Lance Fung Gallery
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Lance Fung Gallery
Lance Fung Gallery (1996-2003) was an art gallery of contemporary art once located at 537 Broadway in New York City where it shared an exhibition space with the Emily Harvey Gallery. History The gallery was established in 1996. It closed its doors in 2003. Previously, Lance Fung had been the director of Holly Solomon Gallery for several years. The venue emerged when Lance Fung and artist Nam June Paik approached Emily Harvey suggesting the two galleries cooperate in the space. The result was a schedule of exhibitions important in the New York art scene during its functioning years. Lance Fung Gallery opened its doors in 1996 with an exhibition by Shigeko Kubota, to showcase this artist’s work. Going forward the gallery built a reputation as an innovative venue for Intermedia, site-specific and process based art and installation. The gallery encouraged experimentation with ideas and materials, allowed an artist run layer to dialogue within its overall process and introduced ch ...
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Art Gallery
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum ...
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Gema Alava
Gema Alava (b. 1973 Madrid, Spain) is an artist who lives and works in New York City. Her work, in the form of installation, drawing, photography and art projects, deals with what she calls "contradictory truths", and the capacity to "create a maximum by reversing a minimum." Álava's art projects, in the form of dialogues, verbal descriptions, rumors and random encounters, explore notions of trust and intimacy, and use language as a medium to investigate the interconnections that exist between public, private, educational and interpretative aspects of art." In 2012, she was appointed Cultural Adviser to the World Council of Peoples for the United Nations. In 2021, she published the book ''Como perder el miedo en un museo'' (Ed. El Ojo de la Cultura) She has received a M.F.A.(New Genres) from the San Francisco Art Institute, a M.F.A (Painting) from the Academy of Art University, a B.F.A (Painting) from the Facultad de Bellas Artes de Madrid, Universidad Complutense and the Chelsea C ...
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Art Museums And Galleries Disestablished In 2003
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, s ...
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