Landscape With Orpheus And Eurydice
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Landscape With Orpheus And Eurydice
''Landscape with Orpheus and Eurydice'' is a 124 × 200 cm (approx 4 × 6.5 feet) oil-on-canvas painting by the French artist Nicolas Poussin, painted between 1650 and 1653. It depicts a mythological subject in the classical style and is in the collection of the Louvre in Paris. History Nicolas Poussin painted this work for his longtime friend and patron Jean Pointel, who was a rich banker in Paris. Pointel also was a member of the libertines, a circle which Poussin himself frequented. It was in Pointel's collection, which had many works by Poussin, but was stored away after the political climate in Paris changed. In its place Poussin`s landscape with snake and dying man, was hung in Pointel`s private collection. Poussin places the story of Orpheus in the Campagna Romana (Roman countryside): the Castel Sant'Angelo and the Torre delle Milizie ("Tower of the Militia") figure in this painting, borrowed from the landscape of the Eternal City. Dense smoke pours from a fire whic ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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List Of Paintings By Nicolas Poussin
This page is a list of paintings by Nicolas Poussin (Les Andelys, Andelys, 15 June 1594 – Rome, 19 November 1665). The attributions vary notably from one art historian to another. Jacques Thuillier, one of the most restrictive, produced a list in 1994 that gave 224 uncontested autograph works and 33 works with minor or major doubts about their attribution to Poussin. Certain attributions have since changed, when paintings thought lost are rediscovered, meaning that this list cannot be considered exhaustive. List This list includes paintings whose locations have been definitely found. The numbers refer to the two last 'catalogues raisonnés' cited in the sources : Thuillier 1994 and Blunt 1966. References Bibliography * * Jacques Thuillier, ''Tout l'œuvre peint de Poussin : Documentation et catalogue raisonné'', Paris, Rizzoli-Flammarion, Les Classique de l'Art series, 1974, 136 p. * Jacques Thuillier, ''Nicolas Poussin'', Paris, Flammarion, 1994, 287 p. () – contai ...
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Paintings In The Louvre By French Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1650s Paintings
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commercial ro ...
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Mythological Paintings By Nicolas Poussin
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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