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Legwork (album)
''Legwork'' is an album by American jazz flautist Jeremy Steig released on the Solid State label in 1970.Jazzlists: Solid State 18000 series LP discography accessed April 18, 2018 accessed April 20, 2018 Reception 's Wilson McCloy said: "''Legwork'' has long been a "rare-groove" collectors' favorite, and for good reason. The versatile Eddie Gomez lays down funky and compelling grooves throughout on acoustic bass while not hesitating to swing when necessary, walking his basslines over Don Alias' sometimes sparse yet authori ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Steig
Jeremy Steig (September 23, 1942 – April 13, 2016)Peter Keepnews, "Jeremy Steig, Flutist Who Bridged Jazz and Rock, Dies at 73" '''', June 2, 2016. Retrieved 1 September 2016 was an American flutist. Biography Steig was born in Manhattan, the son of '' New Yorker'' cartoonist[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Gómez
Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977. Biography Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. Yanow, Scott. Allmusic biography of Eddie Gómez. Retrieved January 26, 2014. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963. He played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings. His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz-funk Albums
Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. Jazz-funk is primarily an American genre, where it was popular throughout the 1970s and the early 1980s, but it also achieved noted appeal on the club-circuit in England during the mid-1970s. Similar genres include soul jazz and jazz fusion, but neither entirely overlap with jazz-funk. Jazz-funk is more arranged and features more improvisation than soul jazz, and retains a stronger feel of groove and R&B versus some of the jazz fusion production. Overview An extension of the jazz field, jazz-funk exhibits several distinctive characteristics. A first is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums Produced By Sonny Lester
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Brown (guitarist)
Sam Brown (January 19, 1939 – December 27, 1977) was an American jazz guitarist. History Sam T. Brown's playing style was unusual in that he performed in a generally jazz-rock format, while performing in Keith Jarrett's ensembles that sometimes veered close to a free jazz style. His initial recording success included membership of the jazz rock group Ars Nova during the 1967-1969 period. Brown's most noteworthy recorded performances were on recordings of Keith Jarrett (particularly, his "American band" with Dewey Redman); and Charlie Haden's Liberation Music Orchestra. On the ''Liberation Music Orchestra'' album he has a spotlighted performance on the 21-minute suite, "El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada"."El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada He also performed as a session musician for popular artists as diverse as James Brown, Astrud Gilberto, Peter Allen and Barry Manilow. Discography As sideman With Louis A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Alias
Charles "Don" Alias (December 25, 1939 in New York City – March 28, 2006 in New York City) was an American jazz percussionist. Alias was best known for playing congas and other hand drums. He was, however, a capable drum kit performer: for example, Alias played drums on the song "Miles Runs the Voodoo Down" from trumpeter Miles Davis's album '' Bitches Brew'' (1969) when neither Lenny White nor Jack DeJohnette was able to play the marching band-inspired rhythm requested by Davis.see the notes for ''The Complete Bitches Brew Sessions'' (1998) Alias performed on hundreds of recordings and was perhaps best known for his associations with Miles Davis and saxophonist David Sanborn, though he also performed or recorded with the group Weather Report, singer Joni Mitchell, pianist Herbie Hancock, the Brecker Brothers, Jaco Pastorius, Pat Metheny, Nina Simone and many others. Alias was born in New York City and arrived in Boston in the early 1960s intending to study medicine but, afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Upright Bass
The electric upright bass (EUB) is an instrument that can perform the musical function of a double bass. It requires only a minimal or 'skeleton' body to produce sound because it uses a pickup and electronic amplifier and loudspeaker. Therefore, a large resonating structure is not required to project the sound into the air. This minimal body greatly reduces the bulk and weight of the instrument. EUBs must always be connected to an amplifier and speaker cabinet to produce an adequate audible sound. The EUB retains enough of the features of the double bass so that double bass players are able to perform on it. Types There are two types: solid-body EUBs and hollowbody EUBs. Solid-body EUBs have no hollow enclosure for the body and, as such, they produce almost no sound without electronic amplification. Solid-body EUBs are connected to an amplifier for practice and live performances. Hollowbody EUBs have a wooden enclosure, which, whilst having a much smaller hollow body cavity than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz-funk
Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. Jazz-funk is primarily an American genre, where it was popular throughout the 1970s and the early 1980s, but it also achieved noted appeal on the club-circuit in England during the mid-1970s. Similar genres include soul jazz and jazz fusion, but neither entirely overlap with jazz-funk. Jazz-funk is more arranged and features more improvisation than soul jazz, and retains a stronger feel of groove and R&B versus some of the jazz fusion production. Overview An extension of the jazz field, jazz-funk exhibits several distinctive characteristics. A first is the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
