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Le Nuove Musiche
''Le nuove musiche'' ("The New Musics") is a collection of monody, monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque music, baroque style of the ''seconda pratica''. It contains 12 madrigal (music), madrigals and 10 arias. The volume was dedicated to Lorenzo Salviati and is dated February 1601, ''Anno Domini#New year, stile fiorentino'' (1602, ''stile comune''); it was to be published early in 1602 but the printer, Giulio Marescotti, died before publication was completed, and its release was delayed until July 1602. The introduction to this volume is probably the most clearly written description of the purpose, intent and correct performance of monody from the time. It includes musical examples of ornaments—for example, how a specific passage can be ornamented in several different ways, according to the precise emoti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caccini - Le Nuove Musiche
Caccini is the name of several composers and artists from Florence: * Giulio Caccini (1551–1618), Florentine composer, significant innovator of the early Baroque era * Francesca Caccini (1587–1641?), Giulio's daughter, and a well-known opera composer in the early 17th century * Settimia Caccini (1591–1638?) Giulio's daughter, a singer and occasional composer * Giovanni Battista Caccini (1556 – c.1612/14), Florentine Mannerist sculptor * Tommaso Caccini (1574–1648), Dominican friar who denounced Galileo from the pulpit {{surname, Caccini Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini. Life Little is known about his early life, but he is thought to have been born in Rome, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini. In Rome he studied the lute, the viol and the harp, and began to acquire a reputation as a singer. In the 1560s, Francesco de' Medici, Grand Duke of Tuscany, was so impressed with his talent that he took the young Caccini to Florence for further study. By 1579, Caccini was singing at the Medici court. He was a tenor, and he was able to accompany himself on the viol or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seconda Pratica
Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is sometimes referred to as Stile moderno. The term "Seconda pratica" first appeared in 1603 in Giovanni Artusi's book ''Seconda Parte dell'Artusi, overo Delle imperfettioni della moderna musica'' (''The Second Part of The Artusi, or, Imperfections of Modern Music''), where it is attributed to a certain L'Ottuso Accademico. In the first part of ''The Artusi'' (1600), Artusi had severely criticized several unpublished madrigals of Claudio Monteverdi. In the second part of this work, L'Ottuso Accademico, whose identity is unknown, defends Monteverdi and others "who have embraced this new second practice". Monteverdi adopted the term to distance some of his music from that of e.g. Giovanni Pierluigi da Palestrina and Gioseffo Zarlino and to describe early music of the Baroque period which encouraged more freedom from the rigorous limitations of dissonances and counterpoint characteristic of the prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Salviati
Lorenzo may refer to: People * Lorenzo (name) Places Peru * San Lorenzo Island (Peru), sometimes referred to as the island of Lorenzo United States * Lorenzo, Illinois * Lorenzo, Texas * San Lorenzo, California, formerly Lorenzo * Lorenzo State Historic Site, house in New York State listed on the National Register of Historic Places Art, entertainment, and media ;Films and television * ''Lorenzo'' (film), an animated short film * ''Lorenzo's Oil'', a film based on a true story about a boy suffering from Adrenoleukodystrophy and his parents' journey to find a treatment. * ''Lorenzo's Time'', a 2012 Philippine TV series that aired on ABS-CBN ;Music *Lorenzo (rapper), French rapper * "Lorenzo", a 1996 song by Phil Collins Other uses * List of storms named Lorenzo * Lorenzo patient record systems, a type of electronic health record in the United Kingdom See also * San Lorenzo (other) * De Lorenzo * di Lorenzo * Lorenzen (other) Lorenzen may refer to People * Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anno Domini
The terms (AD) and before Christ (BC) are used to label or number years in the Julian and Gregorian calendars. The term is Medieval Latin and means 'in the year of the Lord', but is often presented using "our Lord" instead of "the Lord", taken from the full original phrase "''anno Domini nostri Jesu Christi''", which translates to 'in the year of our Lord Jesus Christ'. The form "BC" is specific to English and equivalent abbreviations are used in other languages: the Latin form is but is rarely seen. This calendar era is based on the traditionally reckoned year of the conception or birth of Jesus, ''AD'' counting years from the start of this epoch and ''BC'' denoting years before the start of the era. There is no year zero in this scheme; thus ''the year AD 1 immediately follows the year 1 BC''. This dating system was devised in 525 by Dionysius Exiguus, but was not widely used until the 9th century. Traditionally, English follows Latin usage by placing the "AD" abbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Marescotti
Giulio () is an Italian given name. Notable people with the name include: * Giulio Alberoni (1664–1752), Italian cardinal and statesman * Giulio Alenio (1582–1649), Italian Jesuit missionary and scholar * Giulio Alfieri (1924–2002), Italian automobile engineer * Giulio Andreotti (1919–2013), Italian politician * Giulio Carlo Argan (1909–1992), Italian politician and art historian * Giulio Base (born 1964), Italian film director * Giulio Berruti (born 1984), Italian film and television actor * Giulio Bizzozero (1846–1901), Italian physician * Giulio Bosetti (1930–2009), Italian actor and director * Giulio Brogi (1935–2019), Italian actor * Giulio Caccini ( 1545–1618), Florentine composer, significant innovator of the early Baroque era * Giulio Calì (1895–1967), Italian actor * Giulio Camillo ( 1480–1544), Italian philosopher * Giulio Campagnola ( 1482–1515), Italian painter * Giulio Campi (1500–1572), Italian painter and architect * Giulio Cappelli (1911–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornamentation (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
