Les Précieuses Ridicules
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Les Précieuses Ridicules
''Les Précieuses ridicules'' (, ''The Absurd Précieuses'' or ''The Affected Ladies'') is a one-act satire by Molière in prose. It takes aim at the ''précieuses'', the ultra-witty ladies who indulged in lively conversations, word games and, in a word, ''préciosité'' (preciousness). ''Les Précieuses ridicules'' is a biting comedy of manners that brought Molière and his company to the attention of Parisians, after they had toured the provinces for years. The play received its Paris premiere on 18 November 1659 at the Théâtre du Petit-Bourbon. It seems not to have been staged before that in the provinces. It was highly successful and attracted the patronage of Louis XIV of France, Louis XIV to Molière and company. ''Les Précieuses ridicules'' still plays well today. Plot Magdelon and Cathos are the aspiring ''précieuses'', two young women from the provinces who have come to Paris in search of love and ''jeux d'esprit''. Gorgibus, the father of Magdelon and uncle of Cat ...
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Précieuses
The French literary style called ''préciosité'' (, ''preciousness'') arose in the 17th century from the lively conversations and playful word games of ''les précieuses'' (), the intellectual, witty and educated women who frequented the salon (gathering), salon of Catherine de Vivonne, marquise de Rambouillet. Her ''Chambre bleue'' (the "blue room" of her ''hôtel particulier'') offered a Parisian refuge from the dangerous political factionalism and coarse manners of the royal court during the regency of Louis XIV of France, Louis XIV. One of the central figures of the salon that gathered at the ''Hôtel de Rambouillet'' was Madeleine de Scudéry. She wrote voluminous romance novels that embodied the refinements of ''preciosité'' including the concepts of feminine elegance, etiquette and courtly Platonic love that were hugely popular with female audiences, but scorned by most men, including Molière, who satirized the ''précieuses'' in his comedy ''Les Précieuses ridicules ...
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Self-esteem
Self-esteem is confidence in one's own worth or abilities. Self-esteem encompasses beliefs about oneself (for example, "I am loved", "I am worthy") as well as emotional states, such as triumph, despair, pride, and shame. Smith and Mackie (2007) defined it by saying "The self-concept is what we think about the self; self-esteem, is the positive or negative evaluations of the self, as in how we feel about it." Self-esteem is an attractive psychological construct because it predicts certain outcomes, such as academic achievement, happiness, satisfaction in marriage and relationships, and criminal behavior. Self-esteem can apply to a specific attribute or globally. Psychologists usually regard self-esteem as an enduring personality characteristic (''trait self-esteem''), though normal, short-term variations (''state self-esteem'') also exist. Synonyms or near-synonyms of self-esteem include: self-worth, self-regard, self-respect, and self-integrity. History The concept of self-estee ...
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1659 Plays
Events January–March * January 14 – In the Battle of the Lines of Elvas, fought near the small city of Elvas in Portugal during the Portuguese Restoration War, the Spanish Army under the command of Luis Méndez de Haro suffers heavy casualties, with over 11,000 of its nearly 16,000 soldiers killed, wounded or taken prisoner; the smaller Portuguese force of 10,500 troops, commanded by André de Albuquerque Ribafria (who is killed in the battle) suffers less than 900 casualties. * January 24 – Pierre Corneille's ''Oedipe'' premieres in Paris. * January 27 – The third and final session of the Parliament of the Commonwealth of England, Scotland and Ireland is opened by Lord Protector Richard Cromwell, with Chaloner Chute as the Speaker of the House of Commons, with 567 members. "Cromwell's Other House", which replaced the House of Lords during the last years of the Protectorate, opens on the same day, with Richard Cromwell as its speaker. * Ja ...
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Plays By Molière
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ...
