Les Mystères Du Château De Dé
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Les Mystères Du Château De Dé
''Les Mystères du Château de Dé'' (The Mysteries of the Chateau of Dice) is a 1929 film directed by Man Ray. It depicts a pair of travellers setting off from Paris and travelling to the Villa Noailles in Hyères. At 27 minutes the film was the longest that Man Ray directed during his career. Synopsis ''To the Viscountess of Noailles. I dedicate these pictures which can never reveal the extent of her kindness and charm. How two travellers arrived in St. Bernard, what they saw in the ruins of an old castle on top of which a modern-time castle stands. The travellers: MAN RAY, J.-A. Boiffard.'' The film opens from a night scene to two masked individuals at a cafe. They decide their actions on the role of dice. ''A throw of dice will never abolish chance.'' (based on a line from Stéphane Mallarmé) The hands are that of mannequins, their faces devoid of detail. Before the throw, their destination appears on a hillside in the form of both modern and ancient castles. ''Are we g ...
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Man Ray
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealism, Surrealist movements, although his ties to each were informal. He produced major works in a variety of List of artistic media, media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion photography, fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself. Biography Background and early life During his career, Man Ray allowed few details of his early life or family background to be known to the public. He even refused to acknowledge that he ever had a name other than Man Ray.Neil Baldwin (writer), Baldwin, Neil. ''Man Ray: American Artist''; Da Capo Press; (1988, 2000) Man Ray's birth name was Emmanuel Radnitzky. He was born in ...
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Joan Miró
Joan Miró i Ferrà ( , , ; 20 April 1893 – 25 December 1983) was a Catalan painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró in Mallorca, Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca, Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalonia, Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour o ...
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1920s French-language Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Films Directed By Man Ray
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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1929 Films
The following is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1929 released films by box office gross in North America are as follows: Events The days of the silent film are numbered. A mad scramble to provide synchronized sound is on. * February 1 – ''The Broadway Melody'' is released by MGM and becomes the first major musical film of the sound era, sparking a host of imitators as well as a series of ''Broadway Melody'' films that will run until 1940. * February 18 – The first Academy Awards, or Oscars, are announced for the year ended August 1, 1928. * March 3 – William Fox announces that he has taken control of Loews Inc., including its subsidiary Metro-Goldwyn-Mayer, buying shares from Marcus Loew's widow and sons and Nicholas Schenck for $50 million. The acquisition eventually falls through. * May 16 – The first Academy Awards are distributed at The Hollyw ...
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Musée National D'Art Moderne
The Musée National d'Art Moderne (; "National Museum of Modern Art") is the national museum for modern art of France. It is located in Paris and is housed in the Centre Pompidou in the 4th arrondissement of the city. In 2021 it ranked 10th in the List of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art. In 1937, the Musée National d'Art Moderne succeeded the Musée du Luxembourg, established in 1818 by King Louis XVIII as the first museum of contemporary art created in Europe, devoted to living artists whose work was due to join the Louvre 10 years after their death. Imagined as early as 1929 by Auguste Perret to replace the old Palais du Trocadero, the construction of a museum of modern art was officially decided in 1934 in the western wing of the Palais de Tokyo. Completed in 1937 for that year's International Exhibition of Arts and Technology, it was temporarily used for another purpose, si ...
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Gymnopédies
The ''Gymnopédies'' (), or ''Trois Gymnopédies'', are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. However, it remains uncertain whether the poem was composed befo ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Cubist
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907), and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), Guernica (Picasso)#Composition, a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimente ...
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Jacques-André Boiffard
Jacques-André Boiffard (29 July 1902 – 22 July 1961) was a French photographer, born in Épernon in Eure-et-Loir. He was a medical student in Paris until 1924 when he met André Breton through Pierre Naville, a Surrealist writer, and childhood friend. In the mid-1920s, Boiffard decided to dedicate himself to research in the Bureau of Surrealist Research, writing the preface with Paul Éluard and Roger Vitrac to the first issue of ''La Révolution surréaliste''. Preferring photography to literature, he served as Man Ray’s assistant from 1924 to 1929. During the 1920s, he took portraits of the English writer Nancy Cunard and photographs of Paris which Breton used to illustrate his novel '' Nadja''. In 1928, Boiffard was abruptly expelled from the movement for taking photographs of Simone Breton. He co-founded a studio, ''Studio unis'', with photographer Eli Lotar in 1929, although the studio went bankrupt in 1932. From 1929 onward, Boiffard was closely associated with ...
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Stéphane Mallarmé
Stéphane Mallarmé ( , ; 18 March 1842 – 9 September 1898), pen name of Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism. Biography Mallarmé was born in Paris. He was a boarder at the ''Pensionnat des Frères des écoles chrétiennes à Passy'' between 6 or 9 October 1852 and March 1855. He worked as an English teacher and spent much of his life in relative poverty but was famed for his '' salons'', occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art and philosophy. The group became known as ''les Mardistes,'' because they met on Tuesdays (in French, ''mardi''), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge, jester, ...
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