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Lamentation Of Christ (van Der Weyden)
The ''Lamentation of Christ'' is an oil-on-panel painting of the common subject of the Lamentation of Christ by the Netherlandish artist Rogier van der Weyden, dating from around 1460–1463 and now in the Uffizi Gallery, Florence, Italy. History The work is perhaps the "altarpiece ithOur Lord's sepulchre ..and other five figures" which appear in the inventory made in 1492 at the death of Lorenzo de' Medici, and which decorated his Villa at Careggi since as early as 1482. The panel was thus one of the works commissioned by the Medici to van der Weyden, including the ''Medici Madonna'' now at Städel of Frankfurt, which has been also assigned to the artist's trip to Italy in 1450. Another hypothesis is that the panel was part of a lost triptych painted for Lionello d'Este of Ferrara, and mentioned in 1449, or that it was the painting described by Giorgio Vasari as Hans Memling's. The panel adopts the same scheme in Fra Angelico's ''Pietà'' for the predella of the San Marco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo De' Medici
Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker, and inter-marriage with other powerful and rich families. He was a patron of arts, learning and architecture. He spent over 600,000 gold florins (approx. $500 million inflation adjusted) on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity. Despite his influence, his power was not absolute; Florence's legislative councils at times resisted his proposals throughout his life, and he was viewed as first among equals, rather than an autocrat.Martines, Lauro (2011). ''The Social World of the Florentine Humanists, 1390–1460''. University of Toronto Press. p. 8. Biography Early life and family business Cosimo de' Medici was born in Florence to Giovanni di Bicci de' Med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicodemus
Nicodemus (; grc-gre, Νικόδημος, Nikódēmos) was a Pharisee and a member of the Sanhedrin mentioned in three places in the Gospel of John: * He first visits Jesus one night to discuss Jesus' teachings (). * The second time Nicodemus is mentioned, he reminds his colleagues in the Sanhedrin that the law requires that a person be heard before being judged (). * Finally, Nicodemus appears after the Crucifixion of Jesus to provide the customary embalming spices, and assists Joseph of Arimathea in preparing the body of Jesus for burial (). An apocryphal work under his name—the Gospel of Nicodemus—was produced in the mid-4th century, and is mostly a reworking of the earlier Acts of Pilate, which recounts the Harrowing of Hell. Although there is no clear source of information about Nicodemus outside the Gospel of John, Ochser and Kohler (in an article in ''The Jewish Encyclopedia'') and some historians have speculated that he could be identical to Nicodemus ben Gurion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Of Arimathea
Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. The historical location of Arimathea is uncertain, although it has been identified with several towns. A number of stories that developed during the Middle Ages connect him with Glastonbury, England and also with the Holy Grail legend. Gospel narratives describes him simply as a rich man and disciple of Jesus, but according to Joseph of Arimathea was "a respected member of the council, who was also himself looking for the kingdom of God"; adds that he "had not consented to their decision and action". According to , upon hearing of Jesus' death, this secret disciple of Jesus "asked Pilate that he might take away the body of Jesus, and Pilate gave him permission." Joseph immediately purchased a linen shroud () and proceeded to Golgotha to take the body of Jesus down from the cross. There, according to , Joseph and Nicodemus took t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Baldinucci
Filippo Baldinucci (3 June 1625 – 10 January 1696) was an Italian art historian and biographer. Life Baldinucci is considered among the most significant Florentine biographers/historians of the artists and the arts of the Baroque period. Patronised by the Medici, he aspired to become the new Vasari by renewing and expanding his biographies of artists, to which Baldinucci added lives of French and Flemish artists omitted by Vasari. His most important work was this biographical dictionary of artists, ''Notizie de' professori del disegno da Cimabue in qua'', of which the publication began in 1681 and continued after his death. His biography of Gian Lorenzo Bernini was published in 1682. Baldinucci came from a prominent and wealthy family of the Florentine merchant elite. As well as writing he drew portraits in chalk and modeled in clay; many of his deft and lively chalk portraits of friends are in the collection of the Uffizi. For Cardinal Leopoldo de' Medici, brother of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo De' Medici
Carlo di Cosimo de' Medici (1428 or 1430 – May 29, 1492) was an Italian priest. A member of the powerful Medici family, he became a senior clergyman and collector. Early life Born in Florence, he was the Legitimacy (family law), illegitimate son of Cosimo de' Medici (the Elder) and a Slavery, slave-woman named Maddalena, who was said to have been purchased in Venice. It is widely accepted that Maddalena was a Adyghe people, Circassian, as hinted by Carlo's "intense blue eyes" and other "marked Circassian features" as well. However, it has been once suggested that his mother might have been a black African, only because of the apparently dusky features depicted in Mantegna's portrait of Carlo. Career His father forced him to take on a religious life. After becoming Canon (priest), canon of the cathedral at Florence in 1450, he was appointed Rector (ecclesiastical), rector of Pieve di Santa Maria (Cèllole), Pieve di Santa Maria (Dicomano) in Mugello region, Mugello and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Facio
Bartolomeo Facio (c. before 1410 – 1457), Latinized as Bartholomaus Facius, was an Italian historian, writer and humanist.ometimes "Fazio'"> ''Dictionary of Art Historians'': "Facio, Bartolomeo [sometimes "Fazio' latinized as, Facius, Bartholomaus. Facio was born into a wealthy family of La Spezia, Liguria. He studied in Verona, where he studied with Guarino da Verona, Florence, where he added Greek to his Latin, and Genoa and was a notary in Lucca and Genoa. In 1443 he moved to Naples at first as the Genoese envoy, then by 1445 at the service of King Alfonso V of Aragon as secretary and official historian. Facius served as tutor to Prince Ferrante, who became Ferdinand I of Naples. In addition to translations, his works include ''De viris illustribus'' (1456), which comprises over ninety brief lives, organized by professions; his introduction to the section of painters ranks him among art historians. He also wrote the court history ''De rebus gestis ab Alphonso I Neapolitan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alte Pinakothek
The Alte Pinakothek (, ''Old Pinakothek'') is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria. The building King Ludwig I of Bavaria ordered Leo von Klenze to erect a new building for the gallery for the Wittelsbach collection in 1826. The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. Even the Neo-Renaissance exterior of the Pinakothek clearly stands out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marco Altarpiece
The ''San Marco Altarpiece'' (also known as ''Madonna and Saints'') is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443. In addition to the main panel depicting the enthroned Virgin and Child surrounded by Angels and Saints, there were nine predella panels accompanying it, narrating the legend of the patron saints, Saints Cosmas and Damian. Only the main panel actually remains to be seen in the Convent of San Marco, Florence, Italy, today, along with two predella panels depicting saints which were purchased back for the museum as recently as 2007. The ''San Marco Altarpiece'' is known as one of the best early Renaissance paintings for its employment of metaphor and perspective, ''trompe-l'œil'', and the intertwining of Dominican religious themes and symbols with contemporary, political messages. Backg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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