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Led Zeppelin North American Tour Spring 1970
Led Zeppelin's Spring 1970 North American Tour was the fifth concert tour of North America by the English rock band. The tour commenced on 21 March and concluded on 18 April 1970. It took place a little over a week after the conclusion of their recent European concert tour. Overview In many respects this tour was a tremendous success for the band, as they grossed a total of over $1,200,000, and broke attendance records at their Canadian concerts in Montreal, Quebec and Vancouver, British Columbia. The band were also made honorary citizens of the city of Memphis. However, this stint of concerts also featured many unsavoury crowd control problems, with the shows often descending into violent confrontations between young concert-goers and the police.Luis Rey (1997) ''Led Zeppelin Live: An Illustrated Exploration of Underground Tapes'', Ontario: The Hot Wacks Press, p. 84. The tour occurred at a time when civil tension was very high in the United States, with numerous demonstrations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Led Zeppelin
Led Zeppelin were an English rock band formed in London in 1968. The group comprised vocalist Robert Plant, guitarist Jimmy Page, bassist/keyboardist John Paul Jones, and drummer John Bonham. With a heavy, guitar-driven sound, they are cited as one of the progenitors of hard rock and heavy metal, although their style drew from a variety of influences, including blues and folk music. Led Zeppelin have been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock (AOR) and stadium rock. Originally named the New Yardbirds, Led Zeppelin signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, '' Led Zeppelin'', was a top-ten album in several countries and featured such tracks as "Good Times Bad Times", " Dazed and Confused" and "Communication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stone The Crows
Stone the Crows were a Scottish blues rock band formed in Glasgow in late 1969. They are remembered for the onstage electrocution of guitarist and founding member Les Harvey. History The band were formed after Maggie Bell was introduced to Les Harvey by his elder brother Alex Harvey. After playing together in the Kinning Park Ramblers, their next band Power was renamed Stone the Crows (after a British/Australian English exclamation of surprise or shock) by Led Zeppelin's manager, Peter Grant. The band was co-managed by Grant and Mark London. London was associated with Lulu as the co-writer of her signature song, "To Sir With Love" and was also married to Lulu's manager, Marion Massey. London had also managed the predecessor band Cartoone, in which Peter Grant had a financial interest and featured Les Harvey on guitar. Original line-up *Maggie Bell, vocals *Les Harvey, guitar *Colin Allen, drums *James Dewar, bass and vocals *John McGinnis, keyboards The band's first t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Since I've Been Loving You
"Since I've Been Loving You" is a song by the English rock band Led Zeppelin, released in 1970 on the album ''Led Zeppelin III''. Overview "Since I've Been Loving You" was one of the first songs prepared for the ''Led Zeppelin III'' album. The song was recorded live in the studio with very little overdubbing. It was reportedly the hardest to record. John Paul Jones played Hammond organ on the song, using the bass pedals instead of a bass guitar.Chris Welch (1994) ''Led Zeppelin'', London: Orion Books. , p. 53. John Bonham's preferred drum pedal, the Ludwig Speed King model 201, squeaks during the recording, and has been called the "Squeak King". The opening and closing lyrics of "Since I've Been Loving You" are nearly identical to the 1968 Moby Grape song " Never". The song is a slow blues in the key of C minor. Reception and accolades In a contemporary review of ''Led Zeppelin III'', Lester Bangs of ''Rolling Stone'' wrote that the track "represents the obligatory slow and le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Mountain Side
"Black Mountain Side" is an instrumental by the English rock band Led Zeppelin. It was recorded in October 1968 at Olympic Studios in London, and is included on the group's 1969 debut album ''Led Zeppelin''. Composition and recording "Black Mountain Side" was inspired by a traditional Irish folk song called "Down by Blackwaterside". The guitar arrangement closely follows Bert Jansch's version of that song, recorded for his 1966 album '' Jack Orion''. Al Stewart, who followed Jansch's gigs, taught it to Page, who was a session musician for Stewart's debut album. Page played the instrumental on a borrowed Gibson J-200 acoustic guitar, which was tuned to D–A–D–G–A–D, a tuning that he had used for "White Summer". To enhance the Indian character of the song, drummer and sitarist Viram Jasani played tabla on the track. The overall Eastern-flavour of the structure led writer William S. Burroughs to make a suggestion to Page: Performances In concert, "Black Mountain Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Summer
