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Le Barbier De Séville
''The Barber of Seville or the Useless Precaution'' (french: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique, and was rejected as such in 1772 by the Comédie-Italienne. The play as it is now known was written in 1773, but, due to legal and political problems of the author, it was not performed until February 23, 1775, at the Comédie-Française in the Tuileries. It is the first play in a trilogy of which the other constituents are ''The Marriage of Figaro'' and ''The Guilty Mother''. Though the play was poorly received at first, Beaumarchais worked some fast editing of the script, turning it into a roaring success after three days. The play's title might be a pun on Tirso de Molina's earlier play ''El Burlador de Sevilla'' (''The Trickster of Seville''). Mozart wrote a set of 12 variations, K. 354, on one of Baudron's songs, "". Synopsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surname
In some cultures, a surname, family name, or last name is the portion of one's personal name that indicates one's family, tribe or community. Practices vary by culture. The family name may be placed at either the start of a person's full name, as the forename, or at the end; the number of surnames given to an individual also varies. As the surname indicates genetic inheritance, all members of a family unit may have identical surnames or there may be variations; for example, a woman might marry and have a child, but later remarry and have another child by a different father, and as such both children could have different surnames. It is common to see two or more words in a surname, such as in compound surnames. Compound surnames can be composed of separate names, such as in traditional Spanish culture, they can be hyphenated together, or may contain prefixes. Using names has been documented in even the oldest historical records. Examples of surnames are documented in the 11th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Morlacchi
Francesco Giuseppe Baldassare Morlacchi (14 June 1784 – 28 October 1841) was an Italian composer of more than twenty operas. During the many years he spent as the royal Royal Kapellmeister in Dresden, he was instrumental in popularizing the Italian style of opera. Biography Born in Perugia, Morlacchi was from a family of musicians. He composed from a very young age, first studying with his uncle Giovanni Mazzetti and later with Luigi Caruso in Perugia. He later studied at Loreto with Zingarelli (1803-4). Finally, he ended up in Bologna at the school of Stanislao Mattei (1805) where he met Gioacchino Rossini. Morlacchi was quickly successful as an opera composer. His first operatic works were written in 1807, and were a ''farce'' and a comic opera. His first truly effective theatre work was the ''opera seria'' ''Corradino'' (Parma, 1808), and led to commissions from opera houses in Rome and Milan. In 1810 he was brought to Dresden by contralto Marietta Marcolini, and in 1811 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Arnold (composer)
Samuel Arnold (10 August 1740 – 22 October 1802) was an English composer and organist. Arnold was born in London (his mother is said to have been Princess Amelia; his father was Thomas Arnold. He began writing music for the theatre in about the year 1764. A few years later, he became the director of music at Marylebone Gardens, for which he wrote much of his popular music. In 1777 he worked for George Colman the Elder at the Little Theatre, Haymarket. In 1783 he became organist at the Chapel Royal and in 1793 he became the organist at Westminster Abbey, where he was eventually buried. He also wrote the earliest version of Humpty Dumpty. He was a close friend and associate of Haydn. Works Arnold's best-known works include: *''The Maid of the Mill'' (1765) *''Abimelech'' (1768) *''The Prodigal Son'' (1773) *Incidental music for ''Macbeth'' (1778) *'' The Baron Kinkvervankotsdorsprakingatchdern'' (1781) *''The Castle of Andalusia'' (1782) *''Two to One'' (1784), libretto Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Reinagle
Alexander Robert Reinagle (23 April 1756 – 21 September 1809) was an English-born American composer, organist, and theater musician. He should not be confused with his nephew of the same name, Alexander Robert Reinagle (21 August 1799 – 6 April 1877), also a composer and organist, who lived all his life in Britain. He was a close friends with a young Mozart when he visited London. He was influenced by Haydn, Mozart and Clementi. Scotland Reinagle was born in Portsmouth, England. His father was a Hungarian professional musician and his mother was Scots. His brother was Joseph Reinagle. He studied music with his father, then with Raynor Taylor in Edinburgh. He went on a trip to London in 1763. He met Mozart and his family a year later. At first, Reinagle made a living in the shipping industry, making several trips to the American colonies during the 1770s. In Edinburgh, he taught music and presented several concerts. His first keyboard compositions were published in Glasgo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Isouard
Nicolas Isouard (also known as ''Nicolò'', ''Nicolò Isoiar'' or ''Nicolò de Malte''; 18 May 1773 – 23 March 1818) was a Maltese-born French composer. Biography Born in Porto Salvo, Valletta, Malta, Isouard studied in Rabat or Mdina with Francesco Azopardi, in Palermo with Giuseppe Amendola, and in Naples with Nicola Sala and Pietro Alessandro Guglielmi. From 1795 he was organist at ''St. John de Gerusalemme'' in Valletta at the Conventual Church of the Order of Saint John, ''San Giovanni di Malta''. He moved to Paris, where he worked as a free composer and became friends with Rodolphe Kreutzer. The pair worked together on several operas, including ''Le Petit page, ou La Prison d'état'' (1800) and ''Flaminius à Corinthe'' (1801). Isouard adopted the pseudonym Nicolò (or Nicolò de Malte) and found rapid success in the field of opéra comique with ''Michel-Ange ''(1802) and ''L'Intrigue aux fenêtres'' (1805). He composed regularly for the ''Théâtre de l'Opéra-Comique'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville (Paisiello)
''Il barbiere di Siviglia, ovvero La precauzione inutile'' (''The Barber of Seville, or The Useless Precaution'') is a comic opera by Giovanni Paisiello to a libretto by Giuseppe Petrosellini, even though his name is not identified on the score's title page. The opera was first performed on at the Imperial Court, Saint Petersburg. It was adapted from the 1775 play ''Le Barbier de Séville'' of Pierre Beaumarchais. The full title for the opera reads: ''Il barbiere di Siviglia, ovvero La Precauzione inutile, dramma giocoso per musica tradotto liberamente dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782'', "Paisiello's and Rossini's ''Barbiere di Siviglia''" (April 1939). ''Music & Letters'', 20 (2): pp. 157–167. (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782"). The story essentially follows the original Beaumarchais play, and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Money Bag
A money bag (or money sack) is a bag normally used to hold and transport coins and banknotes, often closed with a drawstring.Fallen money bag sparks Ohio cash grab , 25 March 2010 (retrieved 10 January 2012) When transported between banks and other institutions, money bags are usually moved in an armored car or a . It is a type of |
Lazzi
Lazzi (; from the Italian ''lazzo'', a joke or witticism) are stock comedic routines that are associated with ''Commedia dell'arte''. Performers, especially those playing the masked Arlecchino, had many examples of this in their repertoire, and would use improvisatory skills to weave them into the plot of dozens of different commedia scenarios. These largely physical sequences could be improvised or preplanned within the performance and were often used to enliven the audience when a scene was dragging, to cover a dropped line or cue, or to delight an expectant audience with the troupe's specialized lazzi. Lazzi could be completed by a single player (e.g. the ''Lazzo of the School of Humanity'' wherein a Zanni character would announce that his sister was running a "school of humanity" from their home because she was a prostitute), a few individuals (e.g. the ''Lazzo of the Straw'' wherein a stock character of higher status would pour wine as his servant emptied it through a straw), or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
