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Le Port (painting)
''Le Port'', also known as ''The Harbor'', ''The Port'' or simply ''Marine'', is a painting by the French artist Jean Metzinger. The work was exhibited in the spring of 1912 at the Salon des Indépendants in Paris, and at the Salon de La Section d'Or, Galerie La Boétie, October 1912, Paris, (no. 117 of the catalogue, entitled ''Marine'', collection Mme L. Ricou). ''Le Port'' was reproduced a few months later in the first major text on Cubism entitled ''Du "Cubisme"'', written in 1912 by Jean Metzinger and Albert Gleizes, published by Eugène Figuière Editeurs the same year. ''The Harbor'' was subsequently reproduced in '' The Cubist Painters, Aesthetic Meditations (Les Peintres cubistes, Méditations Esthétiques)'', written by Guillaume Apollinaire, published by Figuière in 1913 (collection Mme L. Ricou). At the Salon des Indépendants of 1912, Apollinaire had noticed the classical Ingresque qualities of Metzinger's ''Le Port'', and suggested that it deserved to be hung in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intrinsic Curvature
In mathematics, curvature is any of several strongly related concepts in geometry. Intuitively, the curvature is the amount by which a curve deviates from being a straight line, or a surface deviates from being a plane. For curves, the canonical example is that of a circle, which has a curvature equal to the reciprocal of its radius. Smaller circles bend more sharply, and hence have higher curvature. The curvature ''at a point'' of a differentiable curve is the curvature of its osculating circle, that is the circle that best approximates the curve near this point. The curvature of a straight line is zero. In contrast to the tangent, which is a vector quantity, the curvature at a point is typically a scalar quantity, that is, it is expressed by a single real number. For surfaces (and, more generally for higher-dimensional manifolds), that are embedded in a Euclidean space, the concept of curvature is more complex, as it depends on the choice of a direction on the surface or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Derain
André Derain (, ; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Biography Early years Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 he began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Salmon
André Salmon (4 October 1881, Paris – 12 March 1969, Sanary-sur-Mer) was a French poet, art critic and writer. He was one of the early defenders of Cubism, with Guillaume Apollinaire and Maurice Raynal. Biography André Salmon was born in Paris, in the XI arrondissement, the fourth child of Émile-Frédéric Salmon, a sculptor and etcher, and Sophie-Julie Cattiaux, daughter of a founder of the Radical Socialist Party. Often assumed to come from a Jewish family,Peter Y. Medding, ''Studies in Contemporary Jewry: Volume XIV: Coping with Life and Death: Jewish Families in the Twentieth Century'', Oxford University Press (1999), p. 313 they were in fact secular Republicans, frequently in financial difficulty, and moved several times. André Salmon claimed in a letter to the editor of Le Crapouillot, now in a private collection, that his family descended from the Renaissance poet Jean Salmon Macrin, whose position in the court of Francis I may have indicated that his forebears wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Gris
José Victoriano González-Pérez (23 March 1887 – 11 May 1927), better known as Juan Gris (; ), was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive. Life Gris was born in Madrid and later studied engineering at the Madrid School of Arts and Sciences. There, from 1902 to 1904, he contributed drawings to local periodicals. From 1904 to 1905, he studied painting with the academic artist José Moreno Carbonero. It was in 1905 that José Victoriano González adopted the more distinctive name Juan Gris. In 1909, Lucie Belin (1891–1942)—Gris' wife—gave birth to Georges Gonzalez-Gris (1909–2003), the artist's only child. The three lived at the Bateau-Lavoir, 13 Rue Ravignan, Paris, from 1909 to 1911. In 1912 Gris met Charlotte Augusta Fernande Herpin (1894–1983), also known as Josette. Late 1913 or early 1914 they live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Le Fauconnier
Henri Victor Gabriel Le Fauconnier (July 5, 1881 – December 25, 1946) was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung München, Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in ''Der Blaue Reiter, Der Blaue Reiter Almanach'' (''The Blue Rider Almanac''). Career In 1901 Henri Le Fauconnier moved from northern France to Paris, where he studied law, then attended painting classes in the studio of Jean-Paul Laurens, then in the Academie Julian. He changed his name from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Delaunay
Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone. Overview Delaunay is most closely identified with Orphism. From 1912 to 1914, he painted nonfigurative paintings based on the optical characteristics of brilliant colors that were so dynamic they would function as the form. His theories are mostly concerned with color and light and influenced many, including Stanton Macdonald-Wright, Morgan Russell, Patrick Henry Bruce, Der Blaue Reiter, August Macke, Franz Marc, Paul Klee, and Lyonel Feininger. Art Critic Guillaume Apollinaire was strongly influenced by Delaunay's theories of color and often quoted from them to explain Orphism, which he had named. Delaunay's fixations w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger De La Fresnaye
Roger de La Fresnaye (; 11 July 1885 – 27 November 1925) was a French Cubist painter. Early years and education La Fresnaye was born in Le Mans where his father, an officer in the French army, was temporarily stationed. The La Fresnayes were an aristocratic family whose ancestral home, the Château de La Fresnaye, is in Falaise. His education was classically based, and was followed from 1903 to 1904 by studies at the Académie Julian in Paris, and from 1904 to 1908 at the École des Beaux-Arts. From 1908 he studied at the Académie Ranson under Maurice Denis and Paul Sérusier, whose joint influence is evident in early works such as ''Woman with Chrysanthemums'', 1909. This demonstrates the dreamlike symbolist ambience and stylistic character of work by the Les Nabis group. In 1909, Fresnaye travelled to Munich, where he encountered the German Expressionists, and then, in 1911, to northern Italy where he began to introduce more cuboid and abstract elements into his own painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude Descending A Staircase, No
Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to hairlessness contributed to the increase in brain size, bipedalism, and the variation in human skin color. While estimates vary, for at least 90,000 years anatomically modern humans were naked. The invention of clothing was part of the transition from being not only anatomically but behaviorally modern. Clothing and body adornments were elements in non-verbal communication reflecting social status and individuality. Through much of history until the late modern period, people might be unclothed in public by necessity or convenience either when engaged in effortful activity, including labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Among ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
