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Latin Alternative
Latin alternative, or "alterlatino", is a brand of Latin rock music produced by combining genres like alternative rock, lofi, chillout, metal, electronica, hip hop, new wave, pop rock, punk rock, reggae, and ska with traditional Ibero-American sounds, in Latin Europeans and Latin Americans countries ( Spanish, Italian, Portuguese, French and Catalan languages). History Rock music has been produced in Iberian America since the late 1950s. Some rock bands started to use unusual instruments such as maracas and quenas. In the late 1960s, artists like Santana started using a different technique to make rock music; by incorporating influences of Latin jazz. Its sound was incorporated by young Latino-players in the US, as an answer to the ''rock en Español'' movement in Americas and Spain led by bands like Héroes del Silencio, Caifanes or Los Prisioneros. In the early 1990s, it was used by Mexican bands such as Maldita Vecindad and Café Tacuba, they were accepted on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Rock
Latin rock is a term to describe a subgenre blending traditional sounds and elements of Latin American and Hispanic Caribbean folk with rock music. However, it is widely used in the English-language media to refer any kind of rock music featuring Spanish or Portuguese vocals. This has led to controversy about the scope of the terminology. Latin rock should not be confused with "rock music from Latin America" or rock en español. It's also closely related to the Latin alternative scene (which combines Latin elements with alternative rock, pop, electronic music, indie or hip hop among others) a term often used to refer the same phenomenon. History Origins (1950s–1960s) Rock and roll music of the 1950s originated from a variety of sources including rhythm and blues, blues, gospel, country, bluegrass, western swing, and Tin Pan Alley pop music. Also, there was some influence of the traditional Latin music. Caribbean rhythms like calypso were used in surf music; and there w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from '' Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bomba Estéreo
Bomba Estéreo is a Colombian band founded in Bogotá in 2005 by Simón Mejía. Their music has been described as "electro tropical" or "psychedelic cumbia". History 2005–2008: Career beginning and ''Vol. 1'' The origins of the group go back to 2001 when Bogotá native Simón Mejía (previously a member of 1990s Colombian alternative rock band Charconautas) was part of a loose collective of musicians and visual artists under the name A.M. 770. Their music was influenced by Colombian groups such as Sidestepper and Bloque de Busqueda who in the late 1990s had started combining traditional Colombian musical rhythms such as salsa and cumbia with modern electronic beats and dance music. A.M. 770's first musical production was the track "Ritmika" (based on a sample of a song by Venezuelan salsa band Los Blanco) on the album ''Colombeat'', a 2002 compilation showcasing this new musical style which was put together by Colombia's foremost alternative rock band Aterciopelados for their n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calle 13 (band)
Calle 13 is a Puerto Rican alternative hip-hop band formed by stepbrothers Residente (lead vocalist, songwriter) and Visitante (multi-instrumentalist, vocalist, beat producer), along with their half-sister iLe, also known as PG-13 (backing vocals). Pérez and Cabra first were discovered by Elias De Leon. They were subsequently given a record deal with White Lion Records after leaving a demo with A&R Director Carlos "Karly" Rosario. After the song " Querido FBI" was released, the group gained attention in Puerto Rico. In 2005, Calle 13 released its eponymously titled debut album, which included the singles "Se Vale Tó-Tó" and " ¡Atrévete-te-te!" and reached number 6 on the ''Billboard'' Top Latin Albums chart. In 2007, the group released its second album, ''Residente o Visitante'', which experimented with a wide variety of genres and reached number 1 on the Top Latin Albums chart. The album helped the group gain success throughout Latin America and win three Latin Grammys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juana Molina
Juana Rosario Molina (; born 1 October 1961) is an Argentine singer, songwriter and actress, based in Buenos Aires. She is known for her distinctive sound, considered an exponent of folktronica, although it has also been described as ambient, experimental, neofolk, chill-out, indietronica, psychedelic, indie pop, and progressive folk. The daughter of tango singer Horacio Molina and actress Chunchuna Villafañe, she achieved fame as a sketch comedy actress in the 1990s, first as a guest in various shows and in 1991 with her own show, ''Juana y sus hermanas''. At the height of her popularity, she quit her job as an actress to pursue a career in music. Her debut album, ''Rara'', was subsequently released in 1996, and panned by local critics who resented her departure from television. Dejected from the criticism, she moved to Los Angeles, where her music had been better received, and she familiarized herself with electronic instruments. She then returned to Buenos Aires to produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Alternative Music Conference
The Latin Alternative Music Conference (LAMC) is a major conference geared towards the marketing of Spanish-language alternative music. It showcases what it considers the best in Latin music and the exciting fresh sounds coming out of rock, hip-hop and electronica scenes. This six-day event provides networking opportunities for leading artists, label executives, journalists, managers, marketers, retailers and programmers. In past LAMC events, over 1,250 industry leaders converged at the Stewart Hotel in New York City to participate in industry panels, showcases, exhibitions, press conferences, and networking. Over 30,000 music lovers and industry insiders have attended LAMC concerts, parties and art exhibits, at venues throughout New York City. Among the featured LAMC venues in New York are Central Park SummerStage, Celebrate Brooklyn at Prospect Park, Highline Ballroom, The Bowery Ballroom and Mercury Lounge. The conference was co-founded by artist manager Tomas Cookman and mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynda Thomas