"White Summer" is a guitar instrumental by English rock guitarist Jimmy Page, that incorporates Indian and Arabic musical influences. Page initially recorded and performed it with the Yardbirds and later included it in many Led Zeppelin concerts. According to biographer Keith Shadwick, it is based on an old Irish folk song, "specifically derived from ' She Moved Through the Fair' in the 1963 version by avyGraham, which he in turn credited to Padraic Colum". The later Led Zeppelin song " Over the Hills and Far Away" was "spun off" from "White Summer" as well as an unreleased 20-minute instrumental recorded in early 1974 at Headley Grange. Yardbirds song "White Summer" was recorded 28–29 April 1967 at De Lane Lea Studios in London. Jimmy Page was the only band member to perform on the recording and was accompanied by Chris Karan on tabla and an unidentified oboe player doubling the melody line. The song combines elements of traditional Eastern as well as Western music. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Paul Jones (musician)
John Richard Baldwin (born 3 January 1946), better known by his stage name John Paul Jones, is an English musician, composer and record producer who was the bassist and keyboardist for the rock band Led Zeppelin. Prior to forming the band with Jimmy Page in 1968, he was a session musician and arranger. After the death of drummer John Bonham in 1980, Led Zeppelin disbanded, and Jones developed a solo career. He has collaborated with musicians across a variety of genres, including the supergroup Them Crooked Vultures with Dave Grohl and Josh Homme. He was inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin. Biography Early years John Richard Baldwin was born in Sidcup, Kent, England, on 3 January 1946. He started playing piano at age six, learning from his father, Joe Baldwin, a pianist and arranger for big bands in the 1940s and 1950s, notably with Ambrose and his Orchestra. His mother was also in the music business which allowed the family to often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bonham
John Henry Bonham (31 May 1948 – 25 September 1980) was an English musician, best known as the drummer for the rock band Led Zeppelin. Esteemed for his speed, power, fast single-footed kick drumming, distinctive sound, and feel for groove,John Bonham Biography ''AllMusic'' he is regarded as one of the greatest and most influential drummers in music history.John Bonham at Modern Drummer Magazine . '' Modern Drummer Magazine''The Greatest Drummers Of All Time! . '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heartbreaker (Led Zeppelin Song)
"Heartbreaker" is a song by the English rock band Led Zeppelin from their 1969 album, ''Led Zeppelin II''. It was credited to all four members of the band, recorded at A&R Recording and Atlantic Studios in New York City during the band's second concert tour of North America, and engineered by Eddie Kramer. "Heartbreaker" opens the second side of the album and features a guitar riff by Jimmy Page. It also includes a spontaneous unaccompanied solo, using a pull-off technique, which was voted the 16th-greatest guitar solo of all time by ''Guitar World'' magazine. "Heartbreaker" was ranked number 320 in 2004 by ''Rolling Stone'' magazine, in their 500 Greatest Songs of All Time, and number 328 in 2010. Recording In a 1998 interview with ''Guitar World'', Page commented that the guitar solo was recorded in a different studio, thereby giving a different sound than the rest of the song. He added that this was the first recorded instance of his Gibson Les Paul/Marshall Stack combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazed And Confused (song)
"Dazed and Confused" is a song written by American singer-songwriter Jake Holmes in 1967. Performed in a folk rock style, he recorded it for his debut album '' "The Above Ground Sound" of Jake Holmes''. Although some concluded that it was about a bad acid trip, Holmes insists the lyrics refer to the effects of a girl's indecision on ending a relationship. After hearing Holmes perform the song in August 1967, English rock group the Yardbirds reworked it with a radically different arrangement. It quickly became a centerpiece of their live performances, several recordings of which have been released, including on ''Yardbirds '68'', produced by guitarist Jimmy Page. "Dazed and Confused" was adopted by Page's new group, Led Zeppelin, who recorded a version based on the Yardbirds' arrangement, though featuring some rewritten lyrics and a new vocal line, for their debut album. It became a signature song and concert staple for much of the group's career. Despite being adapted from Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Quit You Baby
"I Can't Quit You Baby" is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra Records's debut single. It became a record chart hit as well as a blues standard. Rush updated the song in 1966 with a modified arrangement, which was adapted by Led Zeppelin for their 1969 debut album. Original song According to biographer Mitsutoshi Inaba "the song subject is the consequences of adultery and the feeling that a man cannot give up a relationship": In his autobiography, Willie Dixon explained that "I Can't Quit You Baby" was written about a relationship Rush was preoccupied with at the time; Dixon used this to draw out an impassioned performance by Rush. Despite being solely credited to Dixon, Rush felt that the song's identity is very muc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
