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Les Petits Riens
''Les petits riens'' (French for "The Little Nothings") is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, first performed at the Academie Royale de Musique in Paris on 11 June 1778. The three tableaux are described in the ''Journal de Paris'': # ''l' Amour pris au filet et mis en cage''. "Love caught in a net and put in a cage", performed by Mme Guimard, Auguste Vestris and a young child. # ''Jeu de Colin-Maillard''. The story of Jean Colin-Maillard was a legend about a warrior who fought on even with his eyes poked out. His name is the French word for the game Blind man's buff. The main role in this scene was performed by Jean Dauberval. Such playful scenery usually had flirtatious connotations, which is famously depicted by Fragonard in his painting ''Le Collin-Maillard''. # ''Espieglerie de l'Amour''. "Playfulness of love" is a pastoral scene about a woman, played by Mlle Asselin, disguised as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of the Classical period. Life Piccinni was born in Bari, in the Apulia region. From the age of fourteen, he was educated at the S. Onofrio Conservatory by Leonardo Leo and Francesco Durante,. thanks to the intervention of the Bishop of Bari (his father, although himself a musician, was opposed to his son following the same career). Piccinni's first opera, ''Le donne dispettose'', was produced in 1755 with the patronage of Prince Vintimille. In 1760 he composed, at Rome, the ''chef d'œuvre'' of his early life, '' La Cecchina, ossia la buona Figliuola'', an ''opera buffa'' with a libretto by Goldoni, which "enjoyed a two-year run in Rome and was played in all the important European capitals. It can probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Jean-Georges Noverre
Jean-Georges Noverre (29 April 1727 19 October 1810) was a French dancer and balletmaster, and is generally considered the creator of ''ballet d'action'', a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day. His first professional appearances occurred as a youth in Paris at the Opéra-Comique, at Fontainebleau, in Berlin before Frederick II and his brother Prince Henry of Prussia, in Dresden and Strasburg. In 1747 he moved to Strasbourg, where he remained until 1750 before moving to Lyon. In 1751, he composed his first great work, '' Les Fêtes Chinoises'' for Marseilles. The work was revived in Paris in 1754 to great acclaim. In 1755, he was invited by Garrick to London, where he remained for two years. Between 1758 and 1760 he produced several ballets at Lyon, and published his '. It is from this period that the revolution in the art of the ballet for which Noverre was responsible can be dated. Prior to Noverre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willi Boskovsky
Willibald Karl Boskovsky (16 June 1909 – 21 April 1991) was an Austrian violinist and conductor, best known as the long-standing conductor of the Vienna New Year's Concert from 1955 to 1979. Biography Boskovsky was born in Vienna, and joined the Vienna Academy of music at the age of nine. He was the concertmaster of the Vienna Philharmonic from 1939 to 1971. He was also, from 1955, the conductor of the Vienna New Year's Concert, which is mostly devoted to the music of Johann Strauss II and his contemporaries. Along with the Vienna Philharmonic, he was also the chief conductor of the Wiener Johann Strauss Orchester up until his death. A forerunner of this ensemble was the 19th-century Strauss Orchestra founded by Johann Strauss I in 1835. He died in Visp, Switzerland. In chamber ensemble he led the ''Boskovsky Quartet'' with Philipp Matheis (2nd violin), Gunther Breitenbach (viola) and Nikolaus Hübner (violoncello). The Boskovsky Quartet, together with Johann Krump (double- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Souvenir De Florence
The String Sextet in D minor "''Souvenir de Florence''", Op. 70, is a string sextet scored for 2 violins, 2 violas, and 2 cellos composed in the summer of 1890 by Pyotr Ilyich Tchaikovsky. Tchaikovsky dedicated the work to the St. Petersburg Chamber Music Society in response to his becoming an Honorary Member. The work, in the traditional four-movement form, was titled "Souvenir de Florence" because the composer sketched one of the work's principal themes while visiting Florence, Italy, where he composed ''The Queen of Spades (opera), The Queen of Spades''. The work was revised between December 1891 and January 1892, before being premiered in 1892. It is the only string sextet by the composer. Structure Analysis The first movement is in sonata form and, without introduction, presents a rather violent yet melodic first theme in D minor. The second theme, in the dominant (music), dominant major key of A major, is much calmer; it flows from the first theme almost effortlessly a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal De Paris
