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Larisa Tarkovskaya
Larisa Pavlovna Tarkovskaya (russian: Лариса Павловна Тарковская, née Yegorkina (Егоркина), from 1958, Kizilova (Кизилова); 1 February 1933 – 19 January 1998) was a Soviet film director and actress. She was the second wife of filmmaker Andrei Tarkovsky. She and Tarkovsky married in 1964 and had one child named Andrei. Life Larisa Pavlovna Yegorkina was born on 1 February 1933 in Moscow, Soviet Union to Pavel Vasilyevich Yegorkin, an engineer and Anna Semyonovna, a seamstress. Her parents, who were originally from the village of Avdotyinka, Shilovsky District, Ryazan Oblast, had settled in the capital in 1925. She married the engineer, Igor Kizilov, and in 1958 gave birth to their daughter Olga Kizilova. While filming ''Andrei Rublev'', Kizilova, who had been a production assistant for the film, and Tarkovsky met and they started a relationship. In 1965, Tarkovsky moved in with Kizilova despite still being married to his first wife, Irm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their Slow cinema, slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's Gerasimov Institute of Cinematography, VGIK under filmmaker Mikhail Romm, and subsequently directed his first five feature film, features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev (film), Andrei Rublev'' (1966), ''Solaris (1972 film), Solaris'' (1972), ''Mirror (1975 film), Mirror'' (1975), and ''Stalker (1979 film), Stalker'' (1979). A number of his films from this period are ranked among the List of films considered the best, best films ever made. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hauts-de-Seine
Hauts-de-Seine (; ) is a Departments of France, département in the Île-de-France Regions of France, region, Northern France. It covers Paris's western inner Banlieue, suburbs. It is bordered by Paris, Seine-Saint-Denis and Val-de-Marne to the east, Val-d'Oise to the north, Yvelines to the west and Essonne to the south. With a population of 1,624,357 (as of 2019)Populations légales 2019: 92 Hauts-de-Seine INSEE and a total area of 176 square kilometres (68 square miles), it is the second most List of French departments by population, highly densely populated department of France after Paris. It is the List of French departments by population, fifth most populous department in France. Its Prefectures in France, prefecture is Nanterre although Boulogne-Billancourt, one of its two Subprefec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovski (book)
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm, and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev'' (1966), ''Solaris'' (1972), ''Mirror'' (1975), and ''Stalker'' (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; ''Nostalghia'' (1983) and '' The Sacrifice'' (1986 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Exile And Death Of Andrei Tarkovsky
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Day In The Life Of Andrei Arsenevich
''One Day in the Life of Andrei Arsenevich'' (french: Une journée d'Andrei Arsenevitch) is a 2000 French documentary film directed by Chris Marker, about and an homage to the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series ''Cinéastes de notre temps'' (''Filmmakers of our time''), which in over ninety episodes since 1966 concentrates on individual film directors, film people and film movements. The title of the film is a play on the title of Aleksandr Solzhenitsyn's novella ''One Day in the Life of Ivan Denisovich''. Plot The film combines clips from Tarkovsky's films with footage of Tarkovsky on the set of his last film '' The Sacrifice'' and on his deathbed, during the final stage of his battle with cancer. The film mostly relies on images, with only sparse commentary, and concentrates mainly on giving insight into Tarkovsky's work and philosophy and on exploring the intersections between his private life and his work. The film s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nostalghia
''Nostalghia'' (UK: ''Nostalgia'') is a 1983 Soviet-Italian drama film directed by Andrei Tarkovsky and starring Oleg Yankovsky, Domiziana Giordano, and Erland Josephson. Tarkovsky co-wrote the screenplay with Tonino Guerra. The film depicts a Russian writer (Oleg Yankovsky) who visits Italy to carry out research about an 18th-century Russian composer, but is stricken by homesickness. The film utilizes autobiographical elements drawn from Tarkovsky's own experiences visiting Italy, and explores themes surrounding the untranslatability of art and culture. The film won the Prize of the Ecumenical Jury, the prize for Best Director and the FIPRESCI Prize at the 1983 Cannes Film Festival. It received generally positive reviews from critics. The film received nine total votes in the 2012 ''Sight & Sound'' polls of the greatest films ever made. Plot The Russian writer Andrei Gorchakov travels to Italy to research the life of 18th-century Russian composer Pavel Sosnovsky, who lived th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirror (1975 Film)
''Mirror'' (russian: Зеркало, Zerkalo, link=no) is a 1975 Russian drama film directed by Andrei Tarkovsky. It is loosely autobiographical, unconventionally structured, and incorporates poems composed and read by the director's father, Arseny Tarkovsky. The film features Margarita Terekhova, Ignat Daniltsev, Alla Demidova, Anatoly Solonitsyn, Tarkovsky's wife Larisa Tarkovskaya and his mother Maria Vishnyakova. Innokenty Smoktunovsky provides voiceover and Eduard Artemyev the incidental music and sound effects. ''Mirror'' is structured in the form of a nonlinear narrative, with its main concept dating back to 1964 and undergoing multiple scripted versions by Tarkovsky and Aleksandr Misharin. It unfolds around memories recalled by a dying poet of key moments in his life and in Soviet culture. The film combines contemporary scenes with childhood memories, dreams, and newsreel footage. Its cinematography slips between color, black-and-white, and sepia. The film's loose fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solaris (1972 Film)
''Solaris'' (russian: link=no, Солярис, tr. ''Solyaris'') is a 1972 Soviet science fiction drama film based on Stanisław Lem's 1961 novel of the same title. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev and features a composition by J.S. Bach as its main theme. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station to evaluate the situation, only to encounter the same mysterious phenomena as the others. ''Solaris'' won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was nominated for the Palme d'Or. It received critical acclaim, and is often cited as one of the greatest science fiction films in the history of cinema. The film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Rublev (film)
''Andrei Rublev'' (russian: Андрей Рублёв, ''Andrey Rublyóv'') is a 1966 Soviet biographical historical drama film directed by Andrei Tarkovsky who co-wrote it with Andrei Konchalovsky. The film was re-edited from the 1966 film titled ''The Passion According to Andrei'' by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. The film is loosely based on the life of Andrei Rublev, the 15th-century Russian icon painter. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film. ''Andrei Rublev'' is set against the background of early- 15th-century Russia. Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. Tarkovsky sought to create a film that shows the artist as "a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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