Laurence Olivier Award For Outstanding Achievement In Opera
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Laurence Olivier Award For Outstanding Achievement In Opera
The Laurence Olivier Award for Outstanding Achievement in Opera is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1 ... Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. This award was first presented in 1977, and covers the breadth of a commingled group of specialties, including individual or combinations of: opera companies, orchestras, conductors, composers, singers, stage directors, theatre directors and libretto translators. It served as the only Olivier Award focused solely on opera until the 1993 introduction of the award for Best New Opera Production. ...
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Laurence Olivier Award
The Laurence Olivier Awards, or simply the Olivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London at an annual ceremony in the capital. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984. The awards are given to individuals involved in West End productions and other leading non-commercial theatres based in London across a range of categories covering plays, musicals, dance, opera and affiliate theatre. A discretionary non-competitive Special Olivier Award is also given each year. The Olivier Awards are recognised internationally as the highest honour in British theatre, equivalent to the BAFTA Awards for film and television, and the BRIT Awards for music. The Olivier Awards are considered equivalent to Broadway's Tony Awards and France's Molière Award. Since inception, the awards have been held at va ...
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Colin Davis
Sir Colin Rex Davis (25 September 1927 – 14 April 2013) was an English conductor, known for his association with the London Symphony Orchestra, having first conducted it in 1959. His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett. Davis studied as a clarinetist, but was intent on becoming a conductor. After struggling as a freelance conductor from 1949 to 1957, he gained a series of appointments with orchestras including the BBC Scottish Orchestra, the BBC Symphony Orchestra and the Bavarian Radio Symphony Orchestra. He also held the musical directorships of Sadler's Wells Opera and the Royal Opera House, where he was principal conductor for over fifteen years. His guest conductorships included the Boston Symphony Orchestra, the New York Philharmonic and the Staatskapelle Dresden, among many others. As a teacher, Davis held posts at the Royal Academy of Music, London, ...
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Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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1981 Laurence Olivier Awards
The 1981 Society of West End Theatre Awards were held in 1981 in London celebrating excellence in West End theatre by the Society of West End Theatre. The awards would not become the Laurence Olivier Awards, as they are known today, until the 1984 ceremony. Winners and nominees Details of winners (in bold) and nominees, in each award category, per the Society of London Theatre. Productions with multiple nominations and awards The following 18 productions, including one ballet and one opera, received multiple nominations: * 6: ''Cats'' * 3: ''Barnum'', '' Children of a Lesser God'', ''Hamlet'', '' One Mo' Time'' and ''The Best Little Whorehouse in Texas'' * 2: ''Anyone for Denis'', ''Dances of Albion'', ''Les contes d'Hoffmann'', ''Man and Superman'', '' On the Razzle'', '' Passion Play'', ''Present Laughter'', ''Quartermaine's Terms'', ''Steaming'', ''The Mitford Girls'', ''The Provoked Wife'' and ''Translations'' The following two productions received multiple awards: * 3: ...
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Kent Opera
Kent Opera was a British opera company active between 1969 and 1989. It was based in Ashford and regular venues included The Orchard Theatre, Dartford; Assembly Halls, Tunbridge Wells; Marlowe Theatre, Canterbury; Kings Theatre, Southsea; Theatre Royal,Norwich, and the Derngate, Northampton. Its operas were performed in English, usually with new translations of the libretto by professor Michael Irwin, but also by Norman Platt or Anne Riddler. For the first two years it performed with the Midland Sinfonia but later had its own orchestra. History Kent Operawas England's first regional opera company, founded in 1969 by Norman Platt (1920-2004), in response to a perceived need for first-class opera in England outside the main centres, in productions that were composer-centred. Kent Opera gave its inaugural performances in 1969 with ''The Coronation of Poppea'', sung in English at Canterbury and Tunbridge Wells with Adrian de Peyer, a high tenor, as Nero and Laura Sarti as Poppea. T ...
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The Turn Of The Screw (opera)
''The Turn of the Screw'' is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". Kennedy, Michael, "Benjamin Britten", in The libretto is based on the 1898 novella ''The Turn of the Screw'' by Henry James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. The original recording was made during January of the next year, with the composer conducting. Described as one of the most dramatically appealing English operas, the opera in two acts has a prologue and sixteen scenes, each preceded by a variation on the twelve-note 'Screw' theme. Typically of Britten, the music mixes tonality and dissonance, with Britten's recurrent use of a twelve-tone figure being perhaps a nod to the approach of Arnold Schoenberg. Thematical ...
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Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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1980 Laurence Olivier Awards
The 1980 Society of West End Theatre Awards were held in 1980 in London celebrating excellence in West End theatre by the Society of West End Theatre. The awards would not become the Laurence Olivier Awards, as they are known today, until the 1984 ceremony. Winners and nominees Details of winners (in bold) and nominees, in each award category, per the Society of London Theatre. Productions with multiple nominations and awards The following 21 productions, including two operas, received multiple nominations: * 7: ''Nicholas Nickleby'' * 4: ''Amadeus'' * 3: '' Juno and the Paycock'', ''Life of Galileo'', '' Pal Joey'', ''Sweeney Todd'' and ''They're Playing Our Song'' * 2: ''A Lesson from Aloes'', '' Born in the Gardens'', '' Così fan tutte'', ''Duet for One'', ''Educating Rita'', '' Harlequinade'', '' Jeeves Takes Charge'', ''Make and Break'', '' Oklahoma'', ''On the Twentieth Century'', '' The Browning Version'', ''The Dresser'', ''The Greeks'' and ''The Turn of the Screw'' ...
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The Excursions Of Mr
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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