Le Mari De La Reine
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Le Mari De La Reine
''Le mari de la reine'' is an opérette in three acts of 1889, with music by André Messager and a French language, French libretto by E Grenet-Dancourt and Octave Pradels.Wagstaff J. André Messager. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. It was first performed at the Bouffes-Parisiens on 18 December 1889, with a vocal score being published in the following year. Messager described it as "the best of my failures". Roles Synopsis Florestan, a young artist, has asked for the hand of Justine Patouillard. The Patouillards, who have a restaurant at 18 rue Rambuteau, have refused him flat. Rejected and disheartened, Florestan goes to seek his fortune in 'Kokistan', supposedly on a mission for Geoffroy Saint-Hilaire (other), Geoffroy Saint-Hilaire. After a couple of minutes of conversation, Tomba-Kopo, the prime minister, explains the strange situation to the visitor. The local law means that the queen is obliged to get divorced eve ...
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Messager André Compositeur 1921
Messager is a surname. Notable people with the surname include: * André Messager (1853–1929), French composer and musician * Annette Messager Annette Messager (born 30 November 1943) is a French visual artist. In 2005 she won the Golden Lion Award at the Venice Biennale for her artwork at the French Pavilion. In 2016, she won the prestigious Praemium Imperiale International Arts Award. ...
(born 1943), French artist known for her installation art {{surname ...
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Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Daniel Heartz, Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own invent ...
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André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ...
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French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
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Octave Pradels
Octave Pradels (15 February 1842 – 30 April 1930) was a French poet, novelist, vaudevilliste and lyricist. Biography Octave Frederick Pradels published his first monologues, tales in verse and songs in 1883. Among his greatest successes were ''Ça commençait si gentiment'', ''La Chula'', ''Dans l'oasis'', ' (written in collaboration with ). His songs were created in particular by Kam-Hill, Anna Judic, Amiati (at the Eldorado) and Thérésa. A director of the Théâtre des Capucines, Octave Pradels was also president of the SACEM from 1895 to 1898. After a first marriage in 1865 in Villefranche-sur-Mer, with Angélique Thérèse De Villa-Rey, daughter of a commander of the Monaco Marine, who gave him a first son, Édouard Joseph, Pradels supposedly married the divette Maria Theresa Mirbeau in 1873. They had a son, unrecognized by the mother, Edmond André, born 26 July 1878 in the 17th arrondissement of Paris, who collaborated with his father as lyricist and composer ...
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Montrouge (actor)
Montrouge (15 March 1825 – 22 December 1903), born Louis (Émile) Hesnard, was a comic actor in French musical theatre in the second half of the nineteenth century, as well as a theatre manager in Paris. Life and career He studied architecture at the École des Beaux-Arts in Paris but then became involved in amateur theatre work.Martin J., ''Nos artistes des théâtres et concerts'' (Paris: Paul Ollendorff, 1895. Montrouge's career began in earnest in 1855 at the Théâtre Batignolles, where he also acted as manager.Gänzl K.: "Marguerite Macé-Montrouge", in: ''The Encyclopaedia of the Musical Theatre'' (Oxford: Blackwell, 1994. In addition he variously managed the Théâtre Folies-Marigny from 1864-69 (where he met his wife, and on leaving received a benefit of 500,000 francs), the Théâtre des Bouffes-Parisiens, the Théâtre du Châtelet and the Athénée-Comique. He performed together with his wife in Cairo from 1873–75. At the Théâtre des Délassements-Comiques h ...
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Mily-Meyer
Émilie Mily Meyer, stage name 'Mily-Meyer' was a French soprano, born 1852 in Paris, died there in 1927, who for a quarter of a century became a major star of the Parisian operetta stage, and is described by Gänzl as "impishly boyish yet obviously feminine soubrette".Gänzl, K. ''The Encyclopedia of the Musical Theatre.'' Oxford: Blackwell, 1994. Career Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of ''Le petit duc'' on 25 January 1878. Creations in '' La Camargo'' (1878), ''Petite Mademoiselle'' (1879) and ''Belle Lurette'' (1880) swiftly followed. Mily-Meyer appeared at the Théâtre des Nouveautés as Kate in the French premiere of '' Rip'' and at the Théâtre des Bouffes Parisiens as Bianca in the first run of '' La Béarnaise'' in 1885. Also at Théâtre des Variétés was ''La princesse de Trébizonde'', while at the Théâtre des Folies-Dramatiques she was i ...
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Marguerite Macé-Montrouge
Marguerite Macé-Montrouge (born Victoire Macé on 24 March 1836, died 26 November 1898 in Paris), became a professional actress at the age of 14,Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. and was an early member of Jacques Offenbach, Offenbach's troupe, before enjoying a long stage career in Paris and elsewhere.In Martin J. ''Nos artistes des théâtres et concerts'', her birth name is also given as Marguerite-Elisa Macé. Life and career Brought up by her grandmother in the Batignolles she studied at the Paris Conservatoire under Provost from 1848 to 50. She appeared at the École lyrique in ''La Fille terrible'' and ''La Veuve de quinze ans'' Du Temps des cerises aux Feuilles mortes
Accessed 27 May 2011.
making her debut a ...
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Geoffroy Saint-Hilaire (other)
Geoffroy Saint-Hilaire may refer to: * Étienne Geoffroy Saint-Hilaire (1772–1844), French naturalist * Isidore Geoffroy Saint-Hilaire (1805–1861), French zoologist who coined the term ''ethology'', son of Étienne Saint-Hilaire * Albert Geoffroy Saint-Hilaire (1835–1919), French zoologist, coined the binomial nomenclature name for the Chinese monal The Chinese monal or Chinese impeyan (''Lophophorus lhuysii'') is a pheasant. This monal is restricted to mountains of central China. The plumage is highly iridescent. The male has a large drooping purple crest, a metallic green head, blue bare sk ...
pheasant, son of Isidore Saint-Hilaire {{hndis ...
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Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published.Listings
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Operas By André Messager
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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