Lemmy Caution
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Lemmy Caution
Lemmy Caution is a fictional character created by British writer Peter Cheyney (1896–1951). Caution was first portrayed as a Federal Bureau of Investigation (FBI) agent, and in later stories as a private detective. Cheyney's first book with the character was published in 1936. When ''This Man Is Dangerous'' was released, Cheyney was working as a policeman, but the novel's success enabled him to become a professional author. Cheyney wrote eleven Lemmy Caution novels between 1936 and 1946. The Lemmy Caution radio series was broadcast in the 1940s in Australia and New Zealand. Although Caution is an American character created by a British writer, he has yet to appear in an English-language film. However, he has appeared in around 15 European films, most of them French, from 1952 to 1991. In all but the first of these films, he was always played by the same actor, Eddie Constantine, who was indelibly associated with the role for life. The first seven of the Eddie Constantine films, f ...
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Peter Cheyney
Reginald Evelyn Peter Southouse-Cheyney (22 February 1896 – 26 June 1951) was a British crime fiction writer who flourished between 1936 and 1951. Cheyney is perhaps best known for his short stories and novels about agent/detective Lemmy Caution, which, starting in 1953, were adapted into a series of French movies, all starring Eddie Constantine (however, the best known of these – the 1965 science fiction film '' Alphaville'' – was not directly based on a Cheyney novel). Another popular creation was the private detective Slim Callaghan who also appeared in a series of novels and subsequent film adaptations. Although out of print for many years, Cheyney's novels have never been difficult to find second-hand. Several of them have recently been made available as e-books. Early life Peter Cheyney was born in Whitechapel 1896, the youngest of five children, and educated at the Mercers' School in the City of London. He began to write skits for the theatre as a teenager, but t ...
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You Can Always Duck
''You Can Always Duck'' is a 1943 thriller novel by the British writer Peter Cheyney. It is the ninth in his series of novels featuring the FBI agent Lemmy Caution. The action takes place in wartime London where Caution is on the trail of a gang of black market A black market, underground economy, or shadow economy is a clandestine market or series of transactions that has some aspect of illegality or is characterized by noncompliance with an institutional set of rules. If the rule defines the se ...eers who have got mixed up in espionage. It was one of a number of films and novels of the period that made use of the booming black market for their setting.Roodhouse p.230 References Bibliography * James, Russell. ''Great British Fictional Detectives''. Remember When, 21 Apr 2009. * Pitts, Michael R. ''Famous Movie Detectives''. Scarecrow Press, 1979. * Reilly, John M. ''Twentieth Century Crime & Mystery Writers''. Springer, 2015. * Roodhouse, Mark. ''Black Market Britai ...
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La Môme Vert De Gris
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Panic Time
''Panic Time'' (German: ''Panische Zeiten'') is a 1980 West German comedy film directed by Peter Fratzscher and starring Udo Lindenberg, Vera Tschechowa and Walter Kohut. Hake p.180 The film's sets were designed by the art director Toni Lüdi. Shooting took place in Dortmund, Hamburg and Munich. The film's soundtrack was released on the album '' Panische Zeiten''. Cast * Udo Lindenberg as Self / Carl Coolman * Leata Galloway as Vera * Walter Kohut as Minister Dr. Kurt Kling * Vera Tschechowa as Frau Dr. Wunder * Felix Scholz as Bodyguard Felix * Klaus Kauroff as Bodyguard Klaus * Otto Wanz as Bodyguard Otto * Hark Bohm as Peitschenperverser Dr. Gerhard Kühn * Beate Jensen as Wiebke Stinksterff von Löloland * Eddie Constantine as Lemmy Caution * Rudolf Beiswanger as Leuchtturmwärter Süchtig * Peter Ahrweiler as Professor McNaughton * Fritz Rau as Self * Heinz Domez as Entführer * Werner Böhm as Entführer * Willi Hermann as Entführer * Renate Schubert as Pros ...
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Udo Lindenberg
Udo Lindenberg (born 17 May 1946) is a German singer, drummer, and composer. Career Lindenberg started his musical career as a drummer. In 1969, he founded his first band Free Orbit, and also appeared as a studio and guest musician (with Michael Naura, Knut Kiesewetter). In 1970, he collaborated as a drummer with jazz saxophonist Klaus Doldinger in Munich. In 1971 Passport, a band founded by Doldinger, released its first album, with Lindenberg on drums. He also played drums for the theme music for the German TV series ''Tatort''. The first LP by the jazz rock group Emergency was released in 1971, but met with little commercial success. The LP ''Lindenberg'' (also 1971, sung in English, with Steffi Stephan on bass) was likewise unsuccessful. In the following year, the first LP in German was released: ''Daumen im Wind'' (produced by Lindenberg and Thomas Kukuck, who also co-produced Lindenberg's next five albums), featuring the single "Hoch im Norden", which became a radio hit i ...
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Cameo Appearance
A cameo role, also called a cameo appearance and often shortened to just cameo (), is a brief appearance of a well-known person in a work of the performing arts. These roles are generally small, many of them non-speaking ones, and are commonly either appearances in a work in which they hold some special significance (such as actors from an original movie appearing in its remake) or renowned people making uncredited appearances. Short appearances by celebrities, film directors, politicians, athletes or musicians are common. A crew member of the movie or show playing a minor role can be referred to as a cameo role as well, such as Alfred Hitchcock's frequent cameos. Concept Originally, in the 1920s, a "cameo role" meant "a small character part that stands out from the other minor parts". The ''Oxford English Dictionary'' connects this with the meaning "a short literary sketch or portrait", which is based on the literal meaning of " cameo", a miniature carving on a gemstone. More re ...
