Leroy Walks!
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Leroy Walks!
''Leroy Walks!'' is the debut album by American jazz bassist Leroy Vinnegar recorded in 1957 and released on the Contemporary label.Contemporary Records discography
accessed May 7, 2015


Reception

The review by described it as "A fine, straight-ahead session".


Track listing

# "Walk On" (Leroy Vinnegar)8:23 # "

Leroy Vinnegar
Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, ''Saint Dominic's Preview''. Music career He recorded extensively as both a leader and sideman. He came to public attention in the 1950s as a result of recording with Lee Konitz, André Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff. He played bass on Previn and Manne's ''My Fair Lady'' album, one of the most successful jazz records ever produced. He also performed on another of jazz's biggest hit albums, Eddie Harris and Les McCann's '' Swi ...
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Walkin' My Baby Back Home (song)
"Walkin' My Baby Back Home" is a popular song written in 1930 by Roy Turk (lyrics) and Fred E. Ahlert (music). The song first charted in 1931 with versions by Nick Lucas (No. 8), Ted Weems (also No. 8), The Charleston Chasers (No. 15) and Lee Morse (No. 18). Other recordings *A recording made by Jo Stafford on November 9, 1945, was released by Capitol Records as catalog number 20049, and on her album, ''Songs by Jo Stafford'' (catalog number B-D23). *Harry Richman recorded the song on November 4, 1947. This version was released by Decca Records as catalog number 24391. *Maurice Chevalier recorded the song on February 22, 1931 for Victor Records in New York. *A major hit version of it was recorded by Nat King Cole at the Capitol Studios at 5515 Melrose Avenue in Hollywood, on September 4, 1951 and released by Capitol Records as catalog number 2130. It went to No. 8 in 1952. *The song charted again in 1952 at No. 4 in a version recorded in February 1952 by Johnnie Ray, released by C ...
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Victor Feldman
Victor Stanley Feldman (7 April 1934 – 12 May 1987) was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers. Early life Feldman was born in Edgware on 7 April 1934. He caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman performed from a young age: "from 1941 to 1947 he played drums in a trio with his brothers; when he was nine he took up piano and when he was 14 started playing vibraphone". He featured in the films ''King Arthur Was a Gentleman'' (1942) and '' Theatre Royal'' (1943). In 1944, he was featured at a con ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ...
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picture info

Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Gerald Wilson
Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson. Early life Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, Michigan, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray).Peter Vacher"Gerald Wilson obituary" ''The Guardian'', 15 September 2014. He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed songs to the band, including "Hi Spook" and "Yard-dog Mazurka", the first influenced by Ellington's recording o ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Robert Sour
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Una Mae Carlisle
Una Mae Carlisle (December 26, 1915 – November 7, 1956) was an American jazz singer, pianist, and songwriter. Early life Carlisle was born in Zanesville, Ohio, the daughter of Edward and Mellie Carlisle. She was of African and Native American descent. Trained to play piano by her mother, she was performing in public by age three. Career Still a child, she performed regularly on radio station WHIO (AM) in Dayton, Ohio. In 1932, while she was still in her teens, Fats Waller discovered Carlisle while she worked as a local Cincinnati, Ohio, performer live and on radio. Her piano style was very much influenced by Waller's; she played in a boogie-woogie/stride style and incorporated humor into her sets. She played solo from 1937, touring Europe repeatedly and recording with Waller late in the 1930s. In the 1940s, Carlisle recorded as a leader for Bluebird Records, with sidemen such as Lester Young, Benny Carter, and John Kirby. She had a longtime partnership with producer/publis ...
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Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ...
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Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ...
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