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Les Raboteurs De Parquet
''Les raboteurs de parquet'' (English title: ''The Floor Scrapers'') is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures . It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed. Composition Caillebotte's originality lays in his attempt to combine the careful drawing, modeling and exact tonal values encouraged by the Académie with vivid colors, bold perspectives, keen sense of natural light and modern subject matter of the Impressionist movement. Painted in 1875, this work illustrates Caillebotte's continued interest in perspective and everyday life. In the scene, the observer stands above three workers on hands and knees, scraping a wooden floor in a bourgeois apartment—now believed to be Caillebot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Caillebotte
Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form. Early life Gustave Caillebotte was born on 19 August 1848 to an upper-class Parisian family living in the rue du Faubourg-Saint-Denis. His father, Martial Caillebotte (1799–1874), was the inheritor of the family's military textile business and was also a judge at the Tribunal de commerce de la Seine. Caillebotte's father was twice widowed before marrying Caillebotte's mother, Céleste Daufresne (1819–1878), who had two more sons after Gustave: René (1851–1876) and Martial (1853–1910). Caillebotte was born at home on rue du Faubourg-Saint-Denis in Paris and lived there until 1866, when his father had a home built on 77 rue de Miromesnil. Beginning in 1860, the Caillebotte family began regul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Burty
Philippe Burty (6 February 1830 – 3 June 1890) was a French art critic. He contributed to the popularization of Japonism and the etching revival, supported the Impressionists, and published the letters of Eugène Delacroix. Burty was born in Paris in 1830. He was best known for his art criticism, and was also an informed art collector, artist, and lithographer. He contributed to the art magazine ''Gazette des Beaux-Arts'' since its foundation in 1859, in which he chronicled the arts and other curiosities and shared his tastes in prints and etchings. Burty coined the term "Japonism" in 1872 to describe the vogue in Japanese art then current in Europe. Burty died in Astaffort in Lot-et-Garonne in 1890. He was the grandfather of the photographer Paul Haviland Paul Burty Haviland (17 June 1880 – 21 December 1950) was a French-American photographer, writer and arts critic who was closely associated with Alfred Stieglitz and the Photo-Secession. Biography Haviland was bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manet
A wireless ad hoc network (WANET) or mobile ad hoc network (MANET) is a decentralized type of wireless network. The network is ad hoc because it does not rely on a pre-existing infrastructure, such as routers in wired networks or access points in wireless networks. Instead, each node participates in routing by forwarding data for other nodes, so the determination of which nodes forward data is made dynamically on the basis of network connectivity and the routing algorithm in use. In the Windows operating system, ad hoc is a communication mode (setting) that allows computers to directly communicate with each other without a router. Wireless mobile ad hoc networks are self-configuring, dynamic networks in which nodes are free to move. Such wireless networks lack the complexities of infrastructure setup and administration, enabling devices to create and join networks "on the fly". Each device in a MANET is free to move independently in any direction, and will therefore change it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Chaumelin
Jean Marie Chaumelin known as Marius Chaumelin (born 15 April 1833 in Paray-le-Monial, died 20 October 1889 in Paris) was a French art critic, journalist and writer. He was director of customs for Caen (1881) and then in Paris (1884). He was knighted in the Légion d'honneur The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon ... on December 20, 1884. References 1833 births 1889 deaths French art critics Recipients of the Legion of Honour 19th-century French journalists People from Paray-le-Monial {{France-journalist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depictions Of Nudity
Depictions of nudity include all of the representations or portrayals of the unclothed human body in visual media. In a picture-making civilization, pictorial conventions continually reaffirm what is natural in human appearance, which is part of socialization. In Western societies, the contexts for depictions of nudity include information, art and pornography. Information includes both science and education. Any ambiguous image not easily fitting into one of these categories may be misinterpreted, leading to disputes. The most contentious disputes are between fine art and erotic images, which define the legal distinction of which images are permitted or prohibited. Definitions A depiction is defined as any lifelike image, ranging from precise representations to verbal descriptions. Portrayal is a synonym of depiction, but includes playing a role on stage as one form of representation. Nudity in art Nudity in art – painting, sculpture and more recently photography – has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Énault
Louis Énault (1824 - 28 March 1900) was a French journalist, novelist and translator. He sometimes used the pseudonym Louis de Vernon. Life Born in Isigny-sur-Mer, he trained as a lawyer in Paris and then, thanks to his links with the right-wing Legitimists, was arrested after the French Revolution of 1848. After his release he traveled in northern Europe and the Mediterranean, visiting Liguria in 1850 and giving a long description of Genoa's historic city centre in his travel journal ''Brève vision hivernale d'un voyageur normand''. On his return to France in 1851, he was made a doctor of letters at Caen University after writing a thesis on Aeschylus. Énault became a prominent man of letters, publishing fiction, nonfiction, and translations. He collaborated with Gustave Doré to produce an illustrated 1876 work on the industrial revolution in London, widely admired for the realism of its over 170 woodcuts and for its text, comparing London's architecture with the neoclassical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined ''J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his father die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Man At His Window
''Young Man at His Window'' (French: ''Jeune homme à sa fenêtre'') is a painting of 1876 by the French Impressionist Gustave Caillebotte (1848–1894). The oil on canvas painting measures . It is in the collection of the J. Paul Getty Museum in Los Angeles. Description The painting depicts the artist's brother, René Caillebotte, wearing informal clothes and standing at a balcony. He is standing at a window from the family home in the Rue de Miromesnil in Paris, looking outwards into Boulevard Malesherbes (the large, oblique cross-street in the background). It is a comparatively early work in Caillebotte's oeuvre and reveals his interest in urban Realism. In its theme of a figure seen from behind at an open window, the composition has precedents in German Romanticism, a notable example being Caspar David Friedrich's '' Woman at the Window'' (1822). Other examples include '' Goethe at the Window'' (1787) by Johann Heinrich Tischbein and ''The Morning Hour'' (1857–60) by M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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