Dear Old New Orleans", in 1912. Conrad produced the Broadway show ''The Honeymoon Express'', starring Al Jolson, in 1913. By 1918, Conrad was writing and publishing with Henry Waterson (1873–1933). He co-composed "Margie" in 1920 with J. Russel Robinson and lyricist Benny Davis, which became his first major hit. He went on to compose hits that became standards, including: * " Palesteena" with co-composer and co-lyricist J. Russel Robinson (1920) * "Singin' the Blues" with co-composer J. Russel Robinson and lyricists Sam M. Lewis and Joe Young (1920) * "You've Got to See Mama Ev'ry Night" with co-composer and co-lyricist Billy Rose (1923) * "Come on Spark Plug" with co-composer and co-lyricist Billy Rose (1923) * "Barney Google" with co-composer and co-lyricist Billy Rose ( ...
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Leo Wood
Leo Wood ''(aka'' Jack Wood; ''né'' Leopold Wood Lantheaume; 2 September 1882 – 2 August 1929) was an American songwriter and lyricist. Career Leo Wood was born in San Francisco to Louis Ferdinand Lantheaume and Hannah Marcuse Wood ''(maiden).'' He was known professionally as Leo Wood and Jack Wood. Wood is best remembered as the songwriter of the 1920s hit "Somebody Stole My Gal". He wrote lyrics for many of the top songwriters of the day, including Theodore F. Morse. Other popular songs written by Wood include the Paul Whiteman jazz standard "Wang Wang Blues", "Runnin' Wild (1922 song), Runnin' Wild", and "Play that 'Song of India' Again", a number-one hit for five weeks for Whiteman in 1921. He also wrote "Mean Old Bed Bug Blues," under the ''pseudonym'' Jack Wood. Leo Wood died at home in Teaneck, New Jersey, August 2, 1929. Audio samples "Mean Old Bed Bud Blues;"Bessie Smith (vocals); Porter Grainger (piano); Lincoln M. Conaway (Sterling Conaway, Sterling's brother) ( ...
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Savoy Orpheans
The Savoy Orpheans is a British dance band currently led by Alex Mendham. They were resident at the Savoy Hotel, London. The band was formed by Debroy Somers, an ex-army bandmaster, in 1923. Both the Orpheans and the Savoy Havana Band were under the management of William de Mornys. The Orpheans were later led by the violinist Cyril Ramon Newton, and by the pianist Carroll Gibbons.Rust, Brian, "The Savoy Orpheans at the Savoy Hotel, London": sleeve notes to disc 1 of World Record Club LP set SH165/6, issued 1971 On 15 June 1925, Somers conducted the Orpheans in the first British performance of George Gershwin's ''Rhapsody in Blue'', alongside the Savoy Havana Band and Gershwin himself on piano. The performance was broadcast live by the BBC. When de Morny's contractual arrangement with the Savoy Hotel company ended on 31 December 1927, the Orpheans disbanded. In early December 1927 there were newspaper reports of the Hotel management denying the rumour that the Savoy Orpheans, Sa ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Charleston (dance)
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show '' Runnin' Wild'' and became one of the most popular hits of the decade. ''Runnin' Wild'' ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927. Origins While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in ''Runnin' Wild'' were probably newly devised for popular appeal. "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way. his could well be the Jay-Bird.When the dance hit Harlem, a new version was added. It became a fast kicking step, kicking the feet, both forwar ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ...
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Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ...
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Pour L'Amour Des Chiens
''Pour l'Amour Des Chiens'' ( French: ''For the Love of Dogs'') is the first all new studio album by the Bonzo Dog Doo-Dah Band in 35 years, and their sixth album overall. It was released on 12 December 2007, produced by Mickey Simmonds and Neil Innes, by Storming Music Company. The album was performed by original group members Neil Innes, Roger Ruskin Spear, Rodney Slater, 'Legs' Larry Smith, Vernon Dudley Bowhay-Nowell, Martin 'Sam Spoons' Ash, and Bob Kerr, with New Millennium Bonzos Adrian Edmondson, Stephen Fry, and Phill Jupitus. Also credited are Mickey Simmonds (musical director), David Catlin-Birch (guitar and vocals), Johnny Marter (drums and percussion) and Steve Barnacle (bass and jazz guitar). Track listing — CD+DVD Edition Disc 1 (CD) # "Pour l'Amour Des Chiens" (Innes) # " Let's All Go to Mary's House" (Arranged by The Bonzo Dog Doo-Dah Band) # "Hawkeye the Gnu" (Arranged by Slater, Innes) # "Making Faces at the Man in the Moon" (Rich, Smith, Hoffman) ...
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Bonzo Dog Doo-Dah Band
The Bonzo Dog Doo-Dah Band (also known as The Bonzo Dog Band or The Bonzos) was created by a group of British art-school students in the 1960s. Combining elements of music hall, trad jazz and psychedelia with surreal humour and avant-garde art, the Bonzos came to public attention through a 1968 ITV comedy show, ''Do Not Adjust Your Set.'' History Formation and early years (1962–1966) The Bonzo Dog Doo-Dah Band was officially formed on 25 September 1962, at 164c Rosendale Road, West Dulwich, when Vivian Stanshall (lead vocals, tuba and other wind instruments) and fellow art student Rodney Slater (saxophone/clarinet) bonded over the late-night transatlantic broadcast of a boxing match between Floyd Patterson and Sonny Liston, after being introduced by Slater's flatmate Tom Parkinson. At the time, Slater was already playing in a traditional jazz band at college with Parkinson on sousaphone, and Chris Jennings on trombone. Trumpeter Roger ('Happy' Wally) Wilkes and banjo-player ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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1925 In Music
This is a list of notable events in music that took place in the year 1925. Specific locations * 1925 in British music * 1925 in Norwegian music Specific genres * 1925 in country music * 1925 in jazz Events * January 1 – First day of radio broadcasting in Sweden: Gaston Borch conducts the Skandia Cinema Orchestra in the country's first broadcast of orchestral music. * February 25 – Art Gillham (The Whispering Pianist) records the first electrical recordings to be released for Columbia using the Western Electric system (Master 140125-7 issued on Columbia 328-D). * February 26 – Eight Popular Victor Artists record "A Miniature Concert," the first ''recorded'' (cf March 16 entry below) electrical recording by the Victor Talking Machine; the artists are Billy Murray, Frank Banta, Henry Burr, Albert Campbell, Frank Croxton, John Meyer, Monroe Silver, and Rudy Wiedoeft.Victor Recording Book log, pp. 4761A, 4783, 4791. * March 1 – Edgard Varèse's '' Intégrales'' is premier ...
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1925 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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