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Laura Claycomb
Laura Claycomb (born August 23, 1968) is an American lyric coloratura soprano singer. Background Claycomb was born in Corpus Christi, Texas, but grew up in Dallas, where she excelled in church and school choir, winning numerous youth competitions, such as the National Association of Teachers of Singing, U.I.L., and Texas All-State Choir. A graduate of Highland Park High School, Claycomb won a full scholarship to Southern Methodist University, where she studied voice with Barbara Hill Moore, and completed two bachelor's degrees in vocal performance and foreign languages. She studied with the late Norma Newton from 1994 until Newton's death in 2008. She won the Silver Medal at the International Tchaikovsky Competition in Moscow in 1994, the Operetta Prize at the International Hans Gabor Belvedere Singing Competition in Vienna in 1992, and First Prize in the National Opera Association Competition in 1992. Early career She gained international attention for the first time in 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Classical Music/Style Guidelines
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lausanne Opera
The Lausanne Opera is an opera house based in Lausanne, Switzerland. Once known as a municipal theater, it has transformed into a world renowned opera house that produces and co-produces their own productions. With a stage renovation in 2012, the Lausanne Opera offers a wide variety of operas, from baroque to contemporary, along with concerts and ballets. Thanks to its bold programming and emphasis on quality vocals and stage production, the Lausanne Opera welcomes over 45'000 spectators a year and continues to make itself known internationally. History The opening ceremony took place on 10 May 1871. See also * List of opera houses * List of opera companies in Europe This inclusive list of opera companies in Europe contains European opera companies with entries in Wikipedia plus other companies based there. Within the sections for each country, the arrangement is alphabetical by location. For a list of the mos ... References External links Official website T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adler Fellowship
The San Francisco Opera Center (SFOC) is the San Francisco Opera's professional training center for opera singers. Based in San Francisco, it encompasses two different professional tracks for training: a summer training program known as the Merola Opera Program and a two year long term resident artist program known as the Adler Fellowship. For twenty years the SFOC also operated a touring opera company, the Western Opera Theatre, but for financial reasons this touring company was disbanded in 2003. In addition to providing training for opera singers, the Merola Opera Program also provides training for vocal coaches and stage directors. Four singers each year from the summer Merola Opera Program are offered Adler Fellowships with the San Francisco Opera. Soprano Sheri Greenawald served as director of the San Francisco Opera Center from 2002 through 2020. History The San Francisco Opera Center was founded in 1982 by San Francisco Opera director Terence A. McEwen with the intent o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet (opera)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the ''femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Contes D'Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcina
''Alcina'' ( HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's ''Orlando furioso'' (like those of the Handel operas ''Orlando'' and ''Ariodante''), an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé. Performance history ''Alcina'' was composed for Handel's first season at the Theatre Royal, Covent Garden in London. It premiered on 16 April 1735. Like the composer's other works in the opera seria genre, ''Alcina'' fell into obscurity; after a revival in Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian soprano Joan Sutherland sang the role in a production by Franco Zeffirelli in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Di Chamounix
''Linda di Chamounix'' is an operatic ''melodramma semiserio'' in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842. Performance history ''Linda di Chamounix'' was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at Palmo's Opera House. On 1 March 1934, the opera received its Metropolitan Opera premiere with Lily Pons in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since. The Teatro alla Scala produced the opera in March 1972 conducted by Gianandrea Gavazzeni with Margherita Rinaldi as Linda, Alfredo Kraus as Carlo and Renato Bruson as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983 Wexford Opera Festival. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houston Voice
''The Houston Voice'', originally known as ''The Montrose Star'', was a bi-weekly newspaper published on alternating Wednesdays in Houston, Texas. A subsequent newspaper (not by the original owners) is now known as ''Montrose Star'' ISSN (2163-050X). The newspaper is targeted to the LGBT community in southeast Texas as well as Austin and San Antonio. History of original newspaper The ''Montrose Star'' was the oldest LGBT publication in Houston. The newspaper was started by LGBT Community activist Henry McClurg in 1974 as the ''Montrose Star''. The newspaper went through several incarnations and in the late 1970s the paper became the Houston Voice. As the ''Houston Voice'', the paper was a weekly publication through the 1980s and 1990s. It was purchased by Window Media, LLC, a national LGBT newspaper chain that also owned the ''Washington Blade''. In 2009 Window Media shut down its operations and ceased publication of the ''Houston Voice''. Re-creation McClurg, who had no longe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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