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Latin Boogaloo
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a music genre, genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly among teenage African Americans and Latinos. The style was a fusion of popular African Americans, African American rhythm and blues (R&B) and soul music with Mambo (music), mambo and son montuno, with songs in both English (language), English and Spanish (language), Spanish. The ''American Bandstand'' television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It Like That (Pete Rodriguez song), I Like It like That" was a famous boogaloo song. Except for the name, the dance is unrelated to the Boogaloo (freestyle dance), Boogaloo street dance from Oakland, California and the Electric boogaloo (dance), electric boogaloo, a style of dance which developed decades later under the influence of funk music and hip-hop da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oakland, California
Oakland is the largest city and the county seat of Alameda County, California, United States. A major West Coast of the United States, West Coast port, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third largest city overall in the Bay Area and the List of largest California cities by population, eighth most populated city in California. With a population of 440,646 in 2020, it serves as the Bay Area's trade center and economic engine: the Port of Oakland is the busiest port in Northern California, and the fifth busiest in the United States of America. An act to municipal corporation, incorporate the city was passed on May 4, 1852, and incorporation was later approved on March 25, 1854. Oakland is a charter city. Oakland's territory covers what was once a mosaic of California coastal prairie, California coastal terrace prairie, oak woodland, and north coastal scrub. In the late 18th century, it became part of a large ''rancho'' grant in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongo Santamaría
Ramón "Mongo" Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's " Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s. Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente "Chicho" Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente's ''conguero'' and in 1957 he joined Cal Tjader's band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barretto
Barreto () is a surname of Portuguese origin, also found in the former Portuguese colonies of Brazil, Angola, Mozambique, Timor-Leste and Goa as well as Spain and Latin America. In 1786, the title of '' Conde de Casa Barreto'' was created by King Charles III of Spain and bestowed upon Jacinto Tomás Barreto of Havana, Cuba. Occasionally, the surname has been spelled Barretto in the United States (e.g. Larry Barretto and Ray Barretto). People with the surname Academics * Ada Kouri Barreto (1917-2005), Cuban cardiologist * Fausto Barreto (1852-1915), Brazilian philologist *Jenny Anne Barretto, Filipina geologist and geophysicist *Lourdino Barreto, musicologist * Matt A. Barreto (born 1976), American political scientist *Paulo S. L. M. Barreto (born 1965), Brazilian cryptographer Artists and writers * Alexandra Barreto (born 1975), American actress *Bruno Barreto (born 1955) Brazilian film director * Chiquita Barreto (born 1947), Paraguayan writer *Claudine Barreto (born 1979), Filip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Rodriguez (Boogaloo)
Pete Rodriguez (born April 16, 1932) is an American pianist and bandleader born in The Bronx, New York, to Puerto Rican parents. Biography Rodriguez's band, Pete Rodríguez y Su Conjunto, specializes in Latin boogaloo. Their most successful song, " I Like It Like That" (1967), made it to the national ''Billboard'' charts and has since been covered several times, including by the Blackout All-Stars for the soundtrack of the 1994 movie '' I Like It Like That''. It received renewed exposure as the soundtrack to the main ident at Odeon Cinemas from 1998–2003. It featured in the soundtrack of the video game Grand Theft Auto: Vice City Stories on the fictitious Latin music radio station "Radio Espantoso". It, along with "Oh, That's Nice!" (1967), was then sampled in the 2018 song " I Like It" recorded by Cardi B, Bad Bunny, and J Balvin. "I Like It Like That" was also used in film Chef A chef is a trained professional cook and tradesman who is proficient in all aspects of fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajira (music)
Guajira is a music genre derived from the punto cubano. According to some specialists, the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater. The Cuban guajira preserved the chara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (music)
Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' (1964 film), a 1964 Indian film * ''Cha Cha Cha'' (TV series), a TV show from Argentina * Cha Cha Cha Films, a film production company Music * ''Cha Cha Cha'' (album), a 1995 album by EMF * ''Cha Cha Cha'', 1955 album by Monchito and the Mambo Royals * ''Cha Cha Cha'', 1982 album by Anne Linnet Band * ''Cha Cha Cha'', 1977 album by Irwin Goodman * ''Cha Cha Cha'', 2014 album by Abelardo Barroso * "Cha Cha Cha" (song), a 1989 song by hip hop artist MC Lyte * "The Bear Cha Cha Cha", a song from Bear in the Big Blue House * "The Cha-Cha-Cha", a 1962 song by Bobby Rydell * "Cha Cha Cha", by The Little Ones, 2006 * "Cha Cha Cha", a 1985 song by Finzy Kontini Other * Cha Cha Cha Township, a shopping centre in rural Zimbabwe * ChaChaCha, a te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Blues
Jump blues is an up-tempo style of blues, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s which produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's "Saturday Night Fish Fry", Roy Brown's "Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with ... His Tympany Five ... three horns and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Cuba
Joe Cuba (April 22, 1931 – February 15, 2009), was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo". Early years Joe Cuba (birth name: Gilberto Miguel Calderón) was born in Harlem, New York, United States. Cuba's parents moved from Puerto Rico to New York City in the late 1920s, and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building, where his father had become the owner of a candy store, located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band. Musical career In 1950, when he was 19 years old, he played for Joe Panama and also for a group called La Alfarona X. The gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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