Les Chimères (painting)
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Les Chimères (painting)
''Les Chimères'' or ''The Chimaeras'' is an unfinished painting by the French Symbolist painter Gustave Moreau (6 April 1826 – 18 April 1898) executed in 1884. It depicts a large forest scene wherein various nude women are associated with sundry figures from classical and medieval mythology –not only the titular chimeras, but also centaurs, winged creatures, fawns, minotaurs, etc. The painting is a philosophical meditation on what Moreau saw as the elemental nature of Woman, depicting the internal yearnings and dreams of women (des chimères being a French idiom indicating unrealistic dreams) through complex mythological symbolism. Moreau abandoned the work shortly after his mother's death to work on the darker polyptych '' La Vie de l'Humanité'', considered one of his masterpieces. The painting Executed on a 2.36m by 2.04m canvas, ''Les Chimères'' is in the Musée national Gustave Moreau at 14 Rue de La Rochefoucauld, Paris. The scene, like many of Moreau's other piece ...
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Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in ''Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Moreau ...
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Cosa Mentale
Cosa was a Latin colony founded in southwestern Tuscany in 273 BC, on land confiscated from the Etruscans, to solidify the control of the Romans and offer the Republic a protected port. The Etruscan site (called ''Cusi'' or ''Cosia'') may have been where modern Orbetello stands; a fortification wall in polygonal masonry at Orbetello's lagoon may be in phase with the walls of Cosa. The position of Cosa is distinct, rising some 113 metres above sea level and is sited 140 km northwest of Rome on the Tyrrhenian Sea coast, on a hill near the small town of Ansedonia. The town experienced a hard life and was never truly a prosperous Roman city, although it has assumed a position of prominence in Roman archaeology owing to the circumstances of its excavation (cf. Dyson 2005, below). After the foundation, wars of the 3rd century BC affected the town. New colonists arrived in 197 BC. Cosa seems to have prospered until it was sacked in the 60s BC, perhaps by pirates - alth ...
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Unfinished Paintings
An unfinished creative work is a painting, novel, musical composition, or other creative work, that has not been brought to a completed state. Its creator may have chosen not to finish it, or may have been prevented from doing so by circumstances beyond their control, such as death. Such pieces are often the subject of speculation as to what the finished piece would have been like had the creator completed the work. Sometimes artworks are finished by others and released posthumously. Unfinished works have had profound influences on their genres and have inspired others in their own projects. The term can also refer to ongoing work which could eventually be finished (i.e. the creator is still living) and is distinguishable from "incomplete work", which can be a work that was finished but is no longer in its complete form. There are many reasons that a work is not completed. Works are usually stopped when their creator dies, although some, aware of their failing health, make sure ...
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