Lynda Aguirre Thomas (born 21 December 1981), known professionally as Lynda, is a Mexican musician, singer, songwriter and activist. She achieved recognition in her native Mexico during the 1990s and early 2000s. She was signed to EMI Capitol Records and released four studio albums. Her last album, ''Polen'', was released in 2001 and she retired shortly afterwards. Early life and musical debut Thomas was born in Tijuana, Baja California, Mexico, on 21 December 1981. In 1989, she took part in the TV singing contest ''Fantasía Musical'' featured in Siempre en Domingo. Soon after, she moved to Mexico City and was supported by her sister Alissa (Rosangel), "Max" Di Carlo, Tino Geizer and her husband Carlos Lara, by then, he was her brother-in-law. The song "Cantemos Juntos", was released in 1989 under Melody records and later included on the LP compilation ''Los Triunfadores de Fantasía Musical''. Career 1995–1998 In 1994, Thomas signed with EMI-Capitol. In 1995, at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café Tacuba
Café Tacvba (Pronounced ''kaˈfe taˈkuβa'') is a band from Ciudad Satélite, Mexico. The group gained popularity in the early 1990s. They were founded in 1989, before they had the current lineup of Rubén Isaac Albarrán Ortega (lead vocals, rhythm guitar), Emmanuel del Real Díaz (keyboards, piano, programming, rhythm guitar, melodica, vocals), José Alfredo "Joselo" Rangel Arroyo (lead guitar, vocals), and Enrique "Quique" Rangel Arroyo: (bass guitar, electric upright bass, vocals), their friend Roberto Silva played the keyboards for a short period of time. Since the '' Cuatro Caminos'' World Tour, Luis "El Children" Ledezma has played the drums in every concert but is not considered an official member of the band, as well as Ramiro Del Real Díaz, who joined the band as a support musician playing the guitar since 2015. History Formation (1989–90) Previously known as "Alicia ya no vive aquí" (a tribute to Martin Scorsese's '' Alice Doesn't Live Here Anymore''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maldita Vecindad
La Maldita Vecindad y los Hijos del Quinto Patio (, usually called only "La Maldita") is a band formed in Mexico City in 1985. They are pioneers of rock en español and one of the most influential rock bands in Mexico. They first made an impact with ''Mojado'', ''Un poco de sangre'', ''Cocodrilo'', ''Pachuco'' and ''Un gran circo'', songs that narrate the problems, adventures, and beauty of a society anxious to improve its economic status. Their wardrobe has incorporated elements of the pachuco, an archetypical character represented by Tin Tán in Mexican cinema. Tin Tan is sampled in one of the group's biggest hits, 1991's ''Pachuco''. The last studio album they recorded was in 2009. Since then, the band has collaborated with other bands, as well as having participated in tribute albums for José José and the Tigres del Norte. Their sound incorporates many styles, including ska, rock, and traditional Cuban forms such as the bolero and Cuban Son. Roco, the band's vocalist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Prisioneros
Los Prisioneros ("The Prisoners") were a Chilean rock/pop band formed in San Miguel, Santiago, in 1983. They are considered one of the most important Chilean bands, and arguably the strongest musical influences that Chile has made to Latin American music. In addition, they are considered pioneers of ''Rock en español'' (Rock in Spanish) by Latin American media and musicians, and the band with strongest socio-political impact in Chile. Their roots date back to March 1979, when their core members entered high school. From their beginnings in 1983 at the ''Festival de la Canción del Colegio Miguel León Prado'' (Miguel Leon Prado High School Song festival) to their first limited release album in Chile under the record label "Fusión Producciones", they struggled to make themselves known until they were able to sign with EMI Records in 1985, re-releasing their first album on LP record and cassette. From that point on, they reached mainstream success in Chile, then in Peru. Los Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caifanes
Caifanes is a rock band from Mexico City. Formed in 1987, the group achieved international fame during the late 1980s and early 1990s. The original line-up was Saúl Hernández (vocals and guitar), Sabo Romo (bass guitar), (drums) and Diego Herrera (keyboards and saxophone). Alejandro Marcovich later joined as lead guitar player. Caifanes' style can be described as a hybrid of British new wave, progressive rock and Latin percussion underscored by deep, somber and Latin American-Mexican-Spanish-influenced lyrics and the vocal style of Saúl Hernández. Members of Caifanes have cited The Cure, The Beatles and King Crimson as major influences. Adrian Belew having produced their third studio album, ''El Silencio'', as well as making a guest appearance on it. The name "Caifanes" is said to be derived from the 1940s Mexican ''pachuco'' (zoot suiter) slang "''cae fine''". Its equivalent in English would be "cool dude". The word has also been used to describe the proverbial Mexican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Héroes Del Silencio
Héroes del Silencio (Spanish: ''Heroes of Silence'') (well known as Héroes or HDS) was a Spanish rock band from Zaragoza, formed by guitarist Juan Valdivia and singer Enrique Bunbury. The lineup was completed by bassist Joaquín Cardiel and drummer Pedro Andreu. During the 1980s they experienced success around Spain and the Americas, and in various European countries including Germany, Belgium, Switzerland, France, Yugoslavia, and Portugal. They established themselves as one of the major contributors to the ''Rock en español'' scene and are considered to be one of the all-time best bands in that genre. Their trademarks are their intricate lyrics, complicated arrangements and precise rhythm. After twelve years and numerous albums, the band broke up in 1996. When the lead singer Enrique Bunbury started a solo project, other members of the band also followed a different musical path. In 2007, as part of a 20-year anniversary celebration and 11 years after their break-up, they or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