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Teatro Alla Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Arturo Rossato
Arturo is a Spanish and Italian variant of the name Arthur. People *Arturo Álvarez (footballer, born 1985), American-born Salvadoran footballer *Arturo Álvarez (footballer, born 1959), Mexican footballer *Arthuro Henrique Bernhardt (b. 1982), Brazilian football (soccer) player *Arturo Brachetti (born 1957), Italian quick-change artist *Arturo Bragaglia (1893–1962), Italian actor *Arturo Bravo (born 1958), Mexican racewalker *Arturo Casadevall (born 1957), American physician *Arturo Castro (Mexican actor) (1918–1975), Mexican actor *Arturo Castro (Guatemalan actor), Guatemalan actor *Arturo Corvalán (born 1978), Chilean road cyclist *Arturo De Vecchi (1898–1988), Italian fencer *Arturo Di Modica (1941–2021), Italian-born American artist *Arturo Di Napoli (born 1974), Italian soccer (UK: football) coach *Arturo Dominici (1918–1992), Italian actor and dubbing artist *Arturo Freeman, American football player *Arturo Frondizi (1908–1995), 35th President of Argentina *Artur ...
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Felice Lattuada
Felice Lattuada (; 5 February 1882 – 2 November 1962) was an Italian composer. Lattuada was born at Caselle di Morimondo, near Milan. In his early adulthood he worked as a school teacher and was a self-taught amateur composer. That changed when he entered the Milan Conservatory in 1907. He studied composition there under V. Ferroni for five years, graduating in 1912. Among his works are several orchestral and chamber music pieces written in a strongly lyrical and expressive character derived from the late-Romantic tradition. He also wrote several works for the stage including ''Don Giovanni'', which won the ''Concorso Nazionale della Pubblica Istruzione'' in 1928. Lattuada was director of the Civica Scuola di Musica in Milan from 1935 to 1962. His son Alberto Lattuada (1914−2005) was a well-known film director, and the two collaborated on several projects during the 1940s. Lattuada's film scores were often more traditional in nature as opposed to his son's more innovative app ...
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Catherine Leclerc Du Rose
Catherine Leclerc du Rose, also known by her stage name Mademoiselle de Brie' (1630 – ca. 1706), was a French actress.Henry Lyonnet, Dictionnaire des comédiens français, Bibliothèque de la revue Universelle Internationale Illustrée, Paris et Genève, 1902-1908 She was a member of the pioneer troupe of both the Molière's company, and of the Comédie-Française. She belonged to the first Sociétaires of the Comédie-Française (see Troupe of the Comédie-Française in 1680 Composition of the troupe of the Comédie-Française in 1680 As of 24 August 1680, La Grange (actor), La Grange set in his register: :« ''Jonction de la Troupe Royalle cy-devant à l'Hôtel de Bourgogne (theatre), hostel de bourgogne avec Guén ...). Catherine Leclerc du Rose was the daughter of actors. De Brie joined Molière's troupe in 1650. She became a member of the Comédie-Française upon its foundation in 1680. She became a member of the Comédie-Dauphine in 1684. Notable parts * 1662.12.26 ...
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Madeleine Béjart
Madeleine Béjart (8 January 1618 – 17 February 1672), was a French actress and theatre director, one of the most famous French stage actors of the 17th-century. She was the co-founder of the Illustre Théâtre. Life She belonged to the Béjart family, a famous theatre family in 17th-century France. Madeleine was the second child of Joseph and Marie-Herve Bejart. She debuted with her elder brother Joseph at the Theatre du Marais and in the provinces in the late 1630s. In 1643 she co-founded, with Molière, the Illustre Théâtre, of which she was co-director. She was described as a skillful administrator with the ability to avoid conflicts among the staff. She could freely choose to perform any of the roles in the plays by Molière. She became famous from her performances in his plays. Gradually, she chose smaller parts and left the main parts to Mademoiselle Du Parc and her daughter Armande Béjart Armande-Grésinde-Claire-Élisabeth Béjart (1645 – 30 November 1700) was ...
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Bourgeois
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ...
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