The ''Journal de Paris'' (1777–1840) was the first daily French newspaper.(7 October 2014)The first French daily: Journal de Paris History of JournalismAndrews, ElizabethBetween Auteurs and Abonnés: Reading the Journal de Paris, 1787–1789 ''Journal of the Western Society for French History'', Vol. 37 (2009) The paper was founded by Antoine-Alexis Cadet de Vaux, Jean Romilly, Olivier de Corancez, and Louis d'Ussieux, in 1777, following the model of the ''London Evening Post''. The four-page daily paper eschewed politics in favor of popular culture, the weather, and other light-hearted culture, which made it the subject of jesting in its day. Nevertheless, the model proved popular. In 1784, the paper famously published an anonymous satirical letter by Benjamin Franklin encouraging Parisians to rise earlier in the day, which has been credited (though an overreach) with promoting the concept of daylight saving time. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt and uncle had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Allard
Marie Allard (1742–1802) was a French ballerina. She debuted in the Paris Opera in 1761. Marie Allard was born in 1742 to a poor family in Marseille. At the age of 10, she was offered to a Monsieur V. and the Comédie de Marseille. Her mother died two years later and Marie became a ''première danseuse'' (first dancer) of the Lyon opera. By the age of 14, she was employed at the Comédie-Française and lived in a small apartment in Paris. Shortly after beginning her studies with balletmaster Gaétan Vestris, she became his lover. In 1760 she gave birth to a son, Auguste Vestris. In June 1761 Allard made her debut at the Paris Opera in Jean-Philippe Rameau's ''Zaïs''. The audience and the young rakes Duc de Mazarin and Monsieur de Bontems were quite taken with her. In her first decade at the Paris Opera she danced 35 roles and received commendation for her ''pas de deux'' with Jean Dauberval Jean Dauberval, a.k.a. Jean D’Auberval, (born Jean Bercher in Montpellier, 19 Augu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Georges Noverre
Jean-Georges Noverre (29 April 1727 19 October 1810) was a French dancer and balletmaster, and is generally considered the creator of ''ballet d'action'', a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day. His first professional appearances occurred as a youth in Paris at the Opéra-Comique, at Fontainebleau, in Berlin before Frederick II and his brother Prince Henry of Prussia, in Dresden and Strasburg. In 1747 he moved to Strasbourg, where he remained until 1750 before moving to Lyon. In 1751, he composed his first great work, '' Les Fêtes Chinoises'' for Marseilles. The work was revived in Paris in 1754 to great acclaim. In 1755, he was invited by Garrick to London, where he remained for two years. Between 1758 and 1760 he produced several ballets at Lyon, and published his '. It is from this period that the revolution in the art of the ballet for which Noverre was responsible can be dated. Prior to Noverre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Man's Bluff (Fragonard, 1750)
''Blind Man's Buff'' (French: ''Le collin maillard'') is a painting by the French Rococo painter Jean-Honoré Fragonard, produced around 1750 in oil on canvas. It is held by the Toledo Museum of Art in Toledo, Ohio, United States, which purchased it with funds from the Libbey Endowment, a gift of the glass manufacturer Edward Libbey who founded the museum in 1901. The artist also produced another work of the same title some time between 1775 and 1780, which is held in the Samuel H. Kress Collection. Eighteenth-century engravings were produced of both paintings, showing that they may have originally been as much as a foot higher at the top. Background and content The painting is full of deceptions – the girl is looking out from under her blindfold and the game seems to be a pretext leading to seduction; the two figures are in pastoral costume, but may be noble or bourgeois figures playing at being pastoral figures; the background seems to be a wood but could be a stage set. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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