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Les Huguenots (opera)
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of '' Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French Wars of Religion, with a drama partly based on Prosper Mérimée's 1829 novel ''Chronique du règne de Charles IX''. Coming from a wealthy family, Meyerbeer could afford to take his time, dictate his own terms, and to be a perfectionist. The very detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opéra
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Rossi
Gaetano Rossi (; 18 May 1774 – 25 January 1855) was an Italian opera librettist for several of the well-known ''bel canto''-era composers including Gioachino Rossini, Gaetano Donizetti, and Saverio Mercadante in Italy and Giacomo Meyerbeer in one of his early Italian successes. Other composers with whom he worked included Simon Mayr, a composer and Donizetti's teacher, as well as the prolific Giovanni Pacini. Biography Born in Verona, Rossi was writing religious verse by the time that he was 13 years old. He wrote libretti for about 60 years, beginning in 1797 with mostly farsas. Rossi wrote the texts for some significant operas by the well-known composers of the era. These included ''Tancredi'' and ''Semiramide'' for Rossini and '' Il crociato in Egitto'' for Meyerbeer, as well as later operas for Donizetti such as ''Maria Padilla'' (as co-author) and ''Linda di Chamounix''. In addition to his writing, he also worked for a time as the stage director for the Teatro Filarmonico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puritan
The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Catholic Church, Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. Puritanism played a significant role in English history, especially during the Protectorate. Puritans were dissatisfied with the limited extent of the English Reformation and with the Church of England's toleration of certain practices associated with the Roman Catholic Church. They formed and identified with various religious groups advocating greater purity of worship and doctrine, as well as personal and corporate piety. Puritans adopted a Reformed theology, and in that sense they were Calvinists (as were many of their earlier opponents). In church polity, some advocated separation from all other established Christian denominations in favour of autonomous gathered churches. These English Dissenters, Separatist and Indepe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglican
Anglicanism is a Western Christian tradition that has developed from the practices, liturgy, and identity of the Church of England following the English Reformation, in the context of the Protestant Reformation in Europe. It is one of the largest branches of Christianity, with around 110 million adherents worldwide . Adherents of Anglicanism are called ''Anglicans''; they are also called ''Episcopalians'' in some countries. The majority of Anglicans are members of national or regional ecclesiastical provinces of the international Anglican Communion, which forms the third-largest Christian communion in the world, after the Roman Catholic Church and the Eastern Orthodox Church. These provinces are in full communion with the See of Canterbury and thus with the Archbishop of Canterbury, whom the communion refers to as its '' primus inter pares'' (Latin, 'first among equals'). The Archbishop calls the decennial Lambeth Conference, chairs the meeting of primates, and is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guelphs And Ghibellines
The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, rivalry between these two parties formed a particularly important aspect of the internal politics of medieval Italy. The struggle for power between the Papacy and the Holy Roman Empire arose with the Investiture Controversy, which began in 1075, and ended with the Concordat of Worms in 1122. History Origins The Guelph vs Ghibelline conflict initially arose from the division caused by the Investiture Controversy, about whether secular rulers or the pope had the authority to appoint bishops and abbots. Upon the death of Emperor Henry V, of the Salian dynasty, the dukes elected an opponent of his dynasty, Lothair III, as the new emperor. This displeased the Hohenstaufen, who were allied with and related to the old dynasty. Out of fear of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre D'Orléans
The Théâtre d'Orléans (English: Orleans Theatre) was the most important opera house in New Orleans in the first half of the 19th century. The company performed in French and gave the American premieres of many French operas. It was located on Orleans Street between Royal and Bourbon. The plans for the theatre were drawn up by Louis Tabary, a refugee from the French colony of Saint-Domingue (Haiti). Construction began in 1806, but the opening was delayed until October 1815 (after the War of 1812). After a fire, it was rebuilt (with the adjacent Orleans Ballroom) and reopened in 1819, led by another émigré from Saint-Domingue, John Davis. Davis became one of the major figures in French theatre in New Orleans. The theatre was destroyed by fire in 1866,Belsom 2007.Joyce & McPeek 2001. but the ballroom is still used. History of the theatre 1819–1837: John Davis In the first five seasons under the leadership of Davis, the Théâtre d'Orléans presented 140 operas, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornélie Falcon
Cornélie Falcon (28 January 1814 – 25 February 1897) was a French soprano who sang at the Opéra in Paris. Her greatest success was creating the role of Valentine in Meyerbeer's ''Les Huguenots''. She possessed "a full, resonant voice"Warrack and West 1992, p. 230. with a distinctive dark timbreRobinson and Walton 2011. and was an exceptional actress. Based on the roles written for her voice her vocal range spanned from low A-flat to high D, 2.5 octaves. She and the tenor Adolphe Nourrit are credited with being primarily responsible for raising artistic standards at the Opéra, and the roles in which she excelled came to be known as "falcon soprano" parts.Robinson 1992, p. 110. She had an exceptionally short career, essentially ending about five years after her debut, when at the age of 23 she lost her voice during a performance of Niedermeyer's '' Stradella''. Early life and training She was born Marie-Cornélie Falcon in Le Monastier sur Gazeille (Velay) to Pierre Falcon, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Nourrit
Adolphe Nourrit (3 March 1802 – 8 March 1839) was a French operatic tenor, librettist, and composer. One of the most esteemed opera singers of the 1820s and 1830s, he was particularly associated with the works of Gioachino Rossini and Giacomo Meyerbeer. Early life Nourrit was born on 3 March 1802 and raised in Montpellier, Hérault. His father, Louis Nourrit, was a well-known operatic tenor and diamond merchant. Louis' example deeply influenced Adolphe (and Adolphe's brother Auguste, who would also become a tenor). Adolphe studied singing and musical theory with his father and then, despite his father's objections, took lessons with Manuel del Pópulo Vicente García. He began his performing career shortly after finishing his studies with García, which lasted for 18 months. Career Not yet 20 years of age, Adolphe Nourrit made his professional operatic debut in 1821 as Pylades in Gluck's '' Iphigénie en Tauride'', being welcomed by his father performing the tiny role of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Habeneck
François Antoine Habeneck (22 January 1781 – 8 February 1849) was a French classical violinist and conductor. Early life Habeneck was born at Mézières, the son of a musician in a French regimental band. During his early youth, Habeneck was taught by his father, and at the age of ten played concertos in public. In 1801, he entered the Conservatoire de Paris, where he studied under Pierre Baillot and obtained the violin first prize in 1804. In the same year, he joined the orchestra of the Opéra-Comique, but shortly afterwards moved to that of the Paris Opera. He conducted student concerts at the Conservatoire from 1806 onwards. Career at the Paris Opera On 1 June 1817, Habeneck became an assistant conductor (''chef d'orchestre adjoint'') of the Paris Opera, a post he held until 1 January 1819, when he was replaced by J.-J. Martin.Wild 1989, . On 1 April 1820, on a trial basis, Henri Valentino replaced J.-J. Martin as second conductor (''deuxième chef d'orchestre, à t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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