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Humphrey Bogart
Humphrey DeForest Bogart (; December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American film and stage actor. His performances in Classical Hollywood cinema films made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema. Bogart began acting in Broadway shows, beginning his career in motion pictures with ''Up the River'' (1930) for Fox and appeared in supporting roles for the next decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in ''The Petrified Forest'' (1936), but remained cast secondary to other actors at Warner Bros. who received leading roles. Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin, in ''Dead End'' (1937), directed by William Wyler. His breakthrough from supporting roles to stardom was set in motion with '' High Sierra'' (1941) and catapulted in '' The Maltese Falcon'' (1941), conside ...
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La Môme Vert-de-gris
''La môme vert-de-gris'' ( French for "The Greyish-Green Dame"), released in the USA as ''Poison Ivy'', is a 1953 French crime film. It was French director Bernard Borderie's first film, as well as American-born French actor Eddie Constantine's. The screenplay is based the on the 1937 Lemmy Caution thriller ''Poison Ivy'' by Peter Cheyney, which had been in 1945 the first title published in Marcel Duhamel's ''Série noire''. The story involves FBI agent Caution investigating gold smuggling activity in Casablanca. Crew * Director: Bernard Borderie * Screenplay: Bernard Borderie and Jacques Berland * Assistant director: André Smagghe * Cinematography: Jacques Lemare * Music: Guy Lafarge Cast * Eddie Constantine - Lemmy Caution * Dominique Wilms - Carlotta de la Rue * Howard Vernon - Rudy Saltierra * Darío Moreno - Joe Madrigal * Maurice Ronet - Mickey * Nicolas Vogel - Kerts * Philippe Hersent - Le commissaire * Jess Hahn - Le marin-geolier * Gaston Modot - L'inspecteur #1 ...
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Bernard Borderie
Bernard Borderie (10 June 1924 in Paris – 28 May 1978 in Paris) was a French film director and screenwriter. His father, Raymond Borderie, was one of the producers of ''Children of Paradise, Les Enfants du Paradis'' (''Children of Paradise'', 1945). Selected filmography * ''Wolves Hunt at Night'' (1952, based on the novel ''Le Lieutenant de Gibraltar'' by Pierre Frondaie) * ''La môme vert-de-gris'' (1953, based on the ''Lemmy Caution'' novel ''Poison Ivy'' by Peter Cheyney) * ''The Women Couldn't Care Less'' (1954, based on the ''Lemmy Caution'' novel ''Dames Don't Care'' by Peter Cheyney) * ' (1955, based on the novel ''Fortune carrée'' by Joseph Kessel) * ' (1957) * ''Ces dames préfèrent le mambo'' (1957) * ''The Mask of the Gorilla'' (1958, based on the novel ''Le Gorille vous salue bien'' by Dominique Ponchardier, Antoine Dominique) * ' (1959, based on the novel ''Hit And Run'' by James Hadley Chase) * ''Sergeant X (1960 film), Sergeant X'' (1960) * ''Women Are Like That (1 ...
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Henri Verneuil
Henri Verneuil (; born Ashot Malakian; 15 October 1920 – 11 January 2002) was a French-Armenian playwright and filmmaker, who made a successful career in France. He was nominated for Oscar and Palme d'Or awards, and won Locarno International Film Festival, Edgar Allan Poe Awards, French Legion of Honor, Golden Globe Award, French National Academy of Cinema and Honorary Cesar awards. According to one obituary: For exactly 40 years, the prolific Verneuil made movies as mainstream and commercial as any to be found in America or Britain. In his best period – the 1950s and 1960s – he delivered films in the "tradition of quality" so despised by the Nouvelle Vague. Many of them proved excellent vehicles for old-timers Jean Gabin and Fernandel, and newcomers such as Jean-Paul Belmondo and Alain Delon. Life and career Early life Verneuil was born Ashot Malakian ( hy, Աշոտ Մալաքեան) to Armenian parents in Rodosto, East Thrace, Turkey. In 1924, when Ashot was a little ch ...
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John Van Dreelen
John van Dreelen (born Jacques Theodore van Drielen Gimberg; 5 May 1922 – 4 September 1992) was a Dutch actor, who frequently performed on television from the 1960s to the 1980s. Early years Van Dreelen was born in Amsterdam, the son of Dutch actor Louis van Dreelen Gimberg and the Countess de Labouchere of Paris. He attended the Sorbonne and was fluent in several languages. During World War II, his stage career was interrupted by the German invasion of the Netherlands. He escaped the Emslandlager labor camp near Papenburg by disguising himself as one of the German officers, a role he would later play so often on both big and small screens. Until 1950, his stage name was Jack Gimberg, at which time he changed it to John van Dreelen. Television Though he appeared in many European films, van Dreelen is best remembered as an A-list guest star in dozens of American television shows from the early 1960s to the mid-1980s, such as '' 12 O'Clock High'', ''The Twilight Zone'' (" ...
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Cinema Of France
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ...
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