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Laurence Olivier Award For Best New Opera Production
The Laurence Olivier Award for Best New Opera Production is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1 ... Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. This award was first presented in 1993, becoming only the second Olivier Award focused solely on opera, along with the award for Outstanding Achievement in Opera (introduced in 1977). Winners and nominees 1990s 2000s 2010s 2020s References * External links * {{OlivierAward OperaProduction Opera Production Opera-related lists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Olivier Award
The Laurence Olivier Awards, or simply the Olivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London at an annual ceremony in the capital. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984. The awards are given to individuals involved in West End productions and other leading non-commercial theatres based in London across a range of categories covering plays, musicals, dance, opera and affiliate theatre. A discretionary non-competitive Special Olivier Award is also given each year. The Olivier Awards are recognised internationally as the highest honour in British theatre, equivalent to the BAFTA Awards for film and television, and the BRIT Awards for music. The Olivier Awards are considered equivalent to Broadway's Tony Awards and France's Molière Award. Since inception, the awards have been held at va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloriana
''Gloriana'', Op. 53, is an opera in three acts by Benjamin Britten to an English libretto by William Plomer, based on Lytton Strachey's 1928 ''Elizabeth and Essex: A Tragic History''. The first performance was presented at the Royal Opera House, London, in 1953 during the celebrations of the coronation of Queen Elizabeth II. ''Gloriana'' was the name given by the 16th-century poet Edmund Spenser to his character representing Queen Elizabeth I in his poem ''The Faerie Queene''. It became the popular name given to Elizabeth I. It is recorded that the troops at Tilbury hailed her with cries of "Gloriana, Gloriana, Gloriana", after the defeat of the Spanish Armada in 1588. The opera depicts the relationship between Queen Elizabeth and the Earl of Essex, and was composed for the coronation of Queen Elizabeth II in June 1953. Several in the audience of its gala opening were disappointed by the opera, which presents the first Elizabeth as a sympathetic, but flawed, character motivated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1997 Laurence Olivier Awards
The 1997 Laurence Olivier Awards were held in 1997 in London celebrating excellence in West End theatre by the Society of London Theatre. Winners and nominees Details of winners (in bold) and nominees, in each award category, per the Society of London Theatre. Productions with multiple nominations and awards The following 16 productions, including one ballet and one opera, received multiple nominations: * 8: ''Tommy'' * 5: ''Art'', ''John Gabriel Borkman'' and ''Stanley'' * 4: ''Martin Guerre'' and '' Passion'' * 3: ''A Doll's House'', '' Alice in Wonderland'', '' By Jeeves'', ''Guys and Dolls'' and ''Who's Afraid of Virginia Woolf'' * 2: '' Alice in Wonderland'', '' Smokey Joe's Cafe'', ''The Herbal Bed'', ''Tristan und Isolde'' and ''Uncle Vanya'' The following three productions received multiple awards: * 4: ''Stanley'' * 3: ''Tommy'' * 2: ''Martin Guerre Martin Guerre, a French peasant of the 16th century, was at the centre of a famous case of imposture. Several y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, '' A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Budd (opera)
''Billy Budd'', Op. 50, is an opera by Benjamin Britten to a libretto by the English novelist E. M. Forster and Eric Crozier, based on the short novel '' Billy Budd'' by Herman Melville. Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Britten later revised the work into a two-act opera, with a prologue and an epilogue. The revised version received its first performance at the ROH, Covent Garden, London, on 9 January 1964. Composition history E. M. Forster had an interest in the novella, which he discussed in his Clark lectures at Cambridge University. Forster had admired Britten's music since 1937 when he attended a performance of the play ''The Ascent of F6'' (for which Britten wrote incidental music). Forster met Britten in October 1942, when he heard Peter Pears and Britten perform Britten's '' Seven Sonnets of Michelangelo'' at the National Gallery. In 1948, Britten and Forster discussed whether Forster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1996 Laurence Olivier Awards
The 1996 Laurence Olivier Awards were held in 1996 in London celebrating excellence in West End theatre by the Society of London Theatre. Winners and nominees Details of winners (in bold) and nominees, in each award category, per the Society of London Theatre. Productions with multiple nominations and awards The following 20 productions, including two operas, received multiple nominations: * 6: ''The Glass Menagerie'' * 5: '' Skylight'' * 4: ''A Little Night Music'', '' A Midsummer Night's Dream'', ''Absolute Hell'', '' Company'', ''La Grande Magia'', ''The Way of the World'' and ''Volpone'' * 3: ''Jolson'', '' Siegfried'' and ''Twelfth Night'' * 2: '' Burning Blue'', '' Fame'', ''Hot Mikado'', ''Mack and Mabel'', ''Mother Courage and Her Children'', '' Salome'', '' Taking Sides'' and ''The Steward of Christendom'' The following three productions received multiple awards: * 3: '' Company'' * 2: '' Burning Blue'' and ''The Glass Menagerie'' See also * 50th Tony Awards The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (opera)
''Don Quixote'', Op. 50 is an opera in three acts by Wilhelm Kienzl. The libretto, written by the composer, is based on the novel by Miguel de Cervantes. Composition history Kienzl composed the opera in 1896, completing the full score on 9 October 1897, the 350th birthday of Cervantes (according to the composer's note in the score Cervantes was born on 9 October 1547). He dedicated the opera to "'" ("''the Manes of the great Cervantes''"). The score was published by Musikverlages Bote & G. Bock Berlin GmbH, now part of Boosey & Hawkes. Performance history The opera was first performed at the Neues Königliches Opernhaus (Königliche Hofoper) in Berlin on 18 November 1898 with Carl Muck conducting. It was not favourably received by the audience, nor by the Berlin press, and only four more performances followed. The fifth performance was (and still remains) the last fully staged one of the complete unabbreviated work, which takes over three hours (without intermission). Kienzl a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khovanshchina
''Khovanshchina'' ( rus, Хованщина, , xɐˈvanʲɕːɪnə, Ru-Khovanshchina_version.ogg, sometimes rendered ''The Khovansky Affair'') is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was almost finished in piano score when the composer died in 1881, but the orchestration was almost entirely lacking. Like Mussorgsky's earlier ''Boris Godunov'', ''Khovanshchina'' deals with an episode in Russian history, first brought to the composer's attention by his friend the critic Vladimir Stasov. It concerns the rebellion of Prince Ivan Khovansky, the Old Believers, and the Muscovite Streltsy against the regent Sofia Alekseyevna and the two young Tsars Peter the Great and Ivan V, who were attempting to institute Westernizing reforms in Russia. Khovansky had helped to foment the Moscow Uprising of 1682, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
