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Lars Woldt
Lars Woldt (born 15 December 1972) is a German operatic bass and voice teacher. Life Born in Herford, Woldt studied composition with Giselher Klebe as well as singing with Martin Christian Vogel and Thomas Quasthoff at the Hochschule für Musik Detmold. Further studies led him to Kammersänger Walter Berry, Franz Crass and to Edith Lienbacher. After a first engagement at the Landestheater Detmold, artistic director Brigitte Fassbaender engaged him in 2000 at the Tyrolean State Theatre, where he was a member of the ensemble until 2003. Since the 2004/2005 season, he has been a member of the ensemble at the Volksoper Wien. His interpretation of Kaspar in ''Der Freischütz'' impressed audiences and critics alike. Guest appearances have taken him among others to the Hamburg State Opera, the opera houses of Copenhagen, Graz and Gothenburg, the Staatstheater Braunschweig and the Linz State Theatre. His repertoire includes parts of the feature bass like Figaro, Baron Ochs, va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatstheater Braunschweig
The Staatstheater Braunschweig is a theatre company and opera house in Braunschweig, Germany, presenting and producing music theatre (opera, operetta, musical), Tanztheater, theatre, Theatre for Young Audiences and concerts. The ''Staatstheater Braunschweig'' is owned by the State of Lower Saxony. History The earliest incarnation of the Staatstheater Braunschweig was the '' Opernhaus am Hagenmarkt'' in Braunschweig, founded in 1690 by Duke Anthony Ulrich of Brunswick-Wolfenbüttel. Theatre works such as '' Emilia Galotti'' by Lessing and Goethe's ''Faust'' had their first openings in Braunschweig. Gallery Image:Braunschweig Luftaufnahme Staatstheater (2011).JPG, Aerial view Image:Braunschweig Staatstheater Foyer.jpg, Foyer of "Great House" Image:Braunschweig Staatstheater Zuschauerraum.jpg, Zuschauerraum of "Great House" Image:Braunschweig Kleines Haus.jpg, "Little House" Image:Opernhaus Braunschweig.jpg, Opernhaus am Hagenmarkt Image:BS Theater um 1860 Stahl.jpg, State T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Minor Mass
The Mass in B minor (), BWV 232, is an extended setting of the Mass (music)#Ordinarium, Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus for six vocal parts, BWV 232 III (early version), Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include Mass in B minor structure#Et incarnatus est, the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespro Della Beata Vergine
''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin''), SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice (with a dedication to Pope Paul V dated 1 September 1610) as ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is sometimes called Monteverdi's ''Vespers of 1610''. Monteverdi composed the music while musician and composer for the Gonzagas, the dukes of Mantua. The libretto is compiled from several Latin Biblical and liturgical texts. The thirteen movements include the introductory ''Deus in adiutorium'', five Psalms, four ''concertato'' motets and a vocal sonata on the " Sancta Maria" litany, several differently scored stanzas of the hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Vögel (opera)
''Die Vögel'' (''The Birds''), Op. 30, is an opera in a prologue and two acts by Walter Braunfels. The libretto, written by the composer, is a free adaptation of Aristophanes' comedy '' The Birds'' which was performed at the Dionysos Theatre in Athens in 414 BC. Composition history Composition of the opera started in 1913 and was finished in 1919. The score was published by Universal Edition Vienna in 1920. Performance history The opera was first performed on 30 November 1920 at the National Theatre Munich, with Bruno Walter conducting and Maria Ivogün (the Nightingale) and Karl Erb (Good Hope) in the principal roles. This was followed by more than 50 performances in Munich alone the following two years, and by further performances in Berlin, Vienna and Cologne (where Otto Klemperer conducted). The first post-war staging of the opera took place in Karlsruhe in 1971. Another production was staged in Bremen in 1991, followed by a concert performance in Berlin in December 1994. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Gespenstersonate
''Die Gespenstersonate'' is a 1984 German-language opera by Aribert Reimann to a libretto by the composer and Uwe Schendel after August Strindberg's play ''The Ghost Sonata''. Strindberg's play also inspired another opera, '' Die Gespenstersonate'' by Julius Weismann (1930). Premiere World premiere by the Deutsche Oper Berlin at the Hebbel Theater in Berlin with the Junge Deutsche Philharmonie and Ensemble Modern featured: * Der Alte – Hans Günther Nöcker * Die Mumie – Martha Mödl * Der Oberst – Horst Hiestermann * Der Student Arkenholz – David Knutson * Das Fräulein – Gudrun Sieber * Johansson – Donald Grobe * Bengtsson – William Dooley * Die Dunkle Dame – Barbara Scherler * Die Köchin – Kaja Borris A video of the premiere was released on DVD by Arthaus White Wolf Publishing was an American roleplaying game and book publisher. The company was founded in 1991 as a merger between Lion Rampant [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, '' A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart And Salieri (opera)
''Mozart and Salieri'' ( rus, Моцарт и Сальери, Motsart i Salyeri ) is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name. The story follows the apocryphal legend that Antonio Salieri poisoned Wolfgang Amadeus Mozart out of jealousy over the latter's music. Rimsky-Korsakov incorporated quotations from Mozart's ''Requiem'' and ''Don Giovanni'' into the score. Richard Taruskin has placed this opera in the historical context of the development of the realistic tradition in Russian opera. Performance history The first performance took place at the Solodovnikov Theater in Moscow, presented by the Moscow Private Russian Opera, Moscow on 7 December 1898 ( O.S. 25 November). The conductor was Iosif Truffi and scenic designer was Mikhail Vrubel. Feodor Chaliapin, who originated the role of Salieri, claimed to have often sung the piece as a monodrama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), ''Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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