Les Djinns (Franck)
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Les Djinns (Franck)
''Les Djinns'' FWV 45 is a symphonic poem for piano and orchestra by César Franck. Composition The pianist Caroline Montigny-Rémaury had asked for a short piano and orchestra piece, but she never played the work that Franck composed in the summer of 1884. It was premiered 15 March 1885 by Louis Diémer as the pianist, in a concert at the Société Nationale de Musique. The work is inspired by the eponymous poem in ''Les Orientales'' by Victor Hugo. The latter often inspired Franck (melodies, and his first symphonic poem ''Ce qu'on entend sur la montagne'', composed in 1847–1848, at the same time as the work by Franz Liszt from the same inspiration). Franck takes up the idea of the mysterious and supernatural forces tearing the nocturnal sky through their passage, and especially the singular rhythm of Hugo's poem, rising from calm into a sonorous storm, before falling back into the silence of the night. The piano part is very virtuosic, and Franck so liked Diémer's inte ...
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Djinn
Jinn ( ar, , ') – also romanized as djinn or anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are invisible creatures in early pre-Islamic Arabian religious systems and later in Islamic mythology and theology. Like humans, they are accountable for their deeds, can be either believers (''Muslim'') or unbelievers (''kafir''); depending on whether they accept God's guidance. Since jinn are neither innately evil nor innately good, Islam acknowledged spirits from other religions and was able to adapt spirits from other religions during its expansion. Jinn are not a strictly Islamic concept; they may represent several pagan beliefs integrated into Islam. To assert a strict monotheism and the Islamic concept of ''Tauhid'', Islam denies all affinities between the jinn and God, thus placing the jinn parallel to humans, also subject to God's judgment and afterlife. The Quran condemns the pre-Islamic Arabian practise of worshipping the ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Music Based On Poems
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Variations
Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals or the differences between populations ** Human genetic variation, genetic differences in and among populations of humans * Magnetic variation, difference between magnetic north and true north, measured as an angle * ''p''-variation in mathematical analysis, a family of seminorms of functions * Coefficient of variation in probability theory and statistics, a standardized measure of dispersion of a probability distribution or frequency distribution * Total variation in mathematical analysis, a way of quantifying the change in a function over a subset of \mathbb^n or a measure space * Calculus of variations in mathematical analysis, a method of finding maxima and minima of functionals Arts * Variation (ballet) or pas seul, solo dance or ...
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Compositions For Piano And Orchestra
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ...
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1885 Compositions
Events January–March * January 3– 4 – Sino-French War – Battle of Núi Bop: French troops under General Oscar de Négrier defeat a numerically superior Qing Chinese force, in northern Vietnam. * January 4 – The first successful appendectomy is performed by Dr. William W. Grant, on Mary Gartside. * January 17 – Mahdist War in Sudan – Battle of Abu Klea: British troops defeat Mahdist forces. * January 20 – American inventor LaMarcus Adna Thompson patents a roller coaster. * January 24 – Irish rebels damage Westminster Hall and the Tower of London with dynamite. * January 26 – Mahdist War in Sudan: Troops loyal to Mahdi Muhammad Ahmad conquer Khartoum; British commander Charles George Gordon is killed. * February 5 – King Leopold II of Belgium establishes the Congo Free State, as a personal possession. * February 9 – The first Japanese arrive in Hawaii. * February 16 – Charles Dow publi ...
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Compositions By César Franck
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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François-Joël Thiollier
François-Joël Thiollier (born 1943) is an internationally recognized French-American classical pianist. Thiollier was born in Paris in 1943, with both French and American citizenship. He gave his first concert in New York City at the age of 5, then commenced studies at the Paris Conservatoire with Robert Casadesus, and at the Juilliard School in New York under Sascha Gorodnitzki, graduating at the young age of eighteen. He has won major prizes at international music competitions, including 1st Prize at the 1965 Ettore Pozzoli Competition, 2nd Prize at the 1964 Busoni Competition (the winner was Michael Ponti), and 6th Prizes at the 1966 Tchaikovsky Competition in Moscow and the 1968 Queen Elisabeth Competition in Belgium. He has concertised very widely in over 40 countries, and has made a large number of well-received recordings, including the complete piano works of Rachmaninoff (two traversals), Debussy, Ravel and Gershwin. He has also recorded Busoni's massive Piano Con ...
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Roberto Benzi
Roberto Benzi (born 1937) is a French conductor and former child actor. Early life Roberto Benzi was born on December 12, 1937, in Marseille, France. His parents discovered his musicality when he was very young, and taught him solfège and piano. As a teenager he acted in two films. When he was about ten years old he received instruction from André Cluytens. Career In 1960, at age 22, he made his first recordings with the Lamoureux Orchestra of works by Liszt, Beethoven, Bizet, Rossini, Respighi, and many more, for the Philips label, all released in the famous Hi-Fi Stereo series. He also made recordings with the Hague Philharmonic Orchestra, the London Symphony Orchestra and the Bucharest Philharmonic Orchestra. At age 27 he conducted "La Boutique Fantasque" (Rossini) for the Louis de Funes film The Sucker (1965). Benzi was the conductor of the Orchestre National Bordeaux Aquitaine from 1973 to 1987. He was the conductor of the Arnhem Philharmonic Orchestra in Arnhem, The Nether ...
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Symphonic Variations (Franck)
The ''Symphonic Variations'' (''Variations symphoniques''), M. 46, is a work for piano and orchestra written in 1885 by César Franck. It has been described as "one of Franck's tightest and most finished works", "a superb blending of piano and orchestra", and "a flawless work and as near perfection as a human composer can hope to get in a work of this nature". It is a fine example of Franck's use of cyclic unity, with one theme growing into various others. The piano and orchestra share equally in the continuous evolution of ideas. The work is in F minor (with the last movement in F major). Duration in performance is about fifteen minutes, and the instrumentation is piano solo and orchestra: pairs of flutes, oboes, clarinets, and bassoons; four horns; two trumpets; timpani; and strings. History The work was dedicated to Louis Diémer, who on 15 March 1885 had premiered '' Les Djinns'', a symphonic poem for piano and orchestra that brought Franck one of his rare critical su ...
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Ce Qu'on Entend Sur La Montagne
', S. 95, is the first of thirteen symphonic poems by Austro-Hungarian composer Franz Liszt. It is an orchestral work inspired by Victor Hugo's poem of the same name, published as No. 5 of his collection ''Les Feuilles d'automne ''Les Feuilles d'Automne'' is a collection of poems written by Victor Hugo, and published in 1831. It contains a multitude of poems, six of which are especially known as ''Soleils Couchants''. Extracts (This century was two years old) (T ...'' (1831). The French title means "What one hears on the mountain". The work is sometimes referred to by its German title "Bergsymphonie" ("Mountain Symphony"). The piece, like many of Liszt's works, was revised a number of times before reaching the final version known today. It was originally composed in the years 1848–9 and subsequently revised in 1850, with the final form being produced in 1854. It is also the longest of Liszt's symphonic poems; a typical performance averages over half an hour in leng